Mod: The Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Green Onions
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s4.152:55
2Here I Go Again
Archie Bell & the Drells2:06
3Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
Aretha Franklin4.252:43
4Something Good (Is Going to Happen to You)
vocals:
Carla Thomas
Carla Thomas2:38
5Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:37
6Looking for a Fox
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
bass:
David Hood (on 1967-11-10)
drums (drum set):
Roger Hawkins (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (American trumpeter) (on 1967-11-10) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Wilbur Terrell
Clarence Carter2:18
7Satisfied (single version)
Ben Aiken2:37
8Cool Jerk
The Capitols2:36
9Respect
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Otis Redding4.22:11
10You’re Ready Now
Frankie Valli2:19
11Sweet Soul Music
engineer:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
is based on:
Yeah Man
Arthur Conley42:21
12B‐A‐B‐Y
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner/Chappell North America
Carla Thomas4.52:55
13Walkin’ Up a One Way Street
Willie Tee2:41
14I Can’t Break the News to Myself
Ben E. King2:32
15I’m Gonna Run Away From You
Tami Lynn2:51
16Beggin’
producer:
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
writer:
B. Gaudio and P. Farina
publisher:
EMI Longitude Music, Saturday Music, Inc. and Seasons Four Music Corp.
Frankie Valli & The Four Seasons2:46
17Me and My Baby
Mary Wells2:03
18Stupidity
producer:
Bert Russell Berns
vocals:
Solomon Burke
recording of:
Stupidity
writer:
Solomon Burke
Solomon Burke1:56
19You Got to Pay Your Dues
The Drifters2:35
20Baby Help Me
recording of:
Baby Help Me
lyricist and composer:
Bobby Womack
Percy Sledge2:33
21Mr. Creator
The Apollas2:39
22Hold On, I’m Coming
recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East Memphis Music, Irving Music, Inc., Pronto Music and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Sam & Dave2:36
23You Forgot How to Love
Patti LaBelle & The Bluebelles2:24
24What’cha Gonna Do About It (single version)
recording of:
Whatcha Gonna Do About It
writer:
Gregory Carroll, Rex Garvin and Doris Payne
publisher:
Rachel Music Ltd.
Doris Troy1:52
25Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 51) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.52:55
26Seven Days Too Long (mono)
Chuck Wood2:21
27Open the Door to Your Heart
Darrell Banks2:37
28Knock on Wood
vocals:
Eddie Floyd
recording of:
Knock on Wood (in 1966)
writer:
Steve Cropper and Eddie Floyd
publisher:
East Memphis Music, Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
Eddie Floyd43:04
29Somebody (Somewhere) Needs Me
recording of:
Somebody, Somewhere Needs You
writer:
Marc Gordon (soul songwriter, producer, and manager) and Frank Wilson (Motown singer/songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:36
30You’ve Got That Something Wonderful
Percy Sledge2:24
31In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles "Packy" Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett22:37
32Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin2:27
33I’ll Be Loving You
Soul Brothers Six2:19
34Ooh Baby
Deon Jackson2:37
35Just One Look
recorded in:
New York, New York, United States (on 1963-03-05)
bass:
Barney Richmond (on 1963-03-05)
drums (drum set):
Bruno Carr (on 1963-03-05)
guitar:
Napoleon "Snags" Allen (on 1963-03-05)
piano:
Horace Ott (on 1963-03-05)
background vocals [harmony vocals] and lead vocals:
Doris Troy (on 1963-03-05)
vocals:
Doris Troy (on 1963-03-05)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 7) and Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 29)
recording of:
Just One Look (on 1963-03-05)
writer:
Gregory Carroll and Doris Payne
publisher:
