Rise of the Masters: 100 Supreme Classical Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
orchestra:
Bach Collegium Japan (from 2000-05-28 until 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-05-28 until 2000-06-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2000-05-28 until 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 2000-05-28 until 2000-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
Johann Sebastian Bach?:??
2Orchestral Suite no. 3 in D major, BWV 1068: Air
instruments:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach?:??
3The Well-Tempered Clavier, Book 1: Prelude and Fugue no. 1 in C major, BWV 846: I. Prelude
harpsichord:
Masaaki Suzuki (keyboardist, conductor) (in 1996-05)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1996-05)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1996-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Johann Sebastian Bach?:??
4Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
orchestra:
Drottningholms Barockensemble
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach?:??
5Toccata and Fugue in D minor for Organ, BWV 565
organ:
Klemens Schnorr (organist)
pipe organ:
Klemens Schnorr (organist) (in 1988)
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (in 1988)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1988)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach?:??
6Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: X. Chorale: "Jesu bleibet meine Freude" (Jesu, Joy of Man's Desiring)
sound engineer:
Dirk Lüdemann (in 1999-06)
producer:
Jens Braun (classical engineer)
editor:
Dirk Lüdemann
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??
7Suite no. 1 in G major for Solo Cello, BWV 1007: I. Prelude
producer and balance engineer:
Hans Kipfer
editor:
Rita Hermeyer and Martin Nagorni
cello:
Torleif Thedéen (cellist) (in 1996-05)
recorded at:
Länna Kyrka in Norrtälje municipality, Stockholms län, Sweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (in 1996-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007
Johann Sebastian Bach?:??
8Double Concerto in D minor for Two Violins and Strings, BWV 1043: I. Vivace
instruments:
Ryo Terakado (violinist)
violin:
Ryo Terakado (violinist) and Natsumi Wakamatsu
orchestra:
Bach Collegium Japan
conductor and performer:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach?:??
9Aria and 30 Variations, BWV 988, "Goldberg Variations": I. Aria
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1995 to present)
recording of:
Goldberg-Variationen, BWV 988: Aria (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach?:??
10Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 1 in E major, RV 269, "La primavera" (Spring): I. Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Stocksund) in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi?:??
11Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 2 in G minor, RV 315, "L'estate" (Summer): III. Presto: Tempo impetuoso d'Estate
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Stocksund) in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”
Antonio Vivaldi?:??
12Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 3 in F major, RV 293, "L'autunno" (Autumn): I. Ballo e canto de villanelli: Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Stocksund) in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi?:??
13Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 4 in F minor, RV 297, "L'inverno" (Winter): II. Largo
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Stocksund) in Danderyd municipality, Stockholms län, Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi?:??
14Concerto in C major for Flautino and Strings, RV 443: II. LargoAntonio Vivaldi?:??
15Concerto in D major for Lute, Two Violins and B.C, RV 93: II. Largo
sound engineer, producer and editor:
Robert von Bahr
bassoon:
Michael McCraw (bassoonist) (from 1984 until 1985)
cello:
Kari Ottesen (Swedish cellist) (from 1984-12 until 1985-01)
lute:
Jakob Lindberg (lutenist) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
organ:
Maria Wieslander (Swedish organist / harpsichordist) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
violin:
Tullo Galli (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17) and Nils‐Erik Sparf (from 1984-12 until 1985-01)
violoncello piccolo:
Kari Ottesen (Swedish cellist) (from 1984-12-06 until 1985-01-17)
violone:
Alf Petersén (Swedish violone player) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
orchestra:
Drottningholm Baroque Ensemble (from 1984 until 1985)
recorded at:
Petruskyrkan (Stocksund) in Danderyd municipality, Stockholms län, Sweden (from 1984-12 until 1985-01)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (from 1984-12 until 1985-01)
composer:
Antonio Vivaldi
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi?:??
