New York City Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-17).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇪🇸 Spain (es)
  • Eastern Asia: 🇰🇷 Korea (kr)
  • Oceania: 🇦🇺 Australia (au)
Annotation last modified on 2020-03-17 09:30 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Rock and Roll All Nite
assistant engineer:
George Lopez (engineer)
engineer:
Dave Wittman
producer:
Neil Bogart and KISS (US rock band)
drums (drum set):
Peter Criss
electric bass guitar and lead vocals:
Gene Simmons (KISS bassist and vocalist)
electric guitar:
Ace Frehley (American rock guitarist) and Paul Stanley (KISS frontman)
background vocals:
Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto and JR Smalling
recorded at:
Larrabee Sound Studios (Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States (from 1975-01-24 until 1975-01-25) and Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1975-02-06 until 1975-02-25)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 404)
recording of:
Rock and Roll All Nite
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc. and Hori Productions America Inc.
sub-publisher:
大洋音楽
written at:
Continental Hyatt House in West Hollywood, California, United States
KISS3.82:49
2Personality CrisisNew York Dolls3.353:41
3Date With the Night (US/Canada album version)
mixer:
Alan Moulder (producer and engineer) and Nick Zinner (US guitarist, composer, and producer)
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
music videos:
Date With the Night by Yeah Yeah Yeahs
part of:
Anti-Hit List, April 10, 2003 (number: 9)
recording of:
Date With the Night
Yeah Yeah Yeahs4.62:35
4Burning Down the House
assistant engineer:
John Convertino (engineer), Franklin Gibson (recording engineer) and Jay Mark
engineer:
Butch Jones and Alex Sadkin
producer:
Talking Heads
mixer:
Alex Sadkin
bass guitar, guitar, keyboard and percussion:
David Byrne (Talking Heads)
bass guitar, keyboard and percussion:
Brian Eno
double bass, guitar and synthesizer:
Tina Weymouth
drums (drum set) and synthesizer:
Chris Frantz
guest percussion:
Steve Scales
guest synthesizer:
Wally Badarou
guitar and keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
vocals:
David Byrne (Talking Heads)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 29)
recording of:
Burning Down the House
lyricist:
David Byrne (Talking Heads)
composer:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads) and Tina Weymouth
publisher:
index music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Talking Heads4.453:59
5I’m Waiting for the Man
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 81) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 159)
recording of:
I’m Waiting for the Man
lyricist and composer:
Lou Reed
publisher:
Screen Gems and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground3.654:40
6Wolf Like Me
baritone saxophone:
Martin Perna
bass:
Kyp Malone
drums (drum set):
Jaleel Bunton
guitar:
Jaleel Bunton, Dave Sitek and Kyp Malone
sampler and synthesizer:
Dave Sitek
guest vocals:
Katrina Ford
vocals:
Tunde Adebimpe (lead singer of TV on the Radio) and Kyp Malone
recording of:
Wolf Like Me
lyricist and composer:
Tunde Adebimpe (lead singer of TV on the Radio)
publisher:
BMG Monarch and Stunzeed Music
TV on the Radio4.454:39
7Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.153:32
8Kool Thing
recording engineer:
Nick Sansano
producer:
Ron Saint Germain, Nick Sansano and Sonic Youth
mixer:
Ron Saint Germain
guest lead vocals:
Chuck D
lead vocals:
Kim Gordon
part of:
Indie 88: Top 500 Indie Rock Songs (number: 288)
recording of:
Kool Thing
lyricist:
Kim Gordon
composer:
Kim Gordon, Thurston Moore (US guitarist, singer and songwriter; Sonic Youth), Lee Ranaldo and Steve Shelley (drummer)
Sonic Youth3.64:06
9An Honest Mistake
producer:
Sam Endicott
drums (drum set):
Steven Lourie
recording of:
An Honest Mistake
lyricist and composer:
Sam Endicott
The Bravery3.253:40
10The Heinrich ManeuverInterpol3:29
11Strutter
engineer and mixer:
Warren Dewey
producer:
Kenny Kerner and Richie Wise
drums (drum set) and percussion:
Peter Criss
electric bass guitar:
Gene Simmons (KISS bassist and vocalist)
electric guitar:
Ace Frehley (American rock guitarist)
electric guitar [rhythm guitar] and lead vocals:
Paul Stanley (KISS frontman)
background vocals:
Peter Criss and Gene Simmons (KISS bassist and vocalist)
phonographic copyright (℗) by:
Casablanca Records, Inc. (holder of the original Casablanca imprint, 1973–1977) (in 1974)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1973-09)
recording of:
Strutter
writer:
Gene Simmons (KISS bassist and vocalist) and Paul Stanley (KISS frontman)
publisher:
KISS Songs Inc. (ended), Café Americana Inc., Gladwyne Music, Hori Productions America Inc., Intersong U.S.A. (publisher), J.W. Pepper and Son Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), 大洋音楽, Casablanca Music, Inc. (from 1973 to ????) and Rock Steady Music (from 1973 to ????)
