The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

▶ CD 1: Chamber
▶ CD 2: Chamber
▶ CD 3: Chamber
▶ CD 4: Chamber
▶ CD 5: Chamber
▶ CD 6: Chamber
▶ CD 7: Chamber
▶ CD 8: Chamber
▶ CD 9: Chamber
▶ CD 10: Chamber
▶ CD 11: Chamber
▶ CD 12: Chamber
▶ CD 13: Chamber
▶ CD 14: Chamber
▶ CD 15: Chamber
▶ CD 16: Chamber
▶ CD 17: Chamber
▶ CD 18: Chamber
▶ CD 19: Chamber
▶ CD 20: Chamber
▶ CD 21: Chamber
▶ CD 22: Chamber
▶ CD 23: Chamber
▶ CD 24: Chamber
▶ CD 25: Chamber
▶ CD 26: Chamber
▶ CD 27: Chamber
▶ CD 28: Chamber
▶ CD 29: Chamber
▶ CD 30: Chamber
▶ CD 31: Chamber
▶ CD 32: Chamber
▶ CD 33: Chamber
▶ CD 34: Chamber
▶ CD 35: Chamber
▶ CD 36: Chamber
▶ CD 37: Chamber
▶ CD 38: Chamber
▶ CD 39: Chamber
▶ CD 40: Chamber
▶ CD 41: Chamber
▶ CD 42: Chamber
▶ CD 43: Chamber
▶ CD 44: Chamber
▶ CD 45: Chamber
▶ CD 46: Chamber
▶ CD 47: Chamber
▶ CD 48: Chamber
▶ CD 49: Chamber
▶ CD 50: Orchestral
▶ CD 51: Orchestral
▶ CD 52: Orchestral
▶ CD 53: Orchestral
▶ CD 54: Orchestral
▶ CD 55: Orchestral
▶ CD 56: Orchestral
▶ CD 57: Orchestral
▶ CD 58: Orchestral
▶ CD 59: Orchestral
▶ CD 60: Orchestral
▶ CD 61: Orchestral
▶ CD 62: Orchestral
▶ CD 63: Orchestral
▶ CD 64: Orchestral
▶ CD 65: Orchestral
▶ CD 66: Orchestral
▶ CD 67: Orchestral
▶ CD 68: Orchestral
▶ CD 69: Orchestral
▶ CD 70: Orchestral
▶ CD 71: Orchestral
▶ CD 72: Orchestral
▶ CD 73: Orchestral
▶ CD 74: Orchestral
▶ CD 75: Orchestral
▶ CD 76: Orchestral
▶ CD 77: Orchestral
▶ CD 78: Orchestral
▶ CD 79: Orchestral
▶ CD 80: Orchestral
▶ CD 81: Orchestral
▶ CD 82: Orchestral
▶ CD 83: Orchestral
▶ CD 84: Orchestral
▶ CD 85: Orchestral
▶ CD 86: Orchestral
▶ CD 87: Orchestral
▶ CD 88: Orchestral
▶ CD 89: Orchestral
▶ CD 90: Orchestral
▶ CD 91: Orchestral
▶ CD 92: Orchestral
▶ CD 93: Orchestral
▶ CD 94: Orchestral
▶ CD 95: Orchestral
▶ CD 96: Orchestral
▶ CD 97: Orchestral
▶ CD 98: Orchestral
▶ CD 99: Orchestral
▶ CD 100: Orchestral
▶ CD 101: Orchestral
▶ CD 102: Theatre
▶ CD 103: Theatre
▶ CD 104: Theatre
▶ CD 105: Theatre
▶ CD 106: Theatre
▶ CD 107: Theatre
▶ CD 108: Theatre
▶ CD 109: Theatre
▶ CD 110: Theatre
▶ CD 111: Theatre
▶ CD 112: Theatre
▶ CD 113: Theatre
▶ CD 114: Theatre
▶ CD 115: Theatre
▶ CD 116: Theatre
▶ CD 117: Theatre
▶ CD 118: Theatre
▶ CD 119: Theatre
▶ CD 120: Theatre
▶ CD 121: Theatre
▶ CD 122: Theatre
▶ CD 123: Theatre
▶ CD 124: Theatre
▶ CD 125: Theatre
▶ CD 126: Theatre
▶ CD 127: Theatre
▶ CD 128: Theatre
▶ CD 129: Theatre
▶ CD 130: Theatre
▶ CD 131: Theatre
▶ CD 132: Theatre
▶ CD 133: Theatre
▶ CD 134: Theatre
▶ CD 135: Theatre
▶ CD 136: Theatre
▶ CD 137: Theatre
▶ CD 138: Theatre
▶ CD 139: Theatre
▶ CD 140: Theatre
▶ CD 141: Theatre
▶ CD 142: Theatre
▶ CD 143: Theatre
▶ CD 144: Theatre
▶ CD 145: Theatre
▶ CD 146: Theatre
▶ CD 147: Theatre
▼ CD 148: Theatre
#TitleArtistRatingLength
1Zaide, K. 344: "Ruhe sanft, mein holdes Leben"
producer:
Michael Woolcock (producer)
soprano vocals [Zaide]:
Renée Fleming (soprano) (in 1995-12)
orchestra:
Orchestra of St. Luke’s (in 1995-12)
conductor:
Charles Mackerras (Australian conductor) (in 1995-12)
balance engineer:
James Lock (engineer) (in 1995-12)
recorded at:
LeFrak Concert Hall (Queens College) in New York, United States (in 1995-12)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (in 1995-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart5:31
2Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln"
assistant engineer:
Douglas Ward (in 2014-07)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
soprano vocals:
Anna Prohaska (soprano) (in 2014-07)
