David Bowie Narrates Prokofiev’s Peter and the Wolf

~ Release by Prokofiev; David Bowie, Eugene Ormandy, Philadelphia Orchestra (see all versions of this release, 7 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Peter and the Wolf, op. 67: Introduction
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 1. Introduction (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:51
2Peter and the Wolf, op. 67: The Story Begins
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 2. The Story Begins (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev50:51
3Peter and the Wolf, op. 67: The Bird
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 3. The Bird (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:34
4Peter and the Wolf, op. 67: The Duck, Dialogue With the Bird, Attack of the Cat
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 4. The Duck; Dialogue With The Birds; Attack Of The Cat (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev44:13
5Peter and the Wolf, op. 67: The Grandfather
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 5. Grandfather (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:14
6Peter and the Wolf, op. 67: The Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 6. The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev42:02
7Peter and the Wolf, op. 67: The Duck Is Caught
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 7. The Duck Is Caught (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev40:53
8Peter and the Wolf, op. 67: The Wolf Stalks the Bird and the Cat
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 8. The Wolf Stalks The Bird And Cat (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:43
9Peter and the Wolf, op. 67: Peter Prepares to Catch the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 9. Peter Prepares To Catch The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:06
10Peter and the Wolf, op. 67: The Bird Diverts the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 10. The Bird Diverts The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:51
11Peter and the Wolf, op. 67: Peter Catches the Wolf
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 11. Peter Catches The Wolf (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:30
12Peter and the Wolf, op. 67: The Hunters Arrive
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 12. The Hunters Arrive (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev41:18
13Peter and the Wolf, op. 67: The Procession to the Zoo
recorded in:
New York City, New York, United States (from 1977-11-17 until 1977-11-19: spoken vocals)
engineer:
Paul Goodman (engineer)
producer:
Jay David Saks (classical/opera producer)
spoken vocals [narrator]:
David Bowie (from 1977-11-17 until 1977-11-19)
orchestra:
The Philadelphia Orchestra (on 1975-10-08)
conductor:
Eugene Ormandy (conductor) (on 1975-10-08)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (on 1975-10-08) and RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (from 1977-11-17 until 1977-11-19)
recording of:
Peter and the Wolf, op. 67: 13. The Procession To The Zoo (from 1975-10-08 until 1977-11-19)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev45:03
14The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Tutti)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:22
15The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Woodwinds)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:22
16The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Brass)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:18
17The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Strings)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:18
18The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Percussion)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:15
19The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente (Tutti)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten20:19
20The Young Person’s Guide to the Orchestra, op. 34: Variation A. Presto (Flute, Piccolo)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:35
21The Young Person’s Guide to the Orchestra, op. 34: Variation B. Lento (Oboes)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:59
22The Young Person’s Guide to the Orchestra, op. 34: Variation C. Moderato (Clarinets)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:37
23The Young Person’s Guide to the Orchestra, op. 34: Variation D. Allegro alla marcia (Bassoons)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:56
24The Young Person’s Guide to the Orchestra, op. 34: Variation E. Brilliante. Alla polacca (Violins)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten40:45
25The Young Person’s Guide to the Orchestra, op. 34: Variation F. Meno mosso (Violas)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:06
26The Young Person’s Guide to the Orchestra, op. 34: Variation G. (Cellos)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:13
27The Young Person’s Guide to the Orchestra, op. 34: Variation H. Cominciando lento ma poco a poco accelerando al Allegro (Double Basses)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:02
28The Young Person’s Guide to the Orchestra, op. 34: Variation I. Maestoso (Harp)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:46
29The Young Person’s Guide to the Orchestra, op. 34: Variation J. L’istesso tempo (Horns)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:39
30The Young Person’s Guide to the Orchestra, op. 34: Variation K. Vivace (Trumpets)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten30:34
31The Young Person’s Guide to the Orchestra, op. 34: Variation L. Allegro pomposo (Trombones & Tuba)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:09
32The Young Person’s Guide to the Orchestra, op. 34: Variation M. Moderato (Percussion)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten41:55
33The Young Person’s Guide to the Orchestra, op. 34: Fugue. Allegro molto (Tutti)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten53:08
34The Nutcracker – Suite, op. 71a: I. Ouverture miniature. Allegro giusto
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Увертюра (Nutcracker Overture) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker)
Pyotr Ilyich Tchaikovsky53:40
35The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Marche. Tempo di marcia viva
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky42:15
36The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky42:13
37The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Danse russe. Tempo di trepak, molto vivace
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky41:11
38The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky53:37
39The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky41:10
40The Nutcracker – Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky42:16
41The Nutcracker – Suite, op. 71a: III. Valse des fleurs. Tempo di valse
orchestra:
The Philadelphia Orchestra (from 1972-09-25 until 1972-09-26)
conductor:
Eugene Ormandy (conductor) (from 1972-09-25 until 1972-09-26)
recorded at:
Town Hall Theatre (One of Philadelphia Orchestra's recording venue) in Philadelphia, Pennsylvania, United States (from 1972-09-25 until 1972-09-26)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers) (from 1972-09-25 until 1972-09-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky57:08

Credits

Release

mastering and transferrer:Andreas K. Meyer (US sound engineer)