16Stabat Mater, RV 621: I. Stabat mater dolorosa
sound engineer:
Marian Czarnecki (engineer)
producer:
Jakub Burzyński
editor:
Michał Muzyka (engineer)
cello:
Tomasz Frycz (cellist) (from 2004-01-11 until 2004-01-14)
chamber organ:
Barbara Świderska (organist) (from 2004-01-11 until 2004-01-14)
double bass:
Grzegorz Zimak (from 2004-01-11 until 2004-01-14)
harpsichord:
Piotr Wilczyński (from 2004-01-11 until 2004-01-14)
percussion:
Robert Siwak (percussionist) (from 2004-01-11 until 2004-01-14)
theorbo:
Anton Birula (from 2004-01-11 until 2004-01-14)
viola:
Michał Druś (from 2004-01-11 until 2004-01-14)
violin:
Grzegorz Lalek (violinist) (from 2004-01-11 until 2004-01-14) and Maria Papuzinska-Uss (violinist) (from 2004-01-11 until 2004-01-14)
alto vocals:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
orchestra:
La Tempesta (Polish early music ensemble) (from 2004-01-11 until 2004-01-14)
conductor:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
recorded at:
Evangelical-Reformed Church in Warsaw, Mazowieckie, Poland (from 2004-01-11 until 2004-01-14)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2004-01-11 until 2004-01-14)
composer:
Antonio Vivaldi
part of:
Stabat Mater, RV 621
Antonio Vivaldi?:??
17Concerto in G minor for Recorder and Strings, RV 439, "La notte": VI. AllegroAntonio Vivaldi?:??
18Solomon, HWV 67: The Arrival of the Queen of ShebaGeorge Frideric Handel?:??
19The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "Hallelujah!"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel?:??
20Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga"
countertenor vocals and solo countertenor vocals:
米良美一
vocals:
米良美一
orchestra:
Japan Philharmonic Orchestra
conductor:
Shigeo Genda
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel?:??
21Concerto grosso no. 12 in B minor, HWV 330: I. Largo
orchestra:
Arte dei Suonatori (in 2007-11)
conductor:
Martin Gester (in 2007-11)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo (in 2007-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel?:??
22Water Music Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel?:??
23Xerxes, HWV 40, Act 1: "Ombra mai fu": Largo
countertenor vocals:
米良美一
orchestra:
Japan Philharmonic Orchestra
conductor:
Shigeo Genda
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
part of:
Serse, HWV 40: Atto I
George Frideric Handel?:??
24Concerto no. 1 in G minor for Organ and Orchestra, HWV 289, op. 4: III. Adagio
organ:
Ivan Sokol (organist)
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
George Frideric Handel?:??
25Music for the Royal Fireworks, HWV 351: III. La réjouissance
orchestra:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Isaiah Jackson (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel?:??
26Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": I. AllegroWolfgang Amadeus Mozart?:??
27Concerto in A major for Clarinet and Orchestra, K. 622: II. Adagio
producer:
Ingo Petry
basset clarinet:
Martin Fröst (Swedish clarinetist) (in 2002-04)
orchestra:
Amsterdam Sinfonietta (in 2002-04)
conductor:
Peter Oundjian (violinist and conductor) (in 2002-04)
balance engineer:
Thore Brinkmann (in 2002-04)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 2002-04)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 2002-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart?:??
28Symphony no. 40 in G minor, K. 550: Allegro molto
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart?:??
29Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": II. Romance: AndanteWolfgang Amadeus Mozart?:??
30Die Zauberflöte (The Magic Flute), K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night's Aria)Wolfgang Amadeus Mozart?:??
31Concerto no. 21 in C major for Piano and Orchestra, K. 467: Andante
piano:
Finghin Collins (pianist)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart?:??
32Sonata no. 11 in A major for Piano, K. 331, "Turkish March": III. Rondo alla Turca: Allegretto
producer:
Ingo Petry
fortepiano:
Ronald Brautigam (pianist) (from 1996-08-11 until 1996-08-12)
instruments technician:
Paul McNulty (piano technician)
recorded at:
Länna Kyrka in Norrtälje municipality, Stockholms län, Sweden
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (from 1996-08-11 until 1996-08-12)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart?:??
33Requiem Mass in D minor, K. 626: VI Lacrimosa dies illa
choir vocals:
London Philharmonic Choir
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart?:??
34Concerto in C major for Flute, Harp and Orchestra, K. 299: II. Andantino
flute:
Sharon Bezaly (flutist) (in 2007-10)
harp:
Julie Palloc (in 2007-10)
orchestra:
Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra) (in 2007-10)
conductor:
Juha Kangas (in 2007-10)
recorded at:
Kaustisen kirkko in Kaustinen, Keski-Pohjanmaa, Finland (in 2007-10)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 2007-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart?:??
35Egmont, op. 84: Overture in F minor
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien, Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven?:??