orchestra:
Chamber Orchestra of Europe (in 2014-07)
conductor:
Yannick Nézet‐Séguin (conductor) (in 2014-07)
balance engineer:
Rainer Maillard (in 2014-07)
recorded at:
Festspielhaus in Baden-Baden, Baden-Württemberg, Germany (in 2014-07)
live recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 2014-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:44
3Die Entführung aus dem Serail, K. 384: "Martern aller Arten"
recorded in:
London (Greater London), England, United Kingdom (in 1989-09)
producer:
Michael Bremner (producer/engineer) and Eva Edwards
cello:
Stephen Orton (cellist) (in 1989-09)
flute:
Christine Messiter (flutist) (in 1989-09)
oboe:
Celia Nicklin (oboist) (in 1989-09)
violin:
Kenneth Sillito (violinist) (in 1989-09)
soprano vocals and soprano vocals [Konstanze]:
Cheryl Studer (soprano) (in 1989-09)
orchestra:
Academy of St Martin in the Fields (in 1989-09)
additional conductor:
John Constable (pianist) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
balance engineer:
Bram de Groot (in 1989-09)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet, London (Greater London), England, United Kingdom (in 1989-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1989-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:42
4Idomeneo, re di Creta, K. 366: "Fuor del mar"
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Idomeneo]:
Plácido Domingo (tenor) (from 1994-03 until 1994-04)
orchestra:
Metropolitan Opera Orchestra (from 1994-03 until 1994-04)
conductor:
James Levine (US conductor and pianist) (from 1994-03 until 1994-04)
balance engineer:
Wolfgang Mitlehner (from 1994-03 until 1994-04)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04) and Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 1994-03 until 1994-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart5:08
5Idomeneo, re di Creta, K. 366: "Torna la pace al core"
producer:
Christopher Raeburn (producer) and Peter Wadland
tenor vocals:
Luciano Pavarotti (tenor) (in 1983-09)
orchestra:
Wiener Philharmoniker (in 1983-09)
conductor:
Sir John Pritchard (conductor) (in 1983-09)
balance engineer:
James Lock (engineer) (in 1983-09) and John Pellowe (audio engineer) (in 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) (in 1983-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:22
6Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1989-08)
orchestra:
Wiener Kammerorchester (in 1989-08)
conductor:
György Fischer (pianist and conductor) (in 1989-08)
balance engineer:
James Lock (engineer) (in 1989-08) and Jonathan Stokes (engineer) (in 1989-08)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1989-08)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1989-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:07
7Le nozze di Figaro, K. 492: "Non più andrai"
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
bass-baritone vocals:
Samuel Ramey (bass-baritone)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:38
8Le nozze di Figaro, K. 492: "Voi che sapete"
engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (engineer)
assistant producer:
Richard Beswick
producer:
Richard Beswick and Christopher Raeburn (producer)
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (mezzo-soprano) (in 1978-05)
vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (from 1978-04 until 1978-05, in 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05, in 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1978-04 until 1978-05, in 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1978-04 until 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:55
