Fly Me to the Moon

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2018 This Compilation Rhino UK, a division of Warner Music UK Ltd»

Annotation last modified on 2022-08-26 14:15 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3:35
2Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
3That’s Amore (1998 remastered version)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13, in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Four Jays Music Co., Paramount Music Corp. and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
4How D’Ya Like Your Eggs in the Morning
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
Helen O’Connell & Dean Martin2:46
5Goldfinger
Shirley Bassey2:50
6Mad About the Boy
vocals:
Dinah Washington
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
7From Russia With Love (1995 remaster)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro & Bob Norberg3.352:35
8Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
part of:
Alfie (1966 film)
Cilla Black2:39
9Fly Me to the Moon
Alma Cogan3:49
10Spanish Harlem
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King52:52
11Blue Velvet
The Clovers2:38
12These Foolish Things (Remind Me of You)
instrumental recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Charlie Parker3:23
13Save the Last Dance for Me
recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters2:34
14’Round Midnight
double bass:
Al McKibbon (on 1963-05-29)
drums (drum set):
Milt Turner (on 1963-05-29)
guitar:
John Collins (jazz guitarist) (on 1963-05-29)
organ:
Ernie Freeman (on 1963-05-29)
tenor saxophone:
Teddy Edwards (jazz saxophonist) (on 1963-05-29)
trumpet:
Carmell Jones (on 1963-05-29)
vocals:
Sarah Vaughan (on 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1963-05-29)
cover recording of:
’Round Midnight (on 1963-05-29)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Sarah Vaughan3:37
15Ramblin’
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-24)
drums (drum set):
Bruno Carr (on 1968-09-24)
guitar:
Kenny Burrell (on 1968-09-24)
piano:
Junior Mance (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
recording of:
Ramblin’ (on 1968-09-24)
writer:
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Aretha Franklin3:10
16My Favorite Things, Pt. 1 (single version)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
partial instrumental cover recording of:
My Favorite Things (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:47
17Fly Me to the Moon
LaVern Baker2:58
18Moonlight in Vermont (2007 remaster stereo; remastered)
The Coasters3:19
19Autumn in New York
Mel Tormé3:23
20Bullitt - Main Title
producer:
Jimmy Hilliard
conductor:
Lalo Schifrin (pianist & composer)
recording of:
Bullitt
composer:
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:09
21Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:51
22Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:04
23Blackbird
recording of:
Blackbird
writer:
Herbert Sacker and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Nina Simone42:04
24These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Dinah Washington3:28
25Black Coffee
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Ella Fitzgerald4:28
26The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Antônio Carlos Jobim4:47
27Crazy He Calls Me
cover recording of:
Crazy He Calls Me
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Sarah Vaughan3:08
28What a Wonderful World
Matt Monro3:31
29Central Park West
recording of:
Central Park West
composer:
John Coltrane
John Coltrane4:11
30The Shadow of Your Smile
Eddie Harris5:32
31My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Gerry Mulligan2:57
32Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
composer:
George Shearing
publisher:
Good Music Limited and Planetary Nom (London) Ltd.
Count Basie Orchestra4:48
33Soultrane
recorded in:
New York, New York, United States (in 1964-06)
producer:
Michael Cuscuna and Jack Lewis (jazz producer)
double bass:
Jymie Merritt (in 1964-06)
drums (drum set):
Charlie Rice (US jazz drummer) (in 1964-06)
flugelhorn:
Chet Baker (American jazz trumpeter and vocalist) (in 1964-06)
piano:
Hal Galper (in 1964-06)
reeds:
Pino Urso (in 1964-06)
recording of:
Soultrane (in 1964-06)
composer:
Tadd Dameron
Chet Baker4:42
34Manhattan
recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Bobby Short44:19
35The Meaning of the Blues
engineer:
Tom Dowd
bass:
Victor Sproles
membranophone:
Curtis Boyd
piano:
Norman Simmons
vocals:
Carmen McRae
arranger:
Norman Simmons
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
Carmen McRae2:50
36Wednesday Night Prayer Meeting - Pt. I (single edit)
recording of:
Wednesday Night Prayer Meeting
composer:
Charles Mingus
Charles Mingus3:13
37Bag’s Groove
The Modern Jazz Quartet5:42
38’round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Betty Carter3:21
39The Inflated Tear
recording engineer:
Paul Goodman (engineer) (on 1967-11-27)
producer:
Joel Dorn
bass:
Steve Novosel (on 1967-11-27)
drums (drum set):
Jimmy Hopps (on 1967-11-27)
piano:
Ron Burton (on 1967-11-27)
woodwind:
Roland Kirk (on 1967-11-27)
phonographic copyright (℗) by:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 2002)