36Sonata no. 8 in C minor for Fortepiano, op. 13, "Pathètique": II. Adagio cantabile
sound engineer:
Ingo Petry (in 2003-08)
producer and editor:
Ingo Petry
fortepiano:
Ronald Brautigam (pianist) (in 2003-08)
recorded at:
Österåkers kyrka (Uppland) in Österåker municipality, Stockholms län, Sweden (in 2003-08)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 2003-08)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven?:??
37Symphony no. 5 in C minor, op. 67, "Fate": Allegro con brio
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven?:??
38Bagatelle in A minor, WoO 59, "Für Elise"
piano:
Roland Pöntinen (pianist and composer)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven?:??
39Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
Vladimir Fedoseyev (conductor)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven?:??
40Concerto in D major for Violin and Orchestra, op. 61: II. LarghettoLudwig van Beethoven?:??
41Sonata no. 14 in C-sharp minor for Piano, op. 27:2, "Moonlight": I. Adagio sostenutoLudwig van Beethoven?:??
42Symphony no. 9 in D minor, op. 125, "Choral": An die Freude
choir vocals:
The London Chorus (until Oct 2000, was known as the London Choral Society) and London Philharmonic Choir
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven?:??
43Piano Quintet in A major, D. 667, "The Trout": IV. Thema con variazioni: Andantino - Allegretto (Die Forelle)Franz Schubert?:??
44String Quartet no. 13 in A minor, D. 804, "Rosamunde": II. Andante
string quartet:
Caspar da Salo Quartet (string quartet, Alfred Scholz related) and Quartetto Pressenda (an Alfred Scholz pseudonym)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: II. Andante
composer:
Franz Schubert (composer) (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert?:??
45Impromptus, D. 899, op. 90: No. 3 in G-flat major: AndanteFranz Schubert?:??
46Symphony no. 8 in B minor, D. 759, "The Unfinished": I. Allegro moderatoFranz Schubert?:??
47Trio no. 2 in E-flat major for Violin, Cello and Piano, D. 929: II. Andante con motoFranz Schubert?:??
48Ellen's Chants, D. 839, op. 56: III. Ave Maria
performer:
Musica Antiqua New York (founded 1989 by Mary Jane Newman)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert?:??
49String Quartet no. 14 in D minor, D. 810, "Death and the Maiden": I. AllegroFranz Schubert?:??
50Symphony no. 9 in C major, D. 944, "The Great.": IV. Finale: Allegro vivaceFranz Schubert?:??
51Nocturnes, op. 9: No. 2 in E-flat major
piano:
Finghin Collins (pianist)
recording of:
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin?:??
52Fantaisie Impromptu in C-sharp major, op. 66: Allegro agitato
piano:
Freddy Kempf (pianist)
recording of:
Fantaisie-impromptu in C-sharp minor, op. 66
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin?:??
53Mazurkas, op. 17: No. 4 in A minor
piano:
Roland Pöntinen (pianist and composer)
recording of:
Mazurka no. 13 in A minor, op. 17 no. 4
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 17
Frédéric Chopin?:??
54Concerto no. 1 in E minor for Piano and Orchestra, op. 11: II. Romance: LarghettoFrédéric Chopin?:??
55Waltzes, op. 64: No. 1 in D-flat major, "Minute Waltz"
Frédéric Chopin?:??
56Sonata no. 2 in B-flat minor for Piano, op. 35: III. Marche Funébre (Funeral March): LentoFrédéric Chopin?:??
57Préludes, op. 28: No. 15 in D-flat major, "Raindrops"
piano:
Roland Pöntinen (pianist and composer)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin?:??
58Polonaise in A-flat major, op. 53, "Heroic": Maestoso
piano:
Peter Schmalfuss (pianist)
recording of:
Polonaise in A-flat major, op. 53 “Heroique” (ended)
composer:
Fryderyk Chopin (composer) (in 1842)
dedicated to:
Auguste Léo
part of:
Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin?:??
59Manfred, op. 115: Overture in E-flat minorRobert Schumann?:??
60Kinderszenen (Childhood Scenes), op. 15: VII. Träumerei (Dreaming)
piano:
Roland Pöntinen (pianist and composer)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann?:??
61Concerto in A minor for Cello and Orchestra, op. 129: I. Nicht zu schnell (attacca)
cello:
Torleif Thedéen (cellist)
orchestra:
Malmö Symphony Orchestra
conductor:
Lev Markiz (Russian conductor and violinist)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann?:??
