Jazz Classics in Digital Stereo, Volume 1: New Orleans

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Dr. Jazz
clarinet:
Omer Simeon (on 1926-12-16)
cornet:
George Mitchell (US jazz trumpeter and cornet player) (on 1926-12-16)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1926-12-16)
drums (drum set):
Andrew Hilaire (on 1926-12-16)
guitar:
Johnny St. Cyr (on 1926-12-16)
piano:
Jelly Roll Morton (on 1926-12-16)
trombone:
Kid Ory (on 1926-12-16)
edit of:
Doctor Jazz (recording session no. 37257-3) by Jelly Roll Morton’s Red Hot Peppers
recording of:
Doctor Jazz (on 1926-12-16)
composer:
King Oliver (jazz cornetist)
Jelly Roll Morton’s Red Hot Peppers3:27
2Sweet Lovin' Man
banjo:
Bud Scott (on 1923-06-22)
clarinet:
Johnny Dodds (on 1923-06-22)
cornet:
Louis Armstrong (on 1923-06-22) and King Oliver (jazz cornetist) (on 1923-06-22)
drums (drum set):
Warren “Baby” Dodds (on 1923-06-22)
piano:
Lil Hardin Armstrong (on 1923-06-22)
trombone:
Honoré Dutrey (on 1923-06-22)
edit of:
Sweet Lovin' Man by King Oliver's Jazz Band
King Oliver’s Jazz Band2:49
3Too Tight
recorded in:
Chicago, Illinois, United States (on 1929-02-07)
clarinet:
Johnny Dodds (on 1929-02-07)
cornet:
Natty Dominique (on 1929-02-07)
double bass:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1929-02-07)
drums (drum set):
Warren “Baby” Dodds (on 1929-02-07)
piano:
Lil Hardin Armstrong (on 1929-02-07)
trombone:
Honoré Dutrey (on 1929-02-07)
edit of:
Too Tight (studio, 1929-02-07; matrix 48800-3) by Johnny Dodds & His Orchestra
Johnny Dodd's Orchestra2:54
4Alligator Crawl
recorded in:
Chicago, Illinois, United States (on 1927-05-10)
banjo:
Johnny St. Cyr (on 1927-05-10)
clarinet:
Johnny Dodds (on 1927-05-10)
cornet:
Louis Armstrong (on 1927-05-10)
drums (drum set):
Warren “Baby” Dodds (on 1927-05-10)
piano:
Lil Hardin Armstrong (on 1927-05-10)
trombone:
John Thomas (early jazz trombonist) (on 1927-05-10)
tuba:
Pete Briggs (on 1927-05-10)
edit of:
Alligator Crawl (1927-05-10, mx. 80854-B) by Louis Armstrong and His Hot Seven
recording of:
Alligator Crawl (on 1927-05-10)
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter) and Andy Razaf
composer:
Fats Waller
Louis Armstrong's Hot 73:04
5Salty Dog
recorded in:
Chicago, Illinois, United States (in 1926-09)
clarinet:
Johnny Dodds (in 1926-09)
cornet:
Freddie Keppard (in 1926-09)
piano:
Arthur Campbell (1920s jazz pianist) (in 1926-09)
trombone:
Eddie Vincent (1920s US jazz trombonist) (in 1926-09)
wood block [woodblocks]:
Jasper Taylor (in 1926-09)
vocals:
Papa Charlie Jackson (in 1926-09)
edit of:
Salty Dog (take 2) by Freddie Keppard’s Jazz Cardinals
Freddie Keppard’s Jazz Cardinals2:37
6As You Like It
recorded in:
New Orleans, Louisiana, United States (on 1927-04-11)
alto saxophone and clarinet:
Paul Barnes (American pianist) (on 1927-04-11)
banjo:
John Marrero (on 1927-04-11)
cornet:
Ricard Alexis (on 1927-04-11) and Papa Celestin (on 1927-04-11)
drums (drum set):
Abby Foster (on 1927-04-11)
piano:
Jeanette Salvant (American jazz pianist) (on 1927-04-11)
soprano saxophone:
Sid Carriere (on 1927-04-11)
tenor saxophone:
Sid Carriere (on 1927-04-11) and Earl Pierson (on 1927-04-11)
trombone:
August Rousseau (on 1927-04-11)
tuba:
Simon Marrero (on 1927-04-11)
edit of:
As You Like It (studio, 1927-04-11; matrix 143955-1) by Celestin's Original Tuxedo Jazz Orchestra
recording of:
As You Like It (on 1927-04-11)
writer:
Oscar Celestin
composer:
Paul Barnes (American pianist)
Celestin’s Original Tuxedo Jazz Orchestra3:15
7That's a Plenty
recorded in:
New Orleans, Louisiana, United States (on 1927-04-15)
alto saxophone and clarinet:
Pinky Vidacovich (on 1927-04-15) and Benjie White (on 1927-04-15)
banjo and guitar:
René Gelpi (on 1927-04-15)
cornet:
Bill Padron (on 1927-04-15)
drums (drum set):
Earl Crumb (on 1927-04-15)
piano:
Sigfre Christensen (on 1927-04-15)