Leosong Copyright Service Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Doris Troy2:29
36Crazy Baby (single version)
The Coasters2:01
37Slip Away
recording of:
Slip Away
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:28
38Things Get Better
recording of:
Things Get Better
writer:
Steve Cropper, Eddie Floyd and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
publisher:
Irving Music (BMI), Rondor Music (London) Ltd. and Warner/Chappell North America
Eddie Floyd2:23
39Kiss My Love Goodbye (single version)
Bettye Swann3:22
40You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
41Just Say Goodbye
cover recording of:
Just Say Goodbye
composer:
Rogers Grant and Ruth Grant
Esther Phillips2:15
42Philly Dog
recorded in:
New York, New York, United States (on 1966-05-26)
producer:
Nesuhi Ertegun
flute:
Herbie Mann (on 1966-05-26)
conductor:
Jimmy Wisner (on 1966-05-26)
arranger:
Jimmy Wisner
instrumental recording of:
Philly Dog (on 1966-05-26)
writer:
Rufus Thomas (US blues & funk singer & songwriter)
Herbie Mann2:27
43The Return of the Prodigal Son
Freddie Hubbard5:42
44Dance Dance Dance (mono)
recording of:
Dance, Dance, Dance (Casualeers song)
writer:
John Giametta and Rod McBrien
The Casualeers2:42
45Memphis Soul Stew
recording of:
Memphis Soul Stew
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music
King Curtis2:57
46Knucklehead
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (bass) (in 1967)
drums (drum set):
Carl Cunningham (drummer for The Bar-Kays) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar-Kays) (in 1967)
harmonica:
Booker T. Jones (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
The Bar‐Kays2:23
47Mama Soul
recording of:
Mama Soul
writer:
Charlie Ingui and Richie Ingui
The Soul Survivors2:38
48Seventh Son
Mose Allison2:37
49I’m the One Who Loves You
producer:
Ron Richards
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-11)
cover recording of:
I’m the One Who Loves You
writer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Paramounts2:09
50What’d I Say, Pt. 1
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
What’d I Say
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:11
51Tainted Love
engineer:
Mike Stavrou (producer/engineer) and Gary Ulmer
producer:
Marc Bolan and Gloria Jones (US singer/songwriter, known for “Tainted Love”)
recording of:
Tainted Love (in 1976)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Gloria Jones32:43
52Somebody (Somewhere Needs You)
Darrell Banks2:33
53Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (bass) (in 1967)
drums (drum set):
Carl Cunningham (drummer for The Bar-Kays) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar-Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar-Kays), James Alexander (bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar-Kays)
The Bar‐Kays4.52:23
54Comin’ Home Baby
Mel Tormé2:39
55Land of 1000 Dances
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music and Tune-Kel
Wilson Pickett42:27
56Angel Baby (Don’t You Ever Leave Me)
Darrell Banks2:56
57Philly Dog
recording of:
Philly Dog
writer:
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:18
58Hold On (I’m Coming) (mono)
cover recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East Memphis Music, Irving Music, Inc., Pronto Music and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Cliff Bennett & the Rebel Rousers2:21
59Keep On Talking
Arthur Conley2:28
60Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:32
61The Sidewinder
recording of:
The Sidewinder
composer:
Lee Morgan
publisher:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:03
62Both Ends Against the Middle
Jackie Moore2:30
63The Watusi: Killer Joe
Killer Joe Piro2:11
64Go for Yourself (single version)
Larry Laster2:35
65Something New to Do
Bobby Sheen2:34
66I Can’t Stop Lovin’ My Baby
Linda Jones2:05
