A Guide to Classical Music: The Guitar

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Concerto in D major for Lute, Two Violins and Continuo, RV 93: I. (Allegro giusto)
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (Arr. for Guitar by Pepe Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: I. Allegro giusto
Antonio Vivaldi4:10
2Concerto in D major for Lute, Two Violins and Continuo, RV 93: II. Largo
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi3:54
3Concerto in D major for Lute, Two Violins and Continuo, RV 93: III. Allegro
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (Arr. for Guitar by Pepe Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: III. Allegro
Antonio Vivaldi2:28
4Suite in E minor, BWV 996: I. Praeludium
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: I. Präludium. Presto (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: I. Präludium. Presto
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach2:54
5Suite in E minor, BWV 996: II. Allemande
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: II. Allemande (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: II. Allemande
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach2:19
6Suite in E minor, BWV 996: III. Courante
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: III. Courante (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: III. Courante
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach2:48
7Suite in E minor, BWV 996: IV. Sarabande
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: IV. Sarabande (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: IV. Sarabande
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach3:52
8Suite in E minor, BWV 996: V. Bourrée
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: V. Bourrée
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach1:16
9Suite in E minor, BWV 996: VI. Gigue
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: VI. Gigue
part of:
Suite in E minor, BWV 996 (catch all for arrangements)
Johann Sebastian Bach3:18
10Guitar Quintet no. 4 in D major, G. 448: I. Pastorale
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": I. Pastorale (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : I, Pastorale
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini4:29
11Guitar Quintet no. 4 in D major, G. 448: II. Allegro maestoso
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": II. Allegro maestoso (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : II, Allegro maestoso
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini5:03
12Guitar Quintet no. 4 in D major, G. 448: III. Grave assai - IV. Fandango
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
compilation of:
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai by Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero (classical and flamenco guitarist) and Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango by Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero (classical and flamenco guitarist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:24
13Cavatina
engineer:
Lars Finnström (engineer) (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (classical guitarist) (from 1981-05 until 1981-06)
guitar:
Göran Söllscher (classical guitarist) (in 1981-06)
guitar arranger:
John Williams (classical guitarist)
phonographic copyright (℗) by:
PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios (Skurup) in Skurup Municipality, Skåne, Sweden (from 1981-05 until 1981-06)
recording of:
Cavatina (catch-all for arrangements) (from 1981-05 until 1981-06)
composer:
Stanley Myers
arrangement of:
Cavatina (theme from The Deer Hunter, for guitar)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:36
14Concerto no. 1 in A major for Guitar and Orchestra, op. 30: I. Allegro maestoso
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: I. Allegro maestoso (in 1986-12)
composer:
Mauro Giuliani (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani9:01
15Concerto no. 1 in A major for Guitar and Orchestra, op. 30: II. Andante siciliano
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: II. Andantino siciliano (in 1986-12)
composer:
Mauro Giuliani (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:23
16Concerto no. 1 in A major for Guitar and Orchestra, op. 30: III. Alla polacca
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
Enrique García Asensio (conductor) and George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: III. Alla polacca (in 1986-12)
composer:
Mauro Giuliani (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani7:05
17Recuerdos de la Alhambra
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Recuerdos de la Alhambra
composer:
Francisco Tárrega
Francisco Tárrega4:41
18Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": I. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
Ferdinando Carulli7:16
19Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": II. Largo
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
Ferdinando Carulli3:03
20Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": III. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
Ferdinando Carulli5:13
21Choro no. 1 "Choro tipico"
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Choros nº 1, W161
composer:
Heitor Villa‐Lobos (in 1920)
part of:
Appleby Catalogue (W) (number: W161)
Heitor Villa‐Lobos4:55
22Preludes for Solo Guitar, W 419: Prelude no. 1 in E minor: Andantino espressivo
producer:
Hans Hirsch (producer at Deutsche Grammophon)
classical guitar:
Narciso Yepes (classical guitarist) (in 1970-10)
guitar:
Narciso Yepes (classical guitarist)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
engineered at:
Studio des Dames in Paris, Île-de-France, France (in 1970-10)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (in 1970-10)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos4:40
23Preludes for Solo Guitar, W 419: Prelude no. 2 in E major: Andantino espressivo
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Cinco prelúdios, W419, nº 2: Andantino
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos3:08
24Preludes for Solo Guitar, W 419: Prelude no. 3 in A minor: Andante
guitar:
Celin Romero
recording of:
Cinco prelúdios, W419, nº 3: Andante
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (for guitar)
Heitor Villa‐Lobos5:50
25Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:13
26Concierto de Aranjuez for Guitar and Orchestra: II. Adagio
cor anglais:
Barry Davis (classical oboist) (in 1978-08)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: II. Adagio (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
recording of:
Concierto de Aranjuez: II. Adagio (in 1979)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo12:06
27Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:23
28Romance d'Amour
classical guitar and guitar:
Göran Söllscher (classical guitarist) (in 1983-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Mastersound Studio (Skurup) in Skurup Municipality, Skåne, Sweden (in 1983-11)
recording of:
Romance (Romance anónimo, guitar piece) (in 1983-11)
composer:
[anonymous] (special purpose artist)
recording of:
Romance d’amour (in 1983-11)
composer:
[anonymous] (special purpose artist)
[unknown]2:25
29Suite espanola, op. 47: Granada (Serenata)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:34
30Suite espanola, op. 47: Sevilla (Sevillanas)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:20
31Suite espanola, op. 47: Asturias (Leyenda)
classical guitar:
Pepe Romero (classical and flamenco guitarist)
additional arranger:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (in 1983)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (transcription for guitar, Tárrega)
composer:
Isaac Albéniz
arranger:
Francisco Tárrega
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:15
32El amor brujo (The Love Magician): Danza ritual del fuego (Ritual Fire Dance)
guitar:
Celedonio Romero, Celin Romero, Celino Romero and Pepe Romero (classical and flamenco guitarist)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:27
33Primavera Porteña
guitar:
Göran Söllscher (classical guitarist)
recording of:
Primavera porteña
composer:
Astor Piazzolla (composer and bandoneón player) (in 1970)
part of:
Las cuatro estaciones porteñas
Astor Piazzolla3:52