9Le nozze di Figaro, K. 492: "Dove sono i bei momenti"
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart4:58
10Le nozze di Figaro, K. 492: "Deh vieni, non tardar"
producer:
Friedemann Engelbrecht
soprano vocals:
Anna Netrebko (soprano) (from 2006-07-17 until 2006-08-06)
orchestra:
Wiener Philharmoniker (from 2006-07-17 until 2006-08-06)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-07-17 until 2006-08-06)
balance engineer:
Michael Brammann (from 2006-07-17 until 2006-08-06), Gregor Hornacek (from 2006-07-17 until 2006-08-06) and Philipp Knop (from 2006-07-17 until 2006-08-06)
recorded at:
Mozart Residence in Salzburg, Salzburg, Austria (from 2006-07-17 until 2006-08-06)
edit of:
Le nozze di Figaro, K 492: Act IV: (h) "Giunse alfin il momento ... Deh vieni, non tardar" ... by Anna Netrebko (soprano), Wiener Philharmoniker, Nikolaus Harnoncourt (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 2006-07-17 until 2006-08-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart3:10
11Don Giovanni, K. 527: "Là ci darem la mano"
producer:
Evans Mirageas and Christopher Raeburn (producer)
bass-baritone vocals [Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1998-06-06 until 1998-06-10)
mezzo-soprano vocals [Zerlina]:
Cecilia Bartoli (mezzo-soprano) (from 1998-06-06 until 1998-06-10)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
12Don Giovanni, K. 527: "Or sai chi l'onore"
producer:
Christopher Raeburn (producer)
soprano vocals:
Margaret Price (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
London Philharmonic Orchestra (LPO) (in 1978-11)
conductor:
Sir Georg Solti (conductor) (in 1978-11)
balance engineer:
Stanley Goodall (engineer) (in 1978-11) and Kenneth Wilkinson (engineer) (in 1978-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
13Don Giovanni, K. 527: "Fin ch'han dal vino"
producer:
Erik Smith (British producer, pianist and harpsichordist)
baritone vocals:
Sir Thomas Allen (baritone) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
14Don Giovanni, K. 527: "Batti, batti, o bel Masetto"
cello:
Franz Bartolomey (cellist) (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1993-04)
orchestra:
Wiener Kammerorchester (in 1993-04)
conductor:
György Fischer (pianist and conductor) (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
15Don Giovanni, K. 527: "Deh! vieni alla finestra"
producer:
Erik Smith (British producer, pianist and harpsichordist)
mandolin:
James Ellis (violin, Classical) (in 1990-07)
baritone vocals:
Sir Thomas Allen (baritone) (in 1990-07)
orchestra:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (from 1991 to present)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-07)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1990-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:13
16Così fan tutte, K. 588: "Soave sia il vento"
engineer:
Jürgen Bulgrin (Sound engineer)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer) (in 2006-04)
mezzo-soprano vocals:
Christine Rice (mezzo-soprano) (in 2006-04)
soprano vocals:
Miah Persson (soprano) (in 2006-04)
orchestra:
Scottish Chamber Orchestra (in 2006-04)
conductor:
Charles Mackerras (Australian conductor) (in 2006-04)
balance engineer:
Stephan Flock
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (in 2006-04)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 2006-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:50
17Così fan tutte, K. 588: "Ah, scostati!"