revision of:
Stanley the Parrot
KISS4.63:11
12Dirty Work
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
acoustic guitar:
Denny Dias (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
flugelhorn:
Snooky Young (in 1972-08)
organ and Wurlitzer electric piano:
Donald Fagen (in 1972-08)
tenor saxophone:
Jerome Richardson (in 1972-08)
background vocals:
Walter Becker (in 1972-08), Donald Fagen (in 1972-08) and Jim Hodder (in 1972-08)
lead vocals:
David Palmer (early Steely Dan vocalist) (in 1972-08)
engineered at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Dirty Work (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Red Giant Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
Steely Dan43:07
13Maps (US/Canada album version)
mixer:
Alan Moulder (producer and engineer) and Nick Zinner (US guitarist, composer, and producer)
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 101) and Indie 88: Top 500 Indie Rock Songs (number: 110)
recording of:
Maps
writer:
Brian Chase (Drummer and songwriter), Karen O and Nick Zinner (US guitarist, composer, and producer)
Yeah Yeah Yeahs4.653:40
141880 or So
Television3:42
15One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
Blondie43:33
16Whoo! Alright - Yeah… Uh Huh.
The Rapture53:49
17Believe
The Bravery53:46
18Stuck Between Stations
assistant recording engineer:
Ted Doherty
recording engineer, producer and mixer:
John Agnello (engineer & producer)
assistant engineer:
Christopher James Dececio
assistant mixer:
Ted Young (engineer)
phonographic copyright (℗) by:
Vagrant Records (punk / indie rock label from the US)
mixed at:
The Magic Shop in Manhattan, New York, New York, United States
recording of:
Stuck Between Stations
writer:
Craig Finn, Tad Kubler and Franz Nicolay
The Hold Steady54:10
19Trash
recording of:
Trash
writer:
David Johansen and Sylvain Sylvain
New York Dolls43:08
20Bring the Noise
producer:
Anthrax (US thrash metal band) and Mark Dodson (UK producer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Charlie Benante and Steve Thompson (producer)
additional vocals:
Frank Bello (US bassist for Anthrax), Charlie Benante and Flavor Flav
vocals:
Chuck D and Scott Ian
performer:
Public Enemy (US rap group)
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1991)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 36)
recording of:
Bring the Noise
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Bring the Noise with Anthrax (Anthrax version)
lyricist:
Chuck D and Hank Shocklee
writer:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
composer:
Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
publisher:
Def American Songs, Inc. and NFP Music
revision of:
Bring tha Noize (Original Version)
Anthrax3.253:32
21Unsung
recording engineer and engineer:
Wharton Tiers (US audio engineer, record producer, drummer & percussionist)
assistant engineer:
Steve Sisco
producer:
Helmet
mixer:
Andy Wallace (engineer)
bass guitar:
Henry Bogdan
drums (drum set):
John Stanier
guitar:
Page Hamilton and Peter Mengede
lead vocals:
Page Hamilton
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
recording of:
Unsung
lyricist and composer:
Page Hamilton
Helmet4.353:56
22Heart of Glass (special mix)
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1981, in 2002)
remix of:
Heart of Glass by Blondie (US rock band)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
Blondie44:32
23Reelin’ In the Years
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
piano and lead vocals:
Donald Fagen (in 1972-08)
solo electric guitar:
Elliott Randall (in 1972-08)
background vocals:
Donald Fagen (in 1972-08) and David Palmer (early Steely Dan vocalist) (in 1972-08)
engineered at:
The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Steely Dan4.554:35
24Mars
Television4:56
25SuperstarSonic Youth4.654:06
26Venus in Furs
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
recording of:
Venus in Furs
lyricist and composer:
Lou Reed
The Velvet Underground4.45:12