Complete Recordings on Archiv Produktion and Deutsche Grammophon 1

~ Release by Karl Richter (see all versions of this release, 11 available)

Tracklist

▶ CD 1: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
▶ CD 2: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
▶ CD 3: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
▼ CD 4: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 13. Chorus: “Credo in unum Deum”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:15
2Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 14. Chorus: “Patrem omnipotentem”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:08
3Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 15. Duet: “Et in unum Dominum” (soprano, alto)
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
soprano vocals:
Ursula Buckel (soprano) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:54
4Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 16. Chorus: “Et incarnatus est”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:37
5Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 17. Chorus: “Crucifixus”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:26
6Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 18. Chorus: “Et resurrexit”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:25
7Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 19. Aria: “Et in Spiritum Sanctum” (bass)
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
bass vocals:
Ernst Gerold Schramm (German baritone) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:51
8Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 20. Chorus: “Confiteor”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:52
9Mass in B minor, BWV 232: Symbolum Nicenum (Credo): 21. Chorus: “Et exspecto resurrectionem”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:21
10Mass in B minor, BWV 232: Sanctus. 22. Chorus: “Sanctus”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:15
11Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 23. Chorus: “Osanna in excelsis”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:21
12Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 24. Aria: “Benedictus” (tenor)
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:06
13Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 25. Chorus: “Osanna in excelsis” (da capo)
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:08
14Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 26. Aria: “Agnus Dei” (alto)
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:01
15Mass in B minor, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem. 27. Chorus: “Dona nobis pacem”
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:50
▶ CD 5: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
▶ CD 6: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
▶ CD 7: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
▶ CD 8: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
▶ CD 9: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
▶ CD 10: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
▶ CD 11: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
▶ CD 12: Bach: St. John Passion, BWV 245 (Part II cont.)