Cantatas

~ Release by Dietrich Fischer‐Dieskau, Karl Forster (see all versions of this release, 1 available)

Tracklist

▶ Medium 1
▼ Medium 2
#TitleArtistRatingLength
1Infirmata vulnerata
recording of:
Infirmata vulnerata
composer:
Alessandro Scarlatti (composer)
Alessandro Scarlatti13:48
2Cantata "Die Hoffnung ist mein Leben": Aria "Die Hoffnung ist mein Leben"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": I. Aria (Bass) "Die Hoffnung ist mein Leben"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann4:12
3Cantata "Die Hoffnung ist mein Leben": Recitative "Ich bin in allem vergnügt"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": II. Recitative (Bass) "Ich bin in allem vergnügt"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann1:55
4Cantata "Die Hoffnung ist mein Leben": Aria "Die Hoffnung bleibt ewig der Trost unsres Lebens"
bass vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben": III. Aria (Bass) "Die Hoffnung bleibt ewig der Trost unsres Lebens"
composer:
Georg Philipp Telemann (composer)
part of:
Cantata, TWV 20:48 "Die Hoffnung ist mein Leben"
Georg Philipp Telemann3:35
5Leçons de tenébres "Pour le Mecredy": Première Leçon
recording of:
Première leçon de ténèbres
composer:
François Couperin (French composer of the Baroque era)
part of:
Leçons de ténèbres
François Couperin16:34
6Cantata "Mer hahn en neue Oberkeet", BWV 212: Sinfonia
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:56
7Cantata "Mer hahn en neue Oberkeet", BWV 212: Duet (Soprano/Bass) "Mer hahn en neue Oberkeet"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:39
8Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Nu, Mieke, gib dein Guschel immer her!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:39
9Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Ach, es schmeckt doch gar zu gut"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:19
10Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Der Herr ist gut"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
11Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Ach, Herr Schösser"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:27
12Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano) "Es bleibt dabei"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:19
13Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Unser trefficher, lieber Kammerherr"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:46
14Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Er hilft uns allen"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
15Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Das ist galant"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:18
16Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Und unsre gnäd'ge Frau"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:44
17Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Fünfzig Taler bares Geld"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
18Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano) "Im Ernst ein Wort!"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
19Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Klein-Zschocher müsse so Zart und süße"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:07
20Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Das ist klug vor dich"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
21Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Es nehme zehntausend Dukaten"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
22Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitatve (Soprano) "Das klingt zu liederlich"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
23Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Gib, Schöne, viel Schöne"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
24Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass) "Du hast wohl recht"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:21
25Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Bass) "Dein Wachstum sei feste"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:14
26Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Soprano/Bass) "Und damit sei es auch genung"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
27Cantata "Mer hahn en neue Oberkeet", BWV 212: Aria (Soprano) "Und daß ihr's alle wißt"
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
28Cantata "Mer hahn en neue Oberkeet", BWV 212: Recitative (Bass/Soprano) "Mein Schatz, erraten!"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Cantata "Mer hahn en neue Oberkeet", BWV 212: Duet (Soprano/Bass) "Wir gehn nun, wo der Tudelsack"
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1960-10)
soprano vocals:
Lisa Otto (soprano) (in 1960-10)
orchestra:
Berliner Philharmoniker (in 1960-10)
conductor:
Karl Forster (chorus master) (in 1960-10)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1960-10)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1960-10)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:18

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Release

ASIN:US: B000009OQM [info]