Blowing the Fuse: 29 R&B Classics That Rocked the Jukebox in 1959

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Try Me
recorded in:
New York, New York, United States (on 1958-09-18)
producer:
Andy Gibson (trumpet, arranger, composer)
alto saxophone:
George Dorsey (on 1958-09-18)
bass:
Carl Pruitt (Double bass player) (on 1958-09-18)
drums (drum set):
David Francis (US swing jazz drummer) (on 1958-09-18)
guitar:
Kenny Burrell (on 1958-09-18)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-09-18)
tenor saxophone:
Clifford Scott (on 1958-09-18)
background vocals:
J.W. Archer (on 1958-09-18), Bill Hollings (on 1958-09-18), Louis Madison (on 1958-09-18) and Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1958-09-18)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1958-09-18)
performer:
James Brown & The Famous Flames (on 1958-09-18)
recorded at:
Beltone Studios in New York, New York, United States (on 1958-09-18)
recording of:
Try Me (on 1958-09-18)
lyricist and composer:
James Brown (“The Godfather of Soul”)
James Brown and the Famous Flames52:31
2So Fine
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 24)
cover recording of:
So Fine
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Co. and Valley Music Ltd (publisher)
recording of:
So Fine
lyricist and composer:
Johnny Otis
publisher:
Eldorado Music Co. and Valley Music Ltd (publisher)
The Fiestas2:19
3Pretty Girls Everywhere
recording of:
Pretty Girls Everwhere
writer:
Eugene Church, Thomas Williams (1960s singer-songwriter) and Tommy ‘Buster’ Williams (The Fellows)
Eugene Church & The Fellows2:54
4I Cried a Tear
recording of:
I Cried a Tear
writer:
Fred Jay and Al Julia
LaVern Baker2:35
5Stagger Lee
Lloyd Price with Don Costa & His Orchestra2:22
6Sorry (I Ran All the Way Home)
recording of:
Sorry (I Ran All the Way Home)
writer:
Harry Giosasi and Arthur Zwirn
The Impalas with Leroy Holmes Orchestra2:33
7It's Just a Matter of Time
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1959)
recording of:
It’s Just a Matter of Time
writer:
Belford C. Hendricks, Brook Benton and Clyde Otis (American songwriter and record producer)
publisher:
Carlin Music Corporation and Eden Music, Inc.
Brook Benton2:28
8Kansas City
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 5)
cover recording of:
Kansas City (aka “K.C. Loving”)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
Wilbert Harrison32:27
9The Twist
recording of:
The Twist
lyricist and composer:
Hank Ballard
publisher:
Carlin Music Corp. and Embassy Music Corporation (from 2016-06 to present)
Hank Ballard and the Midnighters42:37
10Sixteen Candles
recording of:
16 Candles
writer:
Luther Dixon and Allyson R. Khent
publisher:
January Music Corp.
The Crests42:51
11Farmer John
Don & Dewey2:28
12The Happy Organ
Dave "Baby" Cortez2:00
13There Is Something on Your Mind (feat. Little Sonny)
Big Jay McNeely3:32
14You're So Fine
The Falcons2:25
15Almost Grown
producer:
Leonard & Phil Chess (Legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.52:21
16What a Diff'Rence a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:30
17There Goes My Baby
guitar:
Reggie Kimber (on 1959-03-06)
baritone vocals:
Dock Green (on 1959-03-06)
bass vocals:
Elsbeary Hobbs (on 1959-03-06)
lead vocals:
Ben E. King (on 1959-03-06)
tenor vocals:
Charlie Thomas (The Drifters) (on 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
Coastal Recording in New York, New York, United States (on 1959-03-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 2) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 193)
recording of:
There Goes My Baby (on 1959-03-06)
writer:
Ben E. King, Jerry Leiber, Lover Patterson, Mike Stoller and George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. and Sony/ATV Songs LLC
The Drifters4.52:12
18What'd I Say, Parts 1 & 2
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:29
19Sea of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 39)
recording of:
Sea of Love
lyricist:
Philip Baptiste (US singer and songwriter, author of "Sea of Love")
composer:
George Khoury and Philip Baptiste (US singer and songwriter, author of "Sea of Love")
Phil Phillips & The Twilights4.52:23
20Love Potion, No. 9
The Clovers1:51
21Hey Little Girl
Dee Clark2:17
22Shout, Parts 1 & 2
recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Longitude Music Co. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers4:40
23I Only Have Eyes for You
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 21), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 157) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 175)
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos4.353:24
24The Clouds
The Spacemen2:46
25You Got What It Takes
Marv Johnson2:51
26I Want to Walk You Home
recording of:
I Want to Walk You Home
lyricist and composer:
Antoine Dominique Domino
Fats Domino2:20
27Say Man
Bo Diddley3:11
28Poison Ivy
recording of:
Poison Ivy
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation and Sony/ATV Songs LLC
The Coasters2:41
29You Better Know It
recording of:
You Better Know It
lyricist and composer:
Jackie Wilson (soul singer)
Jackie Wilson1:59

Credits

Release Group

part of:Blowing the Fuse (number: 1959) (order: 15)