Bach 333: Sacred & secular vocal (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

▶ CD 1: 4-Part Chorales, BWV 250-318 AC-GO
▶ CD 2: 4-Part Chorales, BWV 319-381 GO-ME
▶ CD 3: 4-Part Chorales, BWV 382-438 MI-WO
▶ CD 4: Magnificat BWV 243, 243a
▶ CD 5: Motets
▶ CD 6: Mass in B minor (1 Mortensen)
▶ CD 7: Mass in B minor (2 Mortensen)
▶ CD 8: Mass in B minor (1 Brüggen)
▶ CD 9: Mass in B minor (2 Brüggen) / Missa BWV 233
▶ CD 10: Missas BWV 234-236
▶ CD 11: St. John Passion (1724) (1 Gardiner)
▶ CD 12: St. John Passion (1724) (2 Gardiner)
▶ CD 13: St. John Passion (1749) (1 Suzuki)
▶ CD 14: St. John Passion (1749) (2 Suzuki)
▶ CD 15: St. Matthew Passion (1 Gardiner)
▶ CD 16: St. Matthew Passion (2 Gardiner)
▶ CD 17: St. Matthew Passion (1 McCreesh)
▶ CD 18: St. Matthew Passion (2 McCreesh)
▶ CD 19: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▼ CD 20: Easter Oratorio / Ascension Oratorio (Leonhardt)
#TitleRatingLength
1Easter Oratorio, BWV 249: 1. Sinfonia
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
4:11
2Easter Oratorio, BWV 249: 2. Adagio
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
4:13
3Easter Oratorio, BWV 249: 3. Chorus: "Kommt, eilet und laufet"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
5:37
4Easter Oratorio, BWV 249: 4. Recitative: "O kalter Männer Sinn"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:55
5Easter Oratorio, BWV 249: 5. Aria: "Seele, deine Spezereien"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
10:51
6Easter Oratorio, BWV 249: 6. Recitative: "Hier ist die Gruft"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:42
7Easter Oratorio, BWV 249: 7. Aria: "Sanfte soll mein Todeskummer"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
7:28
8Easter Oratorio, BWV 249: 8. Recitative: "Indessen seufzen wir"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:53
9Easter Oratorio, BWV 249: 9. Aria: "Saget, saget mir geschwinde"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
5:52
10Easter Oratorio, BWV 249: 10. Recitative: "Wir sind erfreut"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:38
11Easter Oratorio, BWV 249: 11. Chorus: "Preis und Dank"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
2:35
12Ascension Oratorio, BWV 11: 1. Chorus: "Lobet Gott in seinen Reichen"
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
5:21
13Ascension Oratorio, BWV 11: 2. Recitative: "Der Herr Jesus hub seine Hände auf"
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:30
14Ascension Oratorio, BWV 11: 3. Recitative: "Ach, Jesu, ist dein Abschied schon so nah"
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:05
15Ascension Oratorio, BWV 11: 4. Aria: "Ach, bleibe doch, mein leibstes Leben"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:59
16Ascension Oratorio, BWV 11: 5. Recitative: "Und ward aufgehoben zusehends"
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:26
17Ascension Oratorio, BWV 11: 6. Chorale: "Nun lieget alles unter dir"
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
1:05
18Ascension Oratorio, BWV 11: 7a. Recitative: "Und sa sie ihm nachshen gen Himmel fahren"
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:01
19Ascension Oratorio, BWV 11: 7b. Recitative: "Ach ja! So komme bald zurück"
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:35
20Ascension Oratorio, BWV 11: 7c. Recitative: "Sie aber beteten ihn an"
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:40
21Ascension Oratorio, BWV 11: 8. Aria: "Jesus, deine Gnadenblicke"
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:59
22Ascension Oratorio, BWV 11: 9. Chorale: "Wenn soll es doch geschehen"
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:52
▶ CD 21: Christmas Oratorio (1 Gardiner)
▶ CD 22: Christmas Oratorio (2 Gardiner)
▶ CD 23: Christmas Oratorio (1 Chailly)
▶ CD 24: Christmas Oratorio (2 Chailly)
▶ CD 25: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶ CD 26: Cantatas 134a, 203, 173a (1719-c. 1723)
▶ CD 27: Cantatas 36c, 205, 34a (1725-1726)

Credits

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]