recorded at:
Webster Hall in New York, New York, United States (on 1967-11-27)
recording of:
The Inflated Tear (on 1967-11-27)
composer:
Rahsaan Roland Kirk
Rahsaan Roland Kirk4:55
40In a Sentimental Mood
phonographic copyright (℗) by:
Warner Music France (in 2010)
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Duke Ellington43:47
41I Left My Heart in San Francisco
cover recording of:
I Left My Heart in San Francisco
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett & Ralph Sharon2:52
42The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Dionne Warwick2:51
43My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Andy Williams3:59
44Beyond the Sea
Bobby Darin2:52
45Big Spender
Shirley Bassey1:50
46Can’t Take My Eyes Off You
recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Valli0.253:24
47Moon River (from ’’Breakfast at Tiffany’s’’)
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Danny Williams3.52:36
48Bye Bye Blackbird
bass:
Ike Isaacs (bassist) (on 1970-01-31)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1970-01-31)
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1970-01-31)
piano [piano, electric piano]:
Jack Wilson (jazz pianist) (on 1970-01-31)
vocals:
Esther Phillips (Little Esther) (on 1970-01-31)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Freddie Jett's Pied Piper Club in Los Angeles, California, United States (on 1970-01-31)
cover recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Esther Phillips4:50
49What a Difference a Day Made
recorded in:
New York, New York, United States (in 1997)
engineer:
Joe Ferla
producer:
Sandy Jackson
bass:
Bob Cranshaw (in 1997)
drums (drum set):
Mickey Roker (Drummer) (in 1997)
piano:
Mike LeDonne (in 1997)
vibraphone:
Milt Jackson (in 1997)
instrumental recording of:
What a Diff’rence a Day Made (in 1997)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Milt Jackson4:41
50Summertime
recording engineer:
Vince McGarry
producer:
Joel Dorn
bass:
Arvell Shaw (in 1977)
drums (drum set):
Gifford McDonald (in 1977)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (in 1977)
harmonica:
Rahsaan Roland Kirk (in 1977)
piano:
Sammy Price (jazz/blues/boogie pianist) (in 1977)
remixer:
Vince McGarry
arranger:
Rahsaan Roland Kirk
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Regent Sound Studios in New York, New York, United States (in 1977)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1977)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Rahsaan Roland Kirk1:41
51On the Sunny Side of the Street
Coleman Hawkins3:54
52Open Your Window
cover recording of:
Open Your Window
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Dunbar Music, Inc.
Ella Fitzgerald2:49
53Moody’s Mood for Love
recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (US Tin Pan Alley librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
is based on:
I’m in the Mood for Love
James Moody2:53
54Moanin’ (mono audio)
recording engineer:
Tom Dowd (on 1959-02-04)
producer:
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-02-04) and Jackie McLean (jazz saxophonist) (on 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1959-02-04)
double bass:
Charles Mingus (on 1959-02-04)
drums (drum set):
Dannie Richmond (drummer) (on 1959-02-04)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-02-04)
tenor saxophone:
Booker Ervin (on 1959-02-04)
trombone:
Willie Dennis (on 1959-02-04) and Jimmy Knepper (Trombonist) (on 1959-02-04)
double bass arranger:
Charles Mingus
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-02-04)
recording of:
Moanin' (on 1959-02-04)
composer:
Charles Mingus
Charles Mingus7:59
55Baby Won’t You Please Come Home
cover recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:09
56I Got It Bad and That Ain’t Good
recording engineer and engineer:
Andy Richardson (engineer)
producer:
Nesuhi Ertegun
bass:
Joe Comfort (on 1968-06-26)
drums (drum set):
John Collins (drums) (on 1968-06-26)
French horn:
Vincent DeRosa (on 1968-06-26)
guitar:
Francois Vaz (on 1968-06-26)
percussion:
Larry Bunker (on 1968-06-26)
piano:
Norman Simmons (on 1968-06-26)
saxophone:
Gene Cipriano (on 1968-06-26)
strings:
unidentified 16 strings (Special Purpose Artist – Do not add releases here, if possible.) (on 1968-06-26)
vocals:
Carmen McRae (on 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) and Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (on 1968-06-26)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (on 1968-06-26)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Carmen McRae3:28
57Our Love Is Here to Stay
Dizzy Gillespie2:45
58In the Evening
phonographic copyright (℗) by:
Warner Music France (in 2010)
Yusef Lateef36:41
59Our Day Will Come
phonographic copyright (℗) by:
Warner Music France (in 2010)
Jimmy Scott33:50
60Can’t Take My Eyes Off of You
Brook Benton4:22
61It’s Beginning to Look Like Christmas
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
recording of:
It’s Beginning to Look a Lot Like Christmas (on 1951-09-10)
lyricist and composer:
Meredith Willson (in 1951)
publisher:
Frank Music Corp. and Meredith Willson Music LLC
Perry Como & Fontane Sisters2:35