tenor saxophone:
Lester Smith (Early Jazz saxophonist) (on 1927-04-15)
trombone:
Franck Netto (on 1927-04-15)
tuba:
Dan Le Blanc (on 1927-04-15)
edit of:
That's A-Plenty by New Orleans Owls
instrumental recording of:
That’s a Plenty (on 1927-04-15)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
New Orleans Owls3:07
8Frankin Street Blues
recorded in:
New Orleans, Louisiana, United States (on 1927-03-07)
banjo:
Leonard Mitchell (US jazz banjoist)
clarinet:
Willie Joseph (Early Jazz clarinetist)
cornet:
Louis Dumaine
drums (drum set):
James Willigan (US jazz drummer)
piano:
Morris Rouse (US jazz pianist)
tenor saxophone:
Louis James (US jazz saxophonist)
trombone:
Earl Humphrey (US jazz trombonist)
tuba:
Joe Howard (US early jazz tuba player and trumpeter)
vocals:
Leonard Mitchell (US jazz banjoist)
edit of:
Franklin Street Blues (studio, 1927-03-07; matrix 37979-1) by Louis Dumaine’s Jazzola Eight
recording of:
Franklin Street Blues
writer:
Louis Dumaine and Eddie Jackson (songwriter from the early jazz era)
Louis Dumaine’s Jazzola Eight3:22
9Mr. Jelly Lord
recorded in:
Richmond, Indiana, United States (on 1923-07-17)
alto saxophone and clarinet:
Leon Roppolo (on 1923-07-17)
alto saxophone and tenor saxophone:
Glenn Scoville (on 1923-07-17)
banjo:
Bob Gilette (on 1923-07-17)
cornet:
Paul Mares (on 1923-07-17)
drums (drum set):
Ben Pollack (on 1923-07-17)
piano:
Jelly Roll Morton (on 1923-07-17)
saxophone:
Jack Pettis (on 1923-07-17)
tenor saxophone:
Don Murray (1920s jazz clarinetist) (on 1923-07-17)
trombone:
George Brunies (on 1923-07-17)
tuba:
Chink Martin (on 1923-07-17)
edit of:
Mr. Jelly Lord (studio, 1923-07-17; matrix 11541-A) by New Orleans Rhythm Kings
New Orleans Rhythm Kings3:07
10Panama
recorded in:
New York, New York, United States (on 1934-09-12)
clarinet:
Sidney Arodin (on 1934-09-12)
double bass:
Benny Pottle (on 1934-09-12)
drums (drum set):
Bob White (jazz drummer, do not confuse with Bobby White) (on 1934-09-12)
piano:
Terry Shand (jazz pianist/composer) (on 1934-09-12)
trombone:
George Brunies (on 1934-09-12)
trumpet:
Wingy Manone (on 1934-09-12)
edit of:
Panama (studio, 1934-09-12; matrix 38610-A) by New Orleans Rhythm Kings
New Orleans Rhythm Kings3:00
11Pleasin' Paul
recorded in:
New York, New York, United States (on 1929-09-24)
banjo and guitar:
Will Johnson (jazz musician) (on 1929-09-24)
double bass [string bass]:
George "Pops" Foster (on 1929-09-24)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1929-09-24)
piano:
Luis Russell (on 1929-09-24)
saxophone:
Teddy Hill (on 1929-09-24), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1929-09-24) and Albert Nicholas (on 1929-09-24)
trombone:
J.C. Higginbotham (on 1929-09-24)
trumpet:
Henry Allen (jazz musician) (on 1929-09-24)
edit of:
Pleasin' Paul (studio, 1929-09-24; matrix #. 55855-2) by Henry “Red” Allen and His Orchestra
recording of:
Pleasing Paul (on 1929-09-24)
composer:
Henry “Red” Allen (jazz musician) and Paul Barbarin (jazz drummer from New Orleans)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Henry Allen and His New York Orchestra2:57
12Astoria Strut
recorded in:
New Orleans, Louisiana, United States (on 1929-11-15)
alto saxophone:
Theodore Purnell (on 1929-11-15)
banjo:
Emanuel Sayles (on 1929-11-15)
clarinet:
Sidney Arodin (on 1929-11-15)
cornet:
Lee Collins (jazz trumpeter) (on 1929-11-15)
double bass [string bass]:
Al Morgan (jazz double-bassist) (on 1929-11-15)
drums (drum set):
Joe Strode-Raphael (on 1929-11-15)
piano:
Joe Robichaux (on 1929-11-15)
tenor saxophone:
David Jones (early 20th century US jazz saxophonist) (on 1929-11-15)
edit of:
Astoria Strut (studio, 1929-11-15; matrix 56534-1) by Jones and Collins Astoria Hot Eight
recording of:
Astoria Strut (on 1929-11-15)
composer:
Lee Collins (jazz trumpeter) and David Jones (early 20th century US jazz saxophonist)
