The Great Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

Nabucco is remasterised in 1998, Macbeth in 1999, Rigoletto in 1997, Simon Boccanegra in 2000, un ballo in maschera in 1997 and Don Carlo in 2000. The others are originals.

Annotation last modified on 2017-02-04 16:36 UTC.

Tracklist

▶ CD 1: Nabucco CD 1 (Muti, 1977-78)
▶ CD 2: Nabucco CD 2 (Muti, 1977-78)
▶ CD 3: Ernani CD 1 (Muti, 1982)
▶ CD 4: Ernani CD 2 (Muti, 1982)
▶ CD 5: Giovanna d'Arco CD 1 (Levine, 1972)
▶ CD 6: Giovanna d'Arco CD 2 (Levine, 1972)
▶ CD 7: Attila, CD 1 (Muti, 1989)
▶ CD 8: Attila, CD 2 (Muti, 1989)
▶ CD 9: Macbeth, CD 1 (Muti, 1976)
▶ CD 10: Macbeth, CD 2 (Muti, 1976)
▶ CD 11: Rigoletto, CD 1 (Serafin, 1955)
▶ CD 12: Rigoletto, CD 2 (Serafin, 1955)
▶ CD 13: Il Trovatore CD 1 (Pappano, 2001)
▶ CD 14: Il Trovatore CD 2 (Pappano, 2001)
▶ CD 15: La traviata, CD 1 (Muti, 1980)
▶ CD 16: La traviata, CD 2 (Muti, 1980)
▶ CD 17: I Vespri Siciliani, CD 1 (Muti, 1989-90)
▶ CD 18: I Vespri Siciliani, CD 2 (Muti, 1989-90)
▶ CD 19: I Vespri Siciliani, CD 3 (Muti, 1989-90)
▶ CD 20: Simon Boccanegra, CD 1 (Santini, 1957)
▶ CD 21: Simon Boccanegra, CD 2 (Santini, 1957)
▶ CD 22: Un ballo in maschera, CD 1 (Muti, 1975)
▶ CD 23: Un ballo in maschera, CD 2 (Muti, 1975)
▶ CD 24: La forza del destino, CD 1 (Muti, 1986)
▶ CD 25: La forza del destino, CD 2 (Muti, 1986)
▶ CD 26: La forza del destino, CD 3 (Muti, 1986)
▶ CD 27: Don Carlo, CD 1 (Giulini, 1970)
▶ CD 28: Don Carlo, CD 2 (Giulini, 1970)
▼ CD 29: Don Carlo, CD 3 (Giulini, 1970)
#TitleRatingLength
1Don Carlo: Act 4 Scene 1: No. 14, Introduzione (Andante sostenuto)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°10. Introduzione e scena: Introduzione (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
2Don Carlo: Act 4 Scene 1: Scena, "Ella giammai m'amò" (Filippo)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
?:??
3Don Carlo: Act 4 Scene 1: "Dormirò sol nel manto mio regal" (Filippo)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
part of:
Don Carlo: Atto III (IV)
?:??
4Don Carlo: Act 4 Scene 1: No. 15, Scena, "Il Grand'Inquisitor!" (Lerma, Inquisitor, Filippo)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass) (from 1970-08-18 until 1970-08-31)
tenor vocals [Lerma]:
Ryland Davies (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
5Don Carlo: Act 4 Scene 1: "Nell' ispano suol mai l'eresia dominò"
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Allora son io che a voi parlerò, sire. Nell'ispano suol mai l'ere sia dominò” (Il grande inquisitore) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
6Don Carlo: Act 4 Scene 1: "Mio padre, che tra noi la pace alberghi ancor" (Inquisitor, Filippe)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°11 Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) (from 1970-08-18 until 1970-08-31)
part of:
Don Carlo: Atto III (IV)
?:??
7Don Carlo: Act 4 Scene 1: No. 16, Scena e Quartetto, "Giustizia, giustizia, sire!" (Elisabetta, Filippo)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
8Don Carlo: Act 4 Scene 1: "Ardita troppo voi favellate!"
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
?:??
9Don Carlo: Act 4 Scene 1: "Ah! si maledetto, sospetto fatale" (Filippo, Elisabetta, Eboli, Rodrigo)
assistant producer:
Gwyn Morris (record producer)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Rodrigo]:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
10Don Carlo: Act 4 Scene 1: No. 17, Scena ed Aria, "Pietà! Pietà! perdon!" (Eboli, Elisabetta)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
11Don Carlo: Act 4 Scene 1: "Ah! più non vedrò la Regina! O don fatale, o don crudel"
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 1. N°13 “Ah! più non vedrò la Regina!” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
12Don Carlo: Act 4 Scene 1: "O mia Regina, io t'immolai" (Eboli)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
13Don Carlo: Act 4 Scene 2: No. 18, Morte di Rodrigo e Sommossa, "Son io, mio Carlo" (Rodrigo, Don Carlo)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