62Let It Snow! Let It Snow! Let It Snow! (1999 remaster)
vocals:
Bing Crosby (on 1962-10-05)
orchestra:
Peter Matz and his Orchestra (on 1962-10-05)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1962-10-05)
recording of:
Let It Snow! Let It Snow! Let It Snow! (on 1962-10-05)
lyricist:
Sammy Cahn (in 1945-07)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Bing Crosby42:04
63Rockin’ Around the Christmas Tree
recording engineer and mixer:
Eric Prestidge
assistant engineer:
Kevin Anderson (engineer), Mark J. Coddington, Noah Dewey (engineer), Larry Jefferies (engineer), David LaBarre (engineer), Mike McCarthy (American record producer), Todd Robbins, Bob Tassi (engineer) and James Valentini ([musician, singer, songwriter and recording engineer] Jim "Val" Valentini)
assistant producer:
Danny Kee (A&R)
producer:
Owen Bradley
editor:
Keith Odle
vocals:
Brenda Lee (1960s American singer)
orchestra:
Nashville String Machine
conductor:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
arranger:
Bergen White (American arranger, producer, conductor, musician, composer and singer)
produced for:
JEN Productions, Inc. and Sound Mind Productions
recorded at:
Javelina Recording Studio, Nashville, TN in Nashville, Tennessee, United States
mixed at:
Masterfonics in Nashville, Tennessee, United States
edited at:
Groundstar Studios in Nashville, Tennessee, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 33)
cover recording of:
Rockin’ Around the Christmas Tree
lyricist and composer:
Johnny Marks (American songwriter)
publisher:
Chappell and St. Nicholas Music
Brenda Lee42:06
64First Snow in Kokomo
recording engineer:
Ron Albert (on 1971-01-27)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1971-01-27)
guitar:
Cornell Dupree (on 1971-01-27)
organ:
Donny Hathaway (on 1971-01-27)
piano and lead vocals:
Aretha Franklin (on 1971-01-27)
solo trumpet:
Neil Rosengarden
background vocals:
Margaret Branch (on 1971-01-27), Ann S. Clark (on 1971-01-27), Carolyn Franklin (on 1971-01-27), Erma Franklin (on 1971-01-27) and Pat Smith (soul vocalist) (on 1971-01-27)
horn arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-01-27)
recording of:
First Snow in Kokomo (on 1971-01-27)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
Aretha Franklin4:04
65O Come All Ye Faithful
Bobby Darin2:22
66Santa Claus Is Coming to Town
engineer:
Gordon Clark (recording engineer)
producer:
Bob Crewe
conductor:
Sid Bass
vocals arranger:
Nick Massi
orchestrator:
Sid Bass
engineered at:
Stea-Phillips in New York, New York, United States
cover recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Feist Catalog Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
Frankie Valli & The Four Seasons1:51
67Merry Christmas Baby
cover recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc. and Warner/Chappell Music, Inc.
Otis Redding52:36
68Snowbound
recording of:
Snowbound
writer:
Clarence Keltner and Russell Faith (co-songwriter with Pal Rakes)
publisher:
Universal/MCA Music (music publisher; do not use as release label!) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:06
69White Christmas
recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 15)
The Drifters2:39
70This Christmas (single edit)
Donny Hathaway3:32
71Mary’s Boy Child
lead vocals:
Matt Monro
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1977)
cover recording of:
Mary’s Boy Child
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd.
Matt Monro3:22
72Christmas Wish (2000 remaster)
recording of:
Christmas Wish (aka My Christmas Wish for You)
writer:
Howard Evans and William Jenkins
Percy Sledge2:40
73Gee Whiz, It’s Christmas
recording of:
Gee Whiz, It’s Christmas
writer:
Steve Cropper, Carla Thomas and Vinnie Trauth
publisher:
Irving Music, Inc.
Carla Thomas2:47
74White Christmas
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1966-10-28)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1966-10-28)
organ:
Booker T. Jones (on 1966-10-28)
strings [guitar, electric bass]:
Steve Cropper (on 1966-10-28)
cover recording of:
White Christmas (on 1966-10-28)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd. (1996–2019), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 15)
Booker T. & the M.G.’s3:05
75Silent Night
The Everly Brothers2:46
76Christmas Cards
performer:
Alma Cogan
recording of:
Christmas Cards
writer:
Jack Fishman
Alma Cogan2:49
77Merry Christmas Baby (45 version)
instrumental recording of:
Merry Christmas Baby
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc. and Warner/Chappell Music, Inc.
Hank Crawford2:41
78The First Snowfall
Lalo Schifrin3:04
79England’s Carol
recording engineer:
Lewis Hahn (on 1971-05-24)
producer:
Arif Mardin
bass:
Percy Heath (on 1971-05-24)
keyboard [piano, harpsichord]:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1971-05-24)
percussion [drums, percussion]:
Connie Kay (on 1971-05-24)
vibraphone:
Milt Jackson (on 1971-05-24)
remixer:
Ed Barton (engineer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-24)
remixed at:
Wally Heider Recording Studio, Los Angeles in Hollywood, Los Angeles, California, United States
The Modern Jazz Quartet5:21
80Christmas Song
Rahsaan Roland Kirk3:46