NOW 100 Hits: Car Songs

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Another One Bites the Dust (remastered)
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
performer:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1979-06 until 1980-05)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen4.253:35
2Little Lies
producer:
Lindsey Buckingham and Richard Dashut
recording of:
Little Lies
lyricist and composer:
Christine McVie and Eddy Quintela
Fleetwood Mac3.63:31
3Mercy
recording engineer, programming, producer and mixer:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
bass, guitar and keyboard:
Steve Booker (songwriter/producer, worked with Duffy on 'Rockferry')
background vocals and lead vocals:
Duffy (Welsh singer, songwriter and occasional actress)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 2007)
recording of:
Mercy
writer:
Aimee Ann Duffy (Welsh singer, songwriter and occasional actress) and Stephen Andrew Booker (songwriter/producer, worked with Duffy on 'Rockferry')
publisher:
EMI Music Publishing Ltd (PRS‐affiliated) and Universal Music Publishing (UK) Ltd.
Duffy3.753:40
4Adventure of a Lifetime
producer:
Rik Simpson and StarGate (Norwegian production/songwriting team)
mixer:
Phil Tan (Malaysian-American audio engineer)
bass guitar:
Guy Berryman
drums (drum set):
Will Champion
guitar:
Jonny Buckland
piano and lead vocals:
Chris Martin (lead singer of Coldplay)
additional vocals:
Merry Clayton
arranger:
Coldplay and StarGate (Norwegian production/songwriting team)
music videos:
Adventure of a Lifetime (Music video) by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 398)
recording of:
Adventure of a Lifetime
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
Coldplay3.954:25
5Symphony
additional drum machine programming:
Luke Patterson
programming:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
sound engineer:
Liam Nolan
assistant audio engineer:
Tom AD Fuller
audio engineer:
Drew Smith (engineer)
producer:
Grace Chatto, Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
mixer:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
cello:
Grace Chatto
percussion:
Luke Patterson
piano and synthesizer:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
viola:
James Boyd (UK viola player)
violin:
Stephanie Benedetti and Beatrice Philips (violinist)
background vocals:
Kirsten Joy
vocals:
Zara Larsson
performer:
Clean Bandit
phonographic copyright (℗) by:
Atlantic Records UK (in 2017)
recorded at:
Club Ralph in London (Greater London), England, United Kingdom and Metropolis Studios, London (London) in London (Greater London), England, United Kingdom
mixed at:
Club Ralph in London (Greater London), England, United Kingdom
recording of:
Symphony
writer:
Anmol Malik, Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) and Ina Wroldsen
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Reservoir Reverb Music Ltd. and Rokstone Music
Clean Bandit feat. Zara Larsson43:33
6Paradise
programming:
Cam Blackwood and Matthew Racher (drummer)
engineer:
Liam Thorne
producer:
Cam Blackwood
assistant mixer:
Joel Davies (engineer) and Charles Haydon Hicks
mixer:
Dan Grech-Marguerat
bass guitar [bass], keyboard and lead vocals:
George Ezra
drums (drum set) [drums]:
Matthew Racher (drummer)
guitar:
Cam Blackwood and George Ezra
percussion:
Cam Blackwood and Matthew Racher (drummer)
piano and synthesizer [synths]:
Cam Blackwood
background vocals [backing vocals]:
Florrie Arnold (Florence Arnold)
vocals:
Cam Blackwood
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
recorded at:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Paradise
lyricist and composer:
George Ezra
George Ezra2.53:43
7Breakfast at Tiffany’sDeep Blue Something3.74:16
8The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:48
9American Pie, Pt. 1
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
membranophone and percussion:
Roy Markowitz (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:06
10If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.653:56
11Left Outside Alone (radio edit)
producer:
Dallas Austin and Glen Ballard
music videos:
Left Outside Alone by Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
writer:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin and Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc. (1989-07-24–present), Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Anastacia33:49
12The Road to Hell, Pt. 2
recording of:
The Road to Hell, Part 2
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
part of:
The Road to Hell
Chris Rea4:22
13Livin’ on a Prayer
assistant engineer:
Tim Crich
engineer and mixer:
Bob Rock
producer:
Bruce Fairbairn
acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
Richie Sambora
drums (drum set) and percussion:
Tico Torres
electric bass guitar [Bass]:
Alec John Such
keyboard [Keyboards, Noises]:
Dave Bryan (keyboardist for Bon Jovi)
background vocals [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora and Alec John Such
lead vocals:
Jon Bon Jovi
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
