Geistliche Arien

~ Release by Dietrich Fischer‐Dieskau (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Kantate, BWV 4 "Christ lag in Todesbanden": Hier ist das rechte Osterlamm
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (in 1968-07)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
double bass:
Herbert Duft (double bass player) (in 1968-07)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) and Elmar Schloter (organist) (in 1968-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orchestra:
Münchener Bach‐Orchester (in 1968-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-07)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1968-07)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:41
2Matthäuspassion, BWV 244: Gerne will ich mich bequemen
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:44
3Matthäuspassion, BWV 244: Gebt mir meinen Jesum wieder
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:14
4Matthäuspassion, BWV 244: Mache dich, mein Herze, rein
recording engineer:
Werner Wolf (engineer/producer)
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes (conductor and producer) and Karl-Heinz Schneider (producer)
bassoon:
Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:
Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08) and Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (flautist) (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:10
5Messe in h-Moll, BWV 232: Et in Spiritum Sanctum
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1961-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:41
6Kantate, BWV 13 "Meine Seufzer, meine Tränen": Ächzen und erbärmlich Weinen
sound engineer:
Hans-Peter Schweigmann
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07) and Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07)
cor anglais [Englischhorn]:
Kurt Hausmann (oboist) (from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07) and Elmar Schloter (organist) (from 1971-06 until 1971-07)
recorder [Blockflöte I]:
Günther Höller (recorder player) (from 1971-06 until 1971-07)
recorder [Blockflöte II]:
Peter Jenne (recorder player) (from 1971-06 until 1971-07)
violin [Violine]:
Otto Büchner (violinist) (from 1971-06 until 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1971-06 until 1971-07)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach7:59
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": (Duett) Wann kommst du, mein Heil?
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1978-05)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:58
8Belshazzar: Oh memory! Still bitter to my soul - Opprest with never-ceasing grief
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Georg Friedrich Händel6:03
9Aus der Tiefe rufe ich: I. Aus der Tiefe rufe ich
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Gottfried Heinrich Stölzel3:10
10Aus der Tiefe rufe ich: II. Aus tiefer Not schrei ich zu dir
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Gottfried Heinrich Stölzel2:12
11Aus der Tiefe rufe ich: III. Meine Hände ringen sich
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Gottfried Heinrich Stölzel4:01
12Aus der Tiefe rufe ich: IV. Jedennoch bleib ich stets an dir
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Gottfried Heinrich Stölzel1:20
13Aus der Tiefe rufe ich: V. Aus der Tiefe rufe ich
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
Gottfried Heinrich Stölzel3:16
14Die Schöpfung, Hob. XXI:2: (Duett) Holde Gattin, dir zur Seite
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn7:09
15Ein deutsches Requiem, Op. 45: Herr, lehre doch mich
organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Edinburgh Festival Chorus
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Daniel Barenboim (pianist and conductor)
chorus master:
Arthur Oldham (chorus master)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms10:29

Credits

Release

part of:Dietrich Fischer-Dieskau Edition (DG 75th birthday) (order: 5)
ASIN:DE: B00004SC6A [info]