Pathways of Baroque Music: Cathedrals and Chapels

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1: A New Sacred Art: Masses and Motets at the Turn of the 17th Century
▶ CD 2: Cantata and Petit Motet: Sacred Concerts in Europe (1640-1740)
▶ CD 3: The French Grand Motet: A Century of Sacred Music at the French Court
▶ CD 4: The Golden Age of the Oratorio: The Dramatization of Religious Music
▼ CD 5: The Sacred Music of J.S. Bach: Cantatas, Motets, Oratorios and Passions
#TitleArtistRatingLength
1Magnificat, BWV 243 in D Major [excerpt]: Magnificat Anima Mea Dominum
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and Ryo Terakado (violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:01
2Magnificat, BWV 243 in D Major [excerpt]: Quia Respexit Humilitatem
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and Ryo Terakado (violinist) (in 1990-01)
solo soprano vocals:
Barbara Schlick (soprano) (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1990-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:42
3Magnificat, BWV 243 in D Major [excerpt]: Omnes Generationes
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and Ryo Terakado (violinist) (in 1990-01)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1990-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:22
4Ich Hatte Viel Bekümmernis, BWV 21: Sinfonia
solo oboe:
Marcel Ponseele (oboist)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach2:55
5Ich Hatte Viel Bekümmernis, BWV 21: Ich Hatte Viel Bekümmernis
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:58
6Jesu, Der Du Meine Seele, BWV 78: Wir Eilen
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century)
soprano vocals:
Ingrid Schmithüsen (Sopran)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach5:17
7Jesu, Der Du Meine Seele, BWV 78: Herr, Ich Glaube
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" (in 1987-11)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 188)
part of:
Kantate, BWV 78 "Jesu, der du meine Seele"
Johann Sebastian Bach1:09
8Ich Will Den Kreuzstab Gerne Tragen, BWV 56: Mein Wandel Auf Der Welt
bass vocals:
Peter Kooij (baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:53
9Ich Will Den Kreuzstab Gerne Tragen, BWV 56: Endlich, Endlich Wird Mein Joch
bass vocals:
Peter Kooij (baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1991-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach26:48
10Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
choir vocals:
Ensemble vocal européen de la Chapelle royale
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" (in 1987-11)
premiered in:
Leipzig, Sachsen, Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen, Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:00
11Komm, Jesu, Komm, BWV 229
choir vocals:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Komm, Jesu, komm, BWV 229: I. "Komm, Jesu, komm"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach6:53
12Oster-Oratorio, BWV 249: Sinfonia
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:07
13Oster-Oratorio, BWV 249: Hier Ist Die Gruft
alto vocals:
Kai Wessel (countertenor)
bass vocals:
Peter Kooij (baritone)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:49
14Oster-Oratorio, BWV 249: Sanfte Soll Mein Todeskummer
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach7:44
15Himmelfahrts-Oratorium: Wenn Soll Es Doch Geschehen
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:07
16St. John Passion, BWV 245: Die Kriegsknechte Aber, da Sie Jesum Gekreuziget Hatten
bass vocals [Jesus]:
Peter Lika (operatic bass)
choir vocals:
Collegium Vocale Gent
tenor vocals [Evangelist]:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1987-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1987-04)
partial recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1987-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:02
17St. John Passion, BWV 245: Auf Daß Erfüllet Würde Die Schrift
bass vocals [Jesus]:
Peter Lika (operatic bass)
tenor vocals [Evangelist]:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1987-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1987-04)
partial recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1987-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
recording of:
Johannes-Passion, BWV 245: Teil II, No. 27c. Recitativo "Auf daß erfüllet würde die Schrift" (Evangelista, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus)
Johann Sebastian Bach1:38
18St. John Passion, BWV 245: Er Nahm Alles Wohl in Acht
choir vocals:
Collegium Vocale Gent
tenor vocals [Evangelist]:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1987-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1987-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1987-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:03
19St. John Passion, BWV 245: Und Von Stund an Nahm Sie Der Jünger Zu Sich
bass vocals [Jesus]:
Peter Lika (operatic bass)
tenor vocals [Evangelist]:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1987-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1987-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1987-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:21
20St. John Passion, BWV 245: Es Ist Vollbracht!
alto vocals:
Catherine Patriasz (mezzo-soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1987-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1987-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1987-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach6:03
21St. Matthew Passion, BWV 244: Kommt, Ihr Töchter Helft Mir Klagen
choir vocals:
Collegium Vocale Gent (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:05