recorded in:
London (Greater London), England, United Kingdom (in 1974-06)
mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (in 1974-06)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1974-06)
conductor:
Sir Colin Davis (English conductor) (in 1974-06)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:36
18Così fan tutte, K. 588: "Come scoglio"
soprano vocals:
Montserrat Caballé (soprano) (in 1974-06)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1974-06)
conductor:
Sir Colin Davis (English conductor) (in 1974-06)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1974-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:18
19Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
tenor vocals:
Jonas Kaufmann (tenor) (in 2008-12)
orchestra:
Mahler Chamber Orchestra (in 2008-12)
conductor:
Claudio Abbado (conductor) (in 2008-12)
recorded at:
Auditorium Paganini in Parma, Parma, Emilia-Romagna, Italy (in 2008-12)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 2008-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:53
20Die Zauberflöte, K. 620: "O zittre nicht, mein lieber Sohn"
recording engineer:
John Pellowe (audio engineer) (from 1994-05 until 1994-12)
producer:
Michael Haas (classical music producer) (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (soprano) (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (conductor) (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (audio engineer) (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:42
21Die Zauberflöte, K. 620: "In diesen heil'gen Hallen"
producer:
Michael Haas (classical music producer)
bass vocals:
Kurt Moll (operatic bass) (in 1990-12)
orchestra:
Wiener Philharmoniker (in 1990-12)
conductor:
Sir Georg Solti (conductor) (in 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1990-12)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1990-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:50
22La clemenza di Tito, K. 621: "Ah perdona al primo affetto"
engineer:
Jürgen Bulgrin (Sound engineer)
producer:
Arend Prohmann (producer / editor)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-05)
soprano vocals:
Anna Netrebko (soprano) (in 2006-05)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-05)
conductor:
Sebastian Weigle (hornist and conductor) (in 2006-05)
balance engineer:
Rainer Maillard
recorded at:
Palais im Großen Garten (Dresden) in Dresden, Sachsen, Germany (in 2006-05)
recording of:
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) (in 2006-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart3:05
▶ CD 149: Theatre
▶ CD 150: Theatre
▶ CD 151: Theatre
▶ CD 152: Theatre
▶ CD 153: Sacred
▶ CD 154: Sacred
▶ CD 155: Sacred
▶ CD 156: Sacred
▶ CD 157: Sacred
▶ CD 158: Sacred
▶ CD 159: Sacred
▶ CD 160: Sacred
▶ CD 161: Sacred
▶ CD 162: Sacred
▶ CD 163: Sacred
▶ CD 164: Sacred
▶ CD 165: Sacred
▶ CD 166: Sacred
▶ CD 167: Sacred
▶ CD 168: Sacred
▶ CD 169: Sacred
▶ CD 170: Sacred
▶ CD 171: Private
▶ CD 172: Private
▶ CD 173: Private
▶ CD 174: Fragments
▶ CD 175: Fragments
▶ CD 176: Completions
▶ CD 177: Completions
▶ CD 178: Completions
▶ CD 179: Arrangements
▶ CD 180: Arrangements
▶ CD 181: Arrangements
▶ CD 182: Arrangements
▶ CD 183: Arrangements
▶ CD 184: Arrangements
▶ CD 185: Arrangements
▶ CD 186: Arrangements
▶ CD 187: Arrangements
▶ CD 188: Self-Arrangements
▶ CD 189: Self-Arrangements
▶ CD 190: Self-Arrangements
▶ CD 191: Self-Arrangements
▶ CD 192: Self-Arrangements
▶ CD 193: Self-Arrangements
▶ CD 194: Doubtful Works
▶ CD 195: Doubtful Works
▶ CD 196: Doubtful Works
▶ CD 197: Doubtful Works
▶ CD 198: Doubtful Works
▶ CD 199: Doubtful Works
▶ CD 200: Doubtful Works