Der Messias (Messiah) (arr. Mozart)

~ Release by Handel; Edith Mathis, Birgit Finnilä, Peter Schreier, Theo Adam, Sir Charles Mackerras, ORF-Chor, ORF Symphonieorchester (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Wahrlich! Er litt unsere Qual"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 18. Chor: Wahrlich, er trug unsre Qual (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:41
2Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Durch seine Wunden sind wir geheilet"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel51:55
3Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Wie Schafe gehn, flohn wir zerstreut"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel54:05
4Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Recitative acc.: "Und alle, die ihn sehn"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel50:49
5Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Er trauete Gott"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:21
6Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Recitative acc.: "Die Schmach bricht ihm das Herz"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:23
7Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Aria: "Schau hin und sieh"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 23b. Arioso (Tenor): Schau hin und sieh (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel51:43
8Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Recitative acc.: "Er ist dahin aus dem Lande der Lebenden"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel50:37
9Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Aria: "Doch du ließest ihn im Grabe nicht"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:55
10Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Machet das Tor weit dem Herrn"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 25a. Chor: Hoch tut euch auf (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel53:01
11Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Recitative: "Zu welchem von den Engeln"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel50:26
12Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Der Herr gab das Wort"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 26. Chor: Der Herr gab das Wort (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel51:24
13Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Aria: "Wie lieblich ist der Boten Schritt"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:19
14Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Ihr Schall ging aus in jedes Land"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel51:35
15Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Aria: "Warum entbrennen die Heiden"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the Nations” (Bass)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel54:55
16Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: Brecht entzwei die Ketten alle"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 30a. Chor: Brecht entzwei die Ketten alle (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel51:54
17Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Recitative: Der da wohnet im Himmel"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel50:15
18Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Aria: "Du zerschlägst sie mit dem Eisenzepter"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel52:07
19Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 2: Chorus: "Halleluja"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 32. Chor: Halleluja (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
part of:
Der Messias: Part II (arr. W.A. Mozart)
George Frideric Handel53:57
20Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Aria: "Ich weiß, daß mein Erlöser lebt"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel56:48
21Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Chorus: "Wie durch Einen der Tod" - "So kam durch Einen die Auferstehung" - "Denn wie durch Adam" - "Also wird, wer starb"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 34. Chor: Wie durch Einen der Tod (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel52:32
22Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Recitative acc.:"Merkt auf! Ich künd ein Geheimnis an"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I Tell you a Mystery” (Bass)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel50:42
23Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Aria: "Sie schallt, die Posaun"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’ (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel52:28
24Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Recitative: "Dann wird erfüllt das Wort"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel50:22
25Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Duet: "O Tod, wo ist dein Pfeil"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 36. Duet: O Tod, wo ist dein Pfeil (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel52:29
26Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Chorus: "Doch Dank dir, Dank sei dir, Gott"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel52:42
27Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Recitative acc.: "Wenn Gott ist für uns"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel52:09
28Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Chorus: "Würdig ist das Lamm, das da starb"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 38a. Chor: Würdig ist das Lamm (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel53:57
29Messiah, HWV 56 (arr. Mozart as Der Messias, K.572): Part 3: Final Chorus: "Amen"
producer:
Gerd Ploebsch
orchestra:
ORF-Sinfonieorchester (previously ORF-Symphonieorchester) (in 1974-02)
conductor:
Charles Mackerras (Australian conductor) (in 1974-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-02)
recording of:
Der Messias: 38b. Chor: Amen (in 1974-02)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias: Part III (arr. W.A. Mozart)
George Frideric Handel53:40