vocals:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
14Don Carlo: Act 4 Scene 2: "Per me giunto è il dì supremo" (Rodrigo)
vocals:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
15Don Carlo: Act 4 Scene 2: "Che parli tu di morte?" (Don Carlo, Rodrigo)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
vocals:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
16Don Carlo: Act 4 Scene 2: "O Carlo, ascolta ... La madre t'aspetta"
vocals:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
17Don Carlo: Act 4 Scene 2: "Io morrò ma lieto in core" (Rodrigo)
vocals:
Sherrill Milnes (baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
18Don Carlo: Act 4 Scene 2: "Mio Carlo, a te la spada io rendo" (Filippo, Don Carlo, Coro, Lerma, Eboli, Inquisitor)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass) (from 1970-08-18 until 1970-08-31)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1970-08-18 until 1970-08-31)
mezzo-soprano vocals [Eboli]:
Shirley Verrett (mezzo-soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
tenor vocals [Lerma]:
Ryland Davies (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
?:??
19Don Carlo: Act 5: Introduzione (Largo - Allegro agitato)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto IV (V) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
?:??
20Don Carlo: Act 5: No. 19, Scena ed Aria, "Tu che le vanità"
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
?:??
21Don Carlo: Act 5: "Carlo qui verrà! ... Sì! che parta e scordi omai..."
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto IV (V)
?:??
22Don Carlo: Act 5: "Addio, bei sogni d'ôr ... illusion perduta!..."
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto IV (V) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo (Italian translation)
?:??
23Don Carlo: Act 5: "Tu che le vanità conoscesti del mondo" (Elisabetta)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
?:??
24Don Carlo: Act 5: No. 20, Scena, Duetto d'addio e Finale, "E dessa! ... Un detto, un sol"
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
?:??
25Don Carlo: Act 5: "Vago sogno m'arrise"
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Act V. “Vago sogno m’arrise!” (1886 unabridged version in 5 acts) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
version of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta)
part of:
Don Carlo: Atto IV (V)
?:??
26Don Carlo: Act 5: "Ma lassù ci vedremo" (Elisabetta, Don Carlo)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
?:??
27Don Carlo: Act 5: "Sì, per sempre!" (Filippo, Il Inquisitore, Elisabetta, Don Carlo, Monk, Servants)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
bass vocals [L'inquisitore]:
Giovanni Foiani (operatic bass) (from 1970-08-18 until 1970-08-31)
bass vocals [un frate]:
Simon Estes (bass-baritone) (from 1970-08-18 until 1970-08-31)
soprano vocals [Elisabetta]:
Montserrat Caballé (soprano) (from 1970-08-18 until 1970-08-31)
tenor vocals [Don Carlo]:
Plácido Domingo (tenor) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1970-08-18 until 1970-08-31)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
?:??
▶ CD 30: Aida, CD 1 (Mehta, 1967)
▶ CD 31: Aida, CD 2 (Mehta, 1967)
▶ CD 32: Othello, CD 1
▶ CD 33: Othello, CD 2
▶ CD 34: Falstaff, CD 1
▶ CD 35: Falstaff, CD 2

Credits

Release Group

includes:Il trovatore (2001 studio cast) by Giuseppe Verdi (Italian opera composer); Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Thomas Hampson (baritone), Larissa Diadkova (mezzo-soprano), Ildebrando d’Arcangelo (operatic bass), London Voices, London Symphony Orchestra, Antonio Pappano (conductor and pianist)
Nabucco (1977–78 studio cast) by Giuseppe Verdi (Italian opera composer); Matteo Manuguerra (baritone), Renata Scotto (operatic soprano), Nicolaï Ghiaurov (operatic bass), Elena Obraztsova (mezzo-soprano), Veriano Luchetti (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Riccardo Muti (conductor)