62Kreisleriana, op. 16: VII. Sehr Rasch
piano:
Jurgis Karnavičius (pianist, born 1957)
recording of:
Kreisleriana, op. 16: VII. Sehr rasch
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann?:??
63Symphony no. 4 in D minor, op. 120: II. Romance: Andante
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (conductor) (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 4 in D minor, op. 120 (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann (German classical composer)
arranger:
Gustav Mahler (composer)
publisher:
Universal Edition (publisher; do NOT use as release label)
arrangement of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann?:??
64Concerto in A minor for Piano and Orchestra, op. 54: I. Allegro affetuoso
piano:
Shoko Sugitani (pianist)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Gerard Oskamp (conductor)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1992-03-24 until 1992-03-25)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann?:??
65Carnaval, op. 9, "Scènes mignonnes sur quartre notes": Chopin
piano:
Freddy Kempf (pianist)
recording of:
Carnaval, op. 9: XII. Chopin
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
part of:
Carnaval, op. 9 (for piano)
Robert Schumann?:??
66Symphony no. 3 in E-flat major, op. 97, "The Rhine": V. Lebhaft
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (conductor) (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 3 in E-flat major, op. 97 “Rhenish” (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann (German classical composer)
arranger:
Gustav Mahler (composer)
publisher:
Universal Edition (publisher; do NOT use as release label)
arrangement of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann?:??
67Swan Lake Suite, op. 20: Scène (Lake in the Moonlight)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Swan Lake, Ballet Suite, op. 20: Scene
composer:
Пётр Ильич Чайковский (Russian romantic composer)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky?:??
68Concerto no. 1 in B-flat minor for Piano and Orchestra, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
solo piano:
John Lill (pianist)
orchestra:
London Symphony Orchestra
conductor:
James Judd (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky?:??
69The Nutcracker, op. 71a: III. MarchPyotr Ilyich Tchaikovsky?:??
70The Nutcracker, op. 71a: XIV. Waltz of the Flowers
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky?:??
71Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
orchestra:
Göteborgs Symfoniker (in 2003-05)
conductor:
Neeme Järvi (Estonian conductor) (in 2003-05)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (in 2003-05)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky?:??
72Romeo and Juliet: Fantasy Overture
orchestra:
Bamberg Symphony Orchestra
conductor:
José Serebrier (Uruguayan conductor and composer)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
73Eugen Onegin, op. 24: PolonaisePyotr Ilyich Tchaikovsky?:??
74Symphony no. 6 in B minor, op. 74, "Pathétique": I. Adagio - Allegro non troppo
orchestra:
Göteborgs Symfoniker (from 2004-01-23 until 2004-01-24)
conductor:
Neeme Järvi (Estonian conductor) (from 2004-01-23 until 2004-01-24)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (from 2004-01-23 until 2004-01-24)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (from 2004-01-23 until 2004-01-24)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky?:??
75Festival Overture in E-flat major, "The Year 1812", op. 49: Ouverture solennelle
orchestra:
Bamberger Symphoniker (in 2000-02)
conductor:
José Serebrier (Uruguayan conductor and composer) (in 2000-02)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 2000-02)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Pyotr Ilyich Tchaikovsky?:??
76Piano Trio no. 1 in B major, op. 8: I. Allegro con brio
instruments:
Trio Pro Arte (Danish piano trio, Westenholz / Vitek / Honnens)
recording of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8: I. Allegro con brio (Unspecified revision)
composer:
Johannes Brahms (German composer)
part of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8 (Unspecified revision)
Johannes Brahms?:??
77Hungarian Dance no. 5 in G minor
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Hungarian Dance for Orchestra no. 5 in G minor: Allegro - Vivace (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (in 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for Orchestra (catch-all for unknown and one-off orchestrations)
Johannes Brahms?:??
78Symphony no. 3 in F major, op. 90: III. Poco allegretto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Eduardo Marturet (conductor)
recording of:
Symphony no. 3 in F major, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Symphony no. 3 in F major, op. 90
Johannes Brahms?:??
79Sonata no. 1 in E minor for Cello and Piano, op. 38: I. Allegro non troppoJohannes Brahms?:??
80Concerto in D major for Violin and Orchestra, op. 77: II. Adagio
violin:
Borika van den Booren
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) and Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Eduardo Marturet (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77
Johannes Brahms?:??