music videos:
Livin’ on a Prayer by Bon Jovi (group)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 457)
recording of:
Livin’ on a Prayer
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC, Universal Music Group International (manages UMG's offices in most countries outside of North America), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1986)
sub-publisher:
シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング A事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bon Jovi44:02
14Runaway Train
producer:
Michael Beinhorn
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
Soul Asylum4.454:18
15Dakota
engineer:
Jim Lowe (sound engineer)
producer and mixer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) and Jim Lowe (sound engineer)
recording of:
Dakota
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
16How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
The Fray4.254:22
17Hold Back the River
assistant recording engineer:
Sean R. Badum and James Oleksyk
recording engineer:
Lowell Reynolds
engineer:
Mark Bengtson
producer:
Jacquire King
assistant mixer:
Mark Bengtson
mixer:
Michael Brauer (engineer)
bass:
Eli Beaird
drums (drum set), keyboard and percussion:
Ian Fitchuk
guitar, background vocals and lead vocals:
James Bay
recording of:
Hold Back the River
writer:
Iain Archer and James Bay
publisher:
Songs of Kobalt Music Publishing
part of:
Matuschkes Lieblinge 2015
James Bay3.83:59
18The Boys Are Back in Town
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.254:22
19Dancing in the Moonlight (Stargate radio mix)Toploader3:29
20Amarillo
phonographic copyright (℗) by:
Geffen Records (in 1972)
recording of:
Is This the Way to Amarillo
writer:
Howard Greenfield and Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:11
21Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
Blondie4.63:47
22Video Killed the Radio Star (single version)
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles43:19
23Oops!… I Did It Again
recording engineer, programming, producer and mixer:
Max Martin and Rami (Rami Yacoub)
engineer:
John Amatiello
electric bass guitar [bass]:
Tomas Lindberg (Swedish bass player) (from 1999-11 until 2000-02)
guitar [guitars]:
Johan Carlberg (from 1999-11 until 2000-02) and Esbjörn Öhrwall (from 1999-11 until 2000-02)
keyboard [keyboards]:
Max Martin (from 1999-11 until 2000-02) and Rami (Rami Yacoub) (from 1999-11 until 2000-02)
background vocals [backing vocals]:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (from 1999-11 until 2000-02)
background vocals [backing vocals] and spoken vocals [dialog]:
Max Martin (from 1999-11 until 2000-02)
background vocals [backing vocals], lead vocals and spoken vocals [dialog] and lead vocals:
Britney Spears (from 1999-11 until 2000-02)
other vocals [crowd]:
“The Fanchoir” (from 1999-11 until 2000-02)
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2000)
produced for:
Cheiron Productions
recorded at:
Cheiron Studios in Stockholm, Stockholms län, Sweden (from 1999-11 until 2000-02)
mixed at:
Cheiron Studios in Stockholm, Stockholms län, Sweden
music videos:
Oops!… I Did It Again by Britney Spears, Oops!... I Did It Again (Uncut) by Britney Spears and Oops!…I Did It Again (official music video) by Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 4)
recording of:
Oops!…I Did It Again (from 1999-11 until 2000-02)
writer:
Max Martin and Rami (Rami Yacoub)
publisher:
GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 2000)
Britney Spears3.93:32
24Survivor (#1’s edit)Destiny’s Child3.53:49
25In the Summertime
recording engineer:
Dr. Marshall Harris (engineer) and Sting Int'l
miscellaneous support:
Dennis Donald (task: track layed by), George Miller (task: track layed by), Robert Livingston (task: track layed by) and Paul Crosdale (task: track layed by)
producer:
Robert Livingston and Shaun "Sting Int'l" Pizzonia
mixer:
Lynford "Fatta" Marshall
additional performer:
Rayvon
produced for:
Big Yard Production
recorded at:
H.C.&F. Recording Studio (defunct) in Freeport, Hempstead, New York, United States (other vocals [vocals]) and Music Works Recording Studio (fka Music Works Recording Studio, Music Works Studio, Music Works. aka Anchor Music Works, Anchor Recording Studio) in Kingston, Jamaica
mixed at:
Mixing Lab Recording Studio in Kingston, Jamaica
cover recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC and Universal Music Publishing (use ONLY if no country‐specific information is available)
Shaggy feat. Rayvon3.053:45
26She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals43:37
27Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley44:33
28Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo and Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations42:59
29California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.452:39
30A New England
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1985)
cover recording of:
A New England
lyricist and composer:
Billy Bragg
publisher:
BMG Music Publishing Ltd. and Chappell Music Ltd.
