The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Release by Karl Böhm (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Beethoven: Fidelio (Act I)
▶ CD 2: Beethoven: Fidelio (Act II)
▶ CD 3: Beethoven: Missa Solemnis [1955]
▶ CD 4: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
▶ CD 5: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
▶ CD 6: Berg: Wozzeck (Acts I, II & III beg.)
▶ CD 7: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
▶ CD 8: Berg: Lulu (Act II)
▶ CD 9: Handel: Giulio Cesare (Highlights)
▶ CD 10: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
▶ CD 11: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
▶ CD 12: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
▶ CD 13: Mozart: Idomeneo (Act I)
▶ CD 14: Mozart: Idomeneo (Act II)
▶ CD 15: Mozart: Idomeneo (Act III)
▶ CD 16: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
▶ CD 17: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
▼ CD 18: Mozart: Le nozze di Figaro (Acts I & II beg.)
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Ouverture
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart4:16
2Le nozze di Figaro, K. 492: Atto Primo. N. 1 Duetto: “Cinque … dieci … venti … trenta …” (Figaro, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:46
3Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cosa stai misurando” (Susanna, Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:40
4Le nozze di Figaro, K. 492: Atto Primo. N. 2 Duettino: “Se a caso Madama la notte ti chiama” (Figaro, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:36
5Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:31
6Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Bravo, Signor padrone!” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:51
7Le nozze di Figaro, K. 492: Atto Primo. N. 3 Cavatina: “Se vuol ballare, Signor Contino” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:34
8Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:03
9Le nozze di Figaro, K. 492: Atto Primo. N. 4 Aria: “La vendetta, o, la vendetta” (Bartolo)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Bartolo]:
Peter Lagger (operatic bass singer) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:08
10Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Tutto ancor no ho perso” (Marcellina, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:47
11Le nozze di Figaro, K. 492: Atto Primo. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Marcellina]:
Patricia Johnson (mezzo-soprano vocalist) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:20
12Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Va là, vecchia pedante” (Susanna, Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:43
13Le nozze di Figaro, K. 492: Atto Primo. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:12
14Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ah, son perduto!” (Cherubino, Susanna, Conte, Basilio)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:07
15Le nozze di Figaro, K. 492: Atto Primo. N. 7 Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart4:28
16Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:52
17Le nozze di Figaro, K. 492: Atto Primo. N. 8 Coro: “Giovani liete, fiori spargete” (Contadini)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:15
18Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cos’è questa commedia?” (Conte, Figaro, Susanna, Coro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:18
19Le nozze di Figaro, K. 492: Atto Primo. N. 8a Coro: “Giovani liete, fiori spargete” (Contadini)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart0:59
20Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Evviva!” - “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Il Conte di Almaviva]:
Dietrich Fischer‐Dieskau (baritone) (in 1968-03)
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
tenor vocals [Basilio]:
Erwin Wohlfahrt (tenor) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:05
21Le nozze di Figaro, K. 492: Atto Primo. N. 9 Aria: “Non più andrai, farfallone amoroso” (Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:53
22Le nozze di Figaro, K. 492: Atto Secondo. N. 10 Cavatina: “Porgi, amor, qualche ristoro” (Contessa)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:15
23Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:18
24Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quanto duolmi, Susanna” (Contessa, Susanna, Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:14
25Le nozze di Figaro, K. 492: Atto Secondo. N. 11 Canzona: “Voi che sapete che cosa è amor” (Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:03
26Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Bravo! che bella voce!” (Contessa, Susanna, Cherubino)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:02
27Le nozze di Figaro, K. 492: Atto Secondo. N. 12 Aria: “Venite… inginocchiatevi…” (Susanna)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
choir vocals:
Chor der Deutschen Oper Berlin (in 1968-03)
soprano vocals and soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:16
▶ CD 19: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶ CD 20: Mozart: Le nozze di Figaro (Act IV)
▶ CD 21: Mozart: Don Giovanni (1967) (Act I beg.)
▶ CD 22: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
▶ CD 23: Mozart: Don Giovanni (1967) (Act II cont.)
▶ CD 24: Mozart: Don Giovanni (1977) (Act I beg.)
▶ CD 25: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
▶ CD 26: Mozart: Don Giovanni (1977) (Act II cont.)
▶ CD 27: Mozart: Così fan tutte (Act I beg.)
▶ CD 28: Mozart: Così fan tutte (Acts I cont. & II)
▶ CD 29: Mozart: Die Zauberflöte (Act I)
▶ CD 30: Mozart: Die Zauberflöte (Act II beg.)
▶ CD 31: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
▶ CD 32: Mozart: La clemenza di Tito (Act I)
▶ CD 33: Mozart: La clemenza di Tito (Act II)
▶ CD 34: Mozart: Requiem
▶ CD 35: R. Strauss: Salome (Scenes I-IV beg.)
▶ CD 36: R. Strauss: Salome: (Scene IV cont.)
▶ CD 37: R. Strauss: Elektra (beg.)
▶ CD 38: R. Strauss: Elektra (cont.)
▶ CD 39: R. Strauss: Der Rosenkavalier (1958) (Act I)
▶ CD 40: R. Strauss: Der Rosenkavalier (1958) (Act II)
▶ CD 41: R. Strauss: Der Rosenkavalier (1958) (Act III)
▶ CD 42: R. Strauss: Der Rosenkavalier (1969) (Act I)
▶ CD 43: R. Strauss: Der Rosenkavalier (1969) (Act II)
▶ CD 44: R. Strauss: Der Rosenkavalier (1969) (Act III)
▶ CD 45: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
▶ CD 46: R. Strauss: Ariadne auf Naxos (1944) (Oper)
▶ CD 47: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
▶ CD 48: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
▶ CD 49: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
▶ CD 50: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
▶ CD 51: R. Strauss: Die Frau ohne Schatten (Act I)
▶ CD 52: R. Strauss: Die Frau ohne Schatten (Act II)
▶ CD 53: R. Strauss: Die Frau ohne Schatten (Act III)
▶ CD 54: R. Strauss: Arabella (Act I)
▶ CD 55: R. Strauss: Arabella (Act II)
▶ CD 56: R. Strauss: Arabella (Act III)
▶ CD 57: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
▶ CD 58: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
▶ CD 59: R. Strauss: Daphne (beg.)
▶ CD 60: R. Strauss: Daphne (cont.)
▶ CD 61: R. Strauss: Capriccio (Scenes I - IX beg.)
▶ CD 62: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
▶ CD 63: Wagner: Der fliegende Holländer (Acts I & II beg.)
▶ CD 64: Wagner: Der fliegende Holländer (Acts II cont. & III)
▶ CD 65: Wagner: Tristan und Isolde (Act I)
▶ CD 66: Wagner: Tristan und Isolde (Act II)
▶ CD 67: Wagner: Tristan und Isolde (Act III)
▶ CD 68: Das Vermächtnis meines Meisters
▶ CD 69: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
▶ CD 70: Karl Böhm: Erzähltes Leben

Credits

Release

photography:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
miscellaneous support:Harald Reiter (task: project manager)
compiler:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
design:Fred Münzmaier
booklet editor:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]