10 Symphonien

~ Release by Mahler; Claudio Abbado (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▶ CD 4
▶ CD 5
▶ CD 6
▶ CD 7
▶ CD 8
▼ CD 9
#TitleArtistRatingLength
1Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 1. Poco Adagio
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler6:50
2Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 2. Più mosso (Allegro moderato)
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:16
3Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 3. "Waldung, sie schwankt heran"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:46
4Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 4. "Ewiger Wonnebrand"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
baritone vocals [Pater ecstaticus] and solo baritone vocals [Pater Ecstaticus]:
Bryn Terfel (bass-baritone opera singer) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-02) and Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:54
5Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 5. 'Wie Felsenabgrund mir zu Füßen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Pater profundus] and solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (bass-baritone) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:42
6Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 6. "Gerettet ist das edle Glied' - 'Hände verschlinget"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:03
7Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 7. "Jene Rosen, aus den Händen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:53
8Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 8. "Uns bleibt ein Erdenrest"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler2:04
9Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 9. "Ich spür' soeben", "Freudig empfangen wir", "Hier ist die Aussicht frei"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Manianus]:
Peter Seifert (tenor) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler1:19
10Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 10. "Höchste Herrscherin der Welt"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seifert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:02
11Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 11. "Dir, der Unberührbaren" - "Du schwebst zu Höhen"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Rundfunkchor Berlin (in 1994-02)
solo soprano vocals [Una Poenitentium] and soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:53
12Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 12. "Bei der Liebe", "Bei dem Bronn", "Bei dem hochgeweihten Orte"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler4:57
13Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 13. "Neige, neige, du Ohnegleiche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler0:54
14Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 14. "Er überwächst uns schon", "Vom edlen Geisterchor umgeben"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (in 1994-02)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler3:24
15Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 15. "Komm! hebe dich zu höhern Sphären", "Blicket auf zum Retterblick"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Mater gloriosa]:
Andrea Rost (Hungarian lyric soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler7:16
16Symphonie no. 8: Teil 2. Schlußszene aus Goethes "Faust II": 16. "Alles Vergängliche"
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon), Stephan Flock, Klaus Hiemann (German audio) and Rainer Maillard
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Maria Aegyptiaca]:
Rosemarie Lang (mezzo-soprano) (in 1994-02)
alto vocals [Mulier Samaritana]:
Anne Sofie von Otter (mezzo-soprano) (in 1994-02)
baritone vocals [Pater ecstaticus]:
Bryn Terfel (bass-baritone opera singer) (in 1994-02)
bass vocals [Pater profundus]:
Jan‐Hendrik Rootering (bass-baritone) (in 1994-02)
choir vocals:
Berlin Radio Symphony Chorus (in 1994-02), Prager Philharmonischer Chor (Prague Philharmonic Choir) (in 1994-02), Rundfunkchor Berlin (in 1994-02) and Tölzer Knabenchor (in 1994-02)
soprano vocals [Magna Peccatrix]:
Sylvia McNair (soprano) (in 1994-02)
soprano vocals [Una poenitentium]:
Cheryl Studer (soprano) (in 1994-02)
tenor vocals [Doctor Marianus]:
Peter Seiffert (tenor) (in 1994-02)
orchestra:
Berliner Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich Knothe (conductor) (in 1994-02), Pavel Kühn (in 1994-02) and Gerhard Schmidt‐Gaden (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (German audio) and Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1995)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Germany (in 1994-02)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1994-02)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
Gustav Mahler5:43
▶ CD 10
▶ CD 11
▶ CD 12

Credits

Release

ASIN:DE: B000009MCC [info]