My Baby Just Cares for Me

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1My Baby Just Cares for Me
recorded at:
Ronnie Scott’s in Soho, Westminster, London (Greater London), England, United Kingdom (on 1984-11-17)
live cover recording of:
My Baby Just Cares for Me (on 1984-11-17)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3:41
2I Loves You Porgy
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I Loves You, Porgy”
44:13
3Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
54:06
4I Got It Bad (And That Ain’t Good)
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:06
5Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:36
6Central Park Blues
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
recording of:
Central Park Blues (in 1957-12)
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Memory Music Lane Ltd.
56:54
7Good Bait
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:31
8Plain Gold Ring
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
33:56
9Hey, Buddy Bolden
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
32:27
10Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
4.52:35
11Black Is the Colour of My True Loves Hair
producer:
Jack Gold
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (in 1964)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3.53:29
12Stompin’ at the Savoy
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Stompin’ at the Savoy (in 1959)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
42:09
13Theme from “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
writer:
George Bassman and Paddy Chayefsky
32:30
14Tomorrow (We Will Meet Once More)
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Tomorrow (We Will Meet Once More) (in 1959)
writer:
Stephen Gale and Jerry Silverman
43:03
15That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
4.352:32
16Can’t Get Out of This Mood
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Can’t Get Out of This Mood (in 1959)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
42:33
17Solitaire
cover recording of:
Solitaire
writer:
Reneé Borek, King Guion and Carl Nutter
3:25
18Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
2:55
19Forbidden Fruit
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
recording of:
Forbidden Fruit (in 1961)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:47
20Nobody Knows You When You’re Down and Out
cover recording of:
Nobody Knows You When You’re Down and Out
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:40
▶ CD 2