The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ Digital Media 1: Gregorian chant / Organum / Machaut: Chansons
▼ Digital Media 2: Dufay & Josquin: Motets
#TitleArtistRatingLength
1Motets: Nuper rosarum flores
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:27
2Motets: Alma redemptoris mater II
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay3:38
3Motets: Letabundus exsultet fidelis chorus
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:40
4Motets: Ecclesie militantis
choir vocals:
Pomerium (US early music choral group)
conductor:
Alexander Blachly (chorus master)
Guillaume Dufay6:01
5Motets: Inviolata, integra, et casta es Maria (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Inviolata, integra et casta es (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Inviolata, integra et casta es
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:43
6Motets: Ut Phoebi radiis (à 4)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Ut Phoebi radiis (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
Ut Phoebi radiis
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
7Motets: De profundis clamavi (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
recording of:
De profundis clamavi à 5 (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:11
8Motets: O Virgo virginum (à 6)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
guest tenor vocals:
Andrew Carwood (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
O virgo virginum (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
recording of:
O virgo virginum
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:45
9Motets: La déploration de Johannes Ockeghem: Nymphes des bois (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez4:33
10Motets: Huc me sydereo / Plangent eum (à 5)
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1999-04)
executive producer:
David R. Murray
editor:
Tom Wood (engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1999-04)
bass vocals:
Donald Greig (baritone) (in 1999-04)
choir vocals:
Orlando Consort (British early music vocal quartet)
guest bass vocals:
Robert Macdonald (lay vicar & bass-baritone) (in 1999-04)
tenor vocals:
Charles Daniels (tenor) (in 1999-04) and Angus Smith (tenor) (in 1999-04)
balance engineer:
Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2000)
recorded at:
St. Osdag Church (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04)
cover recording of:
Huc me sydereo - Plangent eum (a 5) (in 1999-04)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:04
11Motetti de la Corona: Praeter rerum seriem
choir vocals:
Gabrieli Consort
orchestra:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
performer:
Gabrieli Consort & Players (UK early music ensemble)
recording of:
Praeter rerum seriem (a 6)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez7:00
▶ Digital Media 3: Wind Music From Renaissance Italy
▶ Digital Media 4: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri
▶ Digital Media 5: Monteverdi: Madrigals / Vespers (highlights)
▶ Digital Media 6: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music
▶ Digital Media 7: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate
▶ Digital Media 8: Charpentier: Te Deum / Rameau: Music From the Stage Works
▶ Digital Media 9: Telemann: Concertos
▶ Digital Media 10: Vivaldi: The Four Seasons / Gloria
▶ Digital Media 11: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2
▶ Digital Media 12: Bach: Goldberg Variations / Italian Concerto / Fantasias
▶ Digital Media 13: Bach: Organ Music
▶ Digital Media 14: Bach: St. Matthew Passion (highlights)
▶ Digital Media 15: Bach: Magnificat / Cantatas nos. 63 & 65
▶ Digital Media 16: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”
▶ Digital Media 17: Handel: Concertos
▶ Digital Media 18: Handel: Messiah (arias and choruses)
▶ Digital Media 19: Scarlatti, D: Harpsichord Sonatas
▶ Digital Media 20: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

Credits

Release Group

includes:Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach (German Baroque period composer & musician); Musica Antiqua Köln, Reinhard Goebel (violinist and conductor)
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell (baroque composer)
Goldberg Variations / Italian Concerto by Bach (German Baroque period composer & musician); Ralph Kirkpatrick (harpsichordist, clavichordist, pianist)
Great Organ Works by Bach (German Baroque period composer & musician); Ton Koopman (conductor, organist and harpsichordist)
Kammerkonzerte by Georg Philipp Telemann (composer); Musica Antiqua Köln, Reinhard Goebel (violinist and conductor)
Magnificat - Cantatas BWV 63 & BWV 65 by Bach (German Baroque period composer & musician); Munich Bach Choir, Munich Bach Orchestra, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi; Regensburger Domspatzen, Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt (harpsichordist, organist, conductor), Jürgen Jürgens (chorus master and conductor)
Messiah: Arias and Choruses by Handel (German‐British baroque composer); The English Concert & Choir, Trevor Pinnock (conductor / harpsichord)
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel (German‐British baroque composer); Simon Preston (organist, conductor, composer), The English Concert, Trevor Pinnock (conductor / harpsichord)
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel (German‐British baroque composer); The English Concert, Trevor Pinnock (conductor / harpsichord)
The Symphonies for Strings by Carl Philipp Emanuel Bach; The English Concert, Trevor Pinnock (conductor / harpsichord)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 1)