81Piano Quintet in F minor, op. 34: I. Allegro non troppoJohannes Brahms?:??
82Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Piu allegro
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Eduardo Marturet (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98
Johannes Brahms?:??
83Lullaby (Guten Abend, gute Nacht), op. 49
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
Johannes Brahms?:??
84Peer Gynt Suite no. 1, op. 46: Morning Mood
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
85Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
David Parry (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
86Two Elegiac Melodies, op. 34:2: Last Spring
orchestra:
Royal Stockholm Philharmonic Orchestra (Royal Stockholm Philharmonic Orchestra)
conductor:
Magnus Ericsson (conductor)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (for strings)
Edvard Grieg?:??
87Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderatoEdvard Grieg?:??
88Lyric Suite, op. 54: IV. Troldtog (March of the Trolls): Allegretto moderato
orchestra:
Bergen Philharmonic Orchestra (in 2003-02)
conductor:
Ole Kristian Ruud (conductor) (in 2003-02)
recording of:
Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato (orch. Seidl) (in 2003-02)
orchestrator:
Edvard Grieg (composer) and Anton Seidl
composer:
Edvard Grieg (composer)
orchestration of:
Lyriske stykker, hefte V, op. 54: No. 3: Troldtog
part of:
Lyric Suite, op. 54 (orch. Seidl)
Edvard Grieg?:??
89Lyric Pieces Book 8, op. 65: VI. Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen)Edvard Grieg?:??
90Holberg Suite in G major, op. 40: I. Prelude
orchestra:
Norwegian Chamber Orchestra
conductor:
Terje Tønnesen (violinist and conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg?:??
91Peer Gynt, op. 23: Solveig's Song
sound engineer:
Thore Brinkmann (in 2003-06)
producer:
Jens Braun (classical engineer)
editor:
Thore Brinkmann
soprano vocals [Solveig]:
Marita Kvarving Sølberg (Norwegian soprano) (in 2003-06)
orchestra:
Bergen Philharmonic Orchestra (in 2003-06)
conductor:
Ole Kristian Ruud (conductor) (in 2003-06)
recorded at:
Grieghallen in Bergen, Hordaland, Norway (in 2003-06)
recording of:
Six Orchestral Songs, EG 177 no. 1: Solveigs sang (Solveig’s Song) (in 2003-06)
composer:
Edvard Grieg (composer)
is based on:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Seks sanger med orkester (EG 177)
Edvard Grieg?:??
92Prélude à l'après-midi d'un faune (Prelude to A Faun's Afternoon), L 86
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz) and Alfred Scholz (musical fraudster)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy?:??
93Suite bergamasque, L 75: Clair de lune
piano:
Finghin Collins (pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy?:??
94String Quartet in G minor, op. 10, L 85: I. Animé et trè décidéClaude Debussy?:??
95Préludes for Piano, L 117: VIII. La fille aux cheveux de lin (The Girl with the Flaxen Hair): Très calme et doucement expressifClaude Debussy?:??
96Dances for Harp and Strings, L 103: II. Danse profane: Modere
solo concert harp:
Marie-Claire Jamet (harpist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Paul Kuentz (conductor)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane
composer:
Claude Debussy (composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy?:??
97Deux arabesques (Two Arabesques), L 66: No. 1
piano:
Peter Schmalfuss (pianist)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy?:??
98Syrinx for Solo Flute, L 129
flute:
Jadwiga Kotnowska (flutist)
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (composer) (in 1913)
dedicated to:
Louis Fleury
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy?:??
99Préludes for Piano, L 117: X. La Cathédrale engloutie (The Sunken Cathedral): Profondément calme
solo piano:
小川典子 (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy?:??
100La Mer - Trois Esquisses Symphoniques (The Sea - Three Symphonic Sketches), L 109: I. De l'aube à midi sur la mer (From Dawn to Noon on the Sea): Très lent
sound engineer:
Thore Brinkmann (in 2004-08)
executive producer:
Robert Suff
producer:
Robert Suff (in 2004-08)
editor:
Nora Brandenburg and Elisabeth Kemper
orchestra:
Singapore Symphony Orchestra (in 2004-08)
conductor:
水蓝 (in 2004-08)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2007)
recorded at:
Esplanade – Theatres on the Bay: Concert Hall in Central Singapore, Singapore (in 2004-08)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 2004-08)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy?:??

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