100 Soul Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1What’s Going On
recording of:
What’s Going On
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd., Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye3:48
2If I Were a Carpenter
recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions and Faithful Virtue Music
Four Tops2:50
3I’ve Got Dreams to Remember
recording of:
I’ve Got Dreams to Remember
writer:
Otis Redding, Zelma Redding and Joe Rock (US songwriter/band manager)
publisher:
GMB Unlimited Publishing (ASCAP) and Irving Music, Inc.
Otis Redding3:39
4Behind a Painted Smile
recording of:
Behind a Painted Smile
writer:
Ivy Jo Hunter and Beatrice Verdi
publisher:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:47
5My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:43
6Me and Mrs. Jones
recording of:
Me and Mrs. Jones
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4:33
7I Want You Back
recording of:
I Want You Back
writer:
Deke Richards (American songwriter and record producer), Berry Gordy, Fonce Mizell and Freddie Perren
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Jackson 52:51
8Get Up (I Feel Like Being a) Sex Machine
producer:
James Brown (“The Godfather of Soul”)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group)
piano:
James Brown (“The Godfather of Soul”)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (“The Godfather of Soul”) (in 1970)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Inc. (in 1970)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up I Feel Like Being Like a Sex Machine (in 1970)
writer:
James Brown (“The Godfather of Soul”), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:17
9I’ll Come Running Back to You
recording of:
I’ll Come Running Back to You
lyricist and composer:
Bill Cook (American songwriter)
Sam Cooke2:13
10My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.52:41
11Mad About the Boy
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington2:47
12What Becomes of the Brokenhearted
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin2:51
13He Was Really Sayin’ Something
recording of:
He Was Really Sayin’ Somethin’ (on 1964-12-07)
writer:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team), William Stevenson (Motown songwriter) and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music
The Velvelettes42:25
14People Get Ready
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
15Rescue Me
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (Songwriter and producer)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass2:54
16Help Me Make It Through the Night
cover recording of:
Help Me Make It Through the Night
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Ltd. and KPM (music publisher)
Gladys Knight & the Pips4:20
17Theme From Shaft
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
Academy Award for Best Original Song (number: 44)
Isaac Hayes4.53:18
18I’ll Take You There
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers3:05
19Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Roy Ayers43:55
20I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Nina Simone4.32:35
21Hey! Baby
Bruce Channel2:20
22Can’t Help Falling in Love
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP), The Manor Music Co. Ltd., フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP), The Manor Music Co. Ltd., フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
The Stylistics3:16
23Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart2:41
24Something’s Got a Hold on Me
recorded in:
Chicago, Illinois, United States (in 1961-12)
bass guitar [bass]:
Reggie Boyd (in 1961-12)
drums (drum set):
Al Duncan (in 1961-12)
guitar:
Matt Murphy (US blues guitarist) (in 1961-12)
piano:
John Young (jazz pianist) (in 1961-12)
background vocals [backing vocals]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961-12)
lead vocals:
Etta James
vocals:
Etta James (in 1961-12)
recording of:
Something’s Gotta Hold on Me (in 1961-12)
writer:
Etta James, Leroy Kirkland and Pearl Woods (60s R&B)
Etta James42:46
25Who’s Making Love
producer:
Donald Davis (American record producer) and Al Jackson, Jr. (Booker T & The MGs drummer)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1968)
guitar:
Steve Cropper (in 1968)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1968)
organ and background vocals:
Booker T. Jones (in 1968)
piano:
Isaac Hayes (in 1968) and Allen Jones (producer/songwriter/musician/engineer) (in 1968)
lead vocals:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
writer:
Homer Banks, Bettye Crutcher, Don Davis (American record producer) and Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:48
▶ CD 3
▶ CD 4