67Big Bird
producer:
Booker T. Jones
recording of:
Big Bird
lyricist and composer:
Eddie Floyd and Booker T. Jones
Eddie Floyd3:00
68I’m Getting Weaker
The Soul Shakers2:32
69Got to Find a Way
Cajun Hart3:08
70Just Can’t Get Enough of You
The Apollas2:25
71Mean It Baby
Carl Hall2:36
72If You Don’t Come Back (single version)
recorded in:
New York, New York, United States (on 1963-04-12)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1963-04-12)
baritone vocals:
Eugene Pearson (vocals, Drifters) (on 1963-04-12)
bass vocals:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (on 1963-04-12)
tenor vocals:
Rudy Lewis (on 1963-04-12), Johnny Moore (soul/rnb vocalist for The Drifters) (on 1963-04-12) and Charlie Thomas (The Drifters) (on 1963-04-12)
The Drifters2:37
73A Good Thing (Is Hard to Come By)
recorded in:
New York, New York, United States (on 1966-11-23)
recording engineer:
Tom Dowd
producer:
Ahmet Ertegun (US American Songwriter, producer)
bass:
Victor Gaskin (on 1966-11-23)
bass guitar:
Everett Barksdale (on 1966-11-23)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1966-11-23)
flute:
Herbie Mann (on 1966-11-23)
percussion:
Carlos “Patato” Valdés (on 1966-11-23)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1966-11-23)
vibraphone:
Roy Ayers (on 1966-11-23)
vocals:
Tamiko Jones (on 1966-11-23)
conductor:
Herbie Mann (on 1966-11-23)
arranger:
Joe Zawinul (jazz and fusion keyboard player)
Herbie Mann2:14
74Blues in the Night
Johnnie Taylor3:21
75My Girl Sloopy (live at the Uptown Philadelphia 1964)
The Vibrations3:14
76Some Kind of Wonderful
Soul Brothers Six2:38
77Walking the Dog
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog
lyricist and composer:
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and East Memphis Music
Rufus Thomas2.352:30
78Don’t You Even Care
Leslie Uggams2:04
79Tighten Up
Archie Bell3:13
80Number One in Your Heart
cover recording of:
Number One in Your Heart
writer:
Wilburt Jackson and Clyde Wilson
Herbie Goins & The Nightimers2:45
81La La La La La
The Blendells2:57
82You Said You Loved Me
Deon Jackson2:33
83Man With the Golden Touch
Charles Thomas52:35
84Bring Your Love Back to Me
Linda Lyndell2:06
85I Got My Baby Back
Lorraine Ellison2:19
86You’re Absolutely Right
The Apollas2:20
87Can’t You See (You’re Losing Me)
Mary Wells2:46
88In the Twilight Zone
The Astors2:45
89Frantic Escape
The Innocent Bystanders2:18
90Keep On Striving
Moses Smith2:44
91The Reason Why
The Dolls2:25
92Making Love After Hours
recording engineer:
Phil Iehle and Robert Wright (engineer)
bass:
Major Holley (on 1965-03-14)
drums (drum set):
Charles Crosby (drums) (on 1965-03-14)
piano:
Lonnie Smith (on 1965-03-14)
wind instruments [tenor sax, manzello, stritch, clarinet, flute]:
Roland Kirk (on 1965-03-14)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1965-03-14)
Rahsaan Roland Kirk4:34
93Sho’ Nuff
J.J. Jackson3:04
94Come On, Let Me Love You
Moses Smith3:10
95Everybody Needs Somebody to Love
Solomon Burke2:45
96Where Did I Go Wrong?
The Embers2:20
97Skiing in the Snow
cover recording of:
Skiing in the Snow
writer:
Sandy Linzer and Denny Randell
The Invitations2:40
98Sock It to ’Em J.B.
Rex Garvin & The Mighty Cravers2:40
99Backlash
bass:
Bob Cunningham (from 1966-10-19 until 1966-10-24)
brass:
Freddie Hubbard (from 1966-10-19 until 1966-10-24)
drums (drum set):
Ray Appleton (from 1966-10-19 until 1966-10-24)
flute:
James Spaulding (jazz) (from 1966-10-19 until 1966-10-24)
percussion:
Ray Barretto (from 1966-10-19 until 1966-10-24)
piano:
Albert Dailey (from 1966-10-19 until 1966-10-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1966-10-19 until 1966-10-24)
Freddie Hubbard4:15
100Able Mable
producer:
Al Jackson Jr. (Booker T & The MGs drummer) and Steve Cropper
recording of:
Able Mable
writer:
Lillie John and Mable John
Mable John2:39