Jones & Collins Astoria Hot Eight2:33
13Damp Weather
recorded in:
New Orleans, Louisiana, United States (on 1929-11-15)
alto saxophone:
Theodore Purnell (on 1929-11-15)
banjo:
Emanuel Sayles (on 1929-11-15)
clarinet:
Sidney Arodin (on 1929-11-15)
cornet:
Lee Collins (jazz trumpeter) (on 1929-11-15)
double bass:
Al Morgan (jazz double-bassist) (on 1929-11-15)
drums (drum set):
Joe Strode-Raphael (on 1929-11-15)
piano:
Joe Robichaux (on 1929-11-15)
tenor saxophone:
David Jones (early 20th century US jazz saxophonist) (on 1929-11-15)
edit of:
Damp Weather (studio, 1929-11-15; matrix 56536-1) by Jones & Collins Astoria Hot Eight
Jones & Collins Astoria Hot Eight3:23
14Sizzling the Blues
recorded in:
New Orleans, Louisiana, United States (in 1928-12)
alto saxophone:
Hal Jordy (US jazz saxophonist) (in 1928-12)
clarinet:
Sidney Arodin (in 1928-12)
drums (drum set):
Monk Hazel (in 1928-12)
guitar:
Joe Cupero (in 1928-12)
piano:
Freddy Newman (US early jazz pianist) (in 1928-12)
trumpet:
Sharkey Bonano (in 1928-12)
tuba:
Luther Lamar (in 1928-12)
edit of:
Sizzlin' the Blues (studio, 1928-12; matrix NO-747-A) by Monk Hazel and His Bienville Roof Orchestra
Monk Hazel and His Bienville Roof Orchestra2:49
15High Society
recorded in:
New Orleans, Louisiana, United States (in 1928-12)
alto saxophone:
Hal Jordy (US jazz saxophonist) (in 1928-12)
clarinet:
Sidney Arodin (in 1928-12)
drums (drum set):
Monk Hazel (in 1928-12)
guitar:
Joe Cupero (in 1928-12)
piano:
Freddy Newman (US early jazz pianist) (in 1928-12)
trumpet:
Sharkey Bonano (in 1928-12)
tuba:
Luther Lamar (in 1928-12)
edit of:
High Society (studio, 1928-12; matrix NO-748-A) by Monk Hazel and His Bienville Roof Orchestra
Monk Hazel and His Bienville Roof Orchestra3:00
16Sweetie Dear
recorded in:
New York, New York, United States (on 1932-09-15)
double bass:
Wilson Myers (on 1932-09-15)
drums (drum set):
Morris Morland (on 1932-09-15)
piano:
Henry Duncan (on 1932-09-15)
soprano saxophone:
Sidney Bechet (on 1932-09-15)
trombone:
Teddy Nixon (on 1932-09-15)
trumpet:
Tommy Ladnier (American jazz trumpeter) (on 1932-09-15)
edit of:
Sweetie Dear (1932-09-15, mx. 73398-1) by New Orleans Feetwarmers
New Orleans Feetwarmers2:54
17Weather Bird
recorded in:
Chicago, Illinois, United States (on 1928-12-05)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-05)
trumpet:
Louis Armstrong (on 1928-12-05)
edit of:
Weather Bird (1928-12-05, mx. 402199-A) by Louis Armstrong
recording of:
Weather Bird (on 1928-12-05)
composer:
Louis Armstrong
Louis Armstrong & Earl Hines2:47
18Blue Piano Stomp
recorded in:
Chicago, Illinois, United States (on 1928-07-05)
clarinet:
Johnny Dodds (on 1928-07-05)
double bass:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (on 1928-07-05)
piano:
Charlie Alexander (US jazz pianist) (on 1928-07-05)
edit of:
Blue Piano Stomp (studio, 1928-07-05; matrix 46056-1) by Johnny Dodds Trio
Johnny Dodds Trio3:13
19Turtle Twist
recorded in:
New York, New York, United States (on 1929-12-17)
clarinet:
Barney Bigard (on 1929-12-17)
drums (drum set):
Zutty Singleton (on 1929-12-17)
piano:
Jelly Roll Morton (on 1929-12-17)
edit of:
Turtle Twist (recording session no. 57785-1) by Jelly‐Roll Morton Trio
recording of:
Turtle Twist (on 1929-12-17)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton Trio3:14
20Clarinet Marmalade
recorded in:
New York, New York, United States (on 1918-07-17)
clarinet:
Larry Shields (on 1918-07-17)
cornet:
Nick LaRocca (on 1918-07-17)
drums (drum set):
Tony Sbarbaro (on 1918-07-17)
piano:
Henry Ragas (on 1918-07-17)
trombone:
Eddie Edwards (Jazz trombonist) (on 1918-07-17)
edit of:
Clarinet Marmalade Blues (studio, 1918-07-17, Victor, matrix 22066-2) by Original Dixieland Jazz Band
recording of:
Clarinet Marmalade (on 1918-07-17)
composer:
Henry Ragas (in 1918) and Larry Shields (in 1918)
Original Dixieland Jazz Band2:45