Kirsty MacColl43:49
31Rush Hour
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
Jane Wiedlin4:05
32Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
Kyboside Music, Megasongs Limited and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.74:00
33Don’t Be So Hard on Yourself
additional programming:
Wez Clarke
engineer:
Nick Taylor (engineer, film scores)
producer:
TMS (UK songwriting/production team) and Tommy D
mixer:
Wez Clarke
cello:
Rosie Danvers and Bryony James (cellist)
guitar family:
Ben Kohn
keyboard [keyboards]:
Pete Kelleher
membranophone:
Tom Barnes
strings:
Wired Strings
viola:
Fiona Leggat and Emma Owens (violist, violinist, strings)
violin:
Helen Hathorn (violinist), Sally Jackson (violinist), Patrick Kiernan (violinist), Kotono Sato (Japanese violinist), Eleanor Mathieson (violinist), Hayley Pomfrett, Jenny Sacha and Debbie Widdup (violinist)
background vocals [backing vocals]:
Knox Brown (Jamaica, London, LA, Britain)
lead vocals:
Jess Glynne
strings arranger:
Rosie Danvers
additional arranger:
Ben Collier
phonographic copyright (℗) by:
Atlantic Records UK Ltd (in 2015)
engineered at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Don’t Be So Hard on Yourself
writer:
Thomas Barnes, Benjamin Alexander Kohn, Jess Glynne, Wayne Hector and Peter Kelleher
Jess Glynne3.53:33
34I Don’t Want a Lover
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas34:22
35Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michelle Steele
drums (drum set):
Debbi Peterson
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
recording of:
Manic Monday
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
The Bangles4.13:05
36La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Ritchie Valens52:08
37My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.154:01
38Gimme All Your Lovin’
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top4.154:01
39Listen to the Music
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
The Doobie Brothers3:48
40Get Outta My Dreams, Get Into My CarBilly Ocean2.354:45
41IDGAF
recording of:
IDGAF
writer:
Jason Dean, Joe Kirkland, Dua Lipa, MNEK, Larzz Principato and Skyler Stonestreet (musician, singer-songwriter)
publisher:
Stonestreet Works, TaP Music Publishing Limited, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and Whiskey Water
Dua Lipa33:36
42What Do You Mean?
co-producer:
Justin Bieber
producer:
MdL (producer Mason Levy)
recording of:
What Do You Mean?
writer:
Justin Bieber, Mason Levy and Poo Bear (US producer, singer & songwriter; Jason Boyd)
publisher:
Artist Publishing Group West, Bieber Time Publishing, Hitco South, Mason Levy Productions, Poo B Z Publishing, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
Justin Bieber43:25
43Don’t Feel Like Crying
recording of:
Don’t Feel Like Crying
writer:
Oscar Holter, Sigrid Solbakk Raabe (Norwegian singer) and Emily Warren
Sigrid2:34
44Timber
programming and producer:
Cirkut and Dr. Luke
engineer:
Al Burna (Recording and mixing engineer), Rachael Findlen (engineer), Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
mixer:
John Hanes (audio engineer, mixer)
instruments:
Cirkut and Dr. Luke
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2013 to present)
recording of:
Timber
writer:
Armando C. Perez (American rapper), Steve Arrington, Breyan Stanley Isaac, Charles Carter (American saxophonist, composer, and producer), Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert (f/k/a Ke$ha), Keri Oskar, Lee Oskar, Roger Parker, Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson (UK songwriter) and Pebe Sebert (American singer-songwriter, mother of Ke$ha)
publisher:
Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing (ASCAP), Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Warner/Chappell, WB Music Corp. (1929–2019) and Where Da Kasz At
Pitbull feat. Ke$ha3.63:25
45Lush Life
recording engineer:
Email (Swedish songwriter and producer) and Mack
producer:
Email (Swedish songwriter and producer) (lead vocals [vocal]), Freedo (Fridolin Walcher), Mack (lead vocals [vocal]) and Shuko
mixer:
Freedo (Fridolin Walcher)
recording of:
Lush Life
writer:
Christoph Bauss, Email (Swedish songwriter and producer), Fridolin Walcher (Fridolin Walcher), Iman Conta Hultén, Linnea Södahl (Swedish singer Linnea Södahl) and Mack
Zara Larsson3.753:21
46Pompeii
programming and producer:
Mark Crew and Dan Smith (member of UK band Bastille)
assistant mixer:
Matty Green (engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar [bass]:
William Farquarson (bassist, Bastille)
drums (drum set):
Chris “Woody” Wood (drummer, Bastille)
keyboard [keyboards]:
Mark Crew
keyboard [keyboards] and piano:
Dan Smith (member of UK band Bastille)
background vocals [backing vocals]:
Ian Dudfield, Ralph Pelleymounter, Josh Platman and Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 2013)
recorded at:
Unit 24 (Mark Crew's studio) in London (Greater London), England, United Kingdom
music videos:
Pompeii by Bastille (British indie pop band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 297)
recording of:
Pompeii
lyricist and composer:
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.953:34
47Complicated
recording engineer and producer:
The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Complicated by Avril Lavigne
recording of:
Complicated
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.054:05
48Only Love Can Hurt Like This
recording engineer:
Mario Luccy
additional producer:
AC Burrell and Kyle Townsend
producer:
AC Burrell
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
bass:
Bryan “B-Dub” White (bassist and producer)
lead vocals:
Paloma Faith
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
recorded at:
Realsongs in Los Angeles, California, United States
mixed at:
Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
recording of:
Only Love Can Hurt Like This
lyricist and composer:
Diane Warren (US songwriter)
Paloma Faith33:53
49Wrecking Ball
producer:
Cirkut and Dr. Luke
performer:
Miley Cyrus (American singer and actress)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
music videos:
Wrecking Ball (official video) by Miley Cyrus (American singer and actress)
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 30) and Pitchfork: The 200 Best Songs of the 2010s (number: 152)
recording of:
Wrecking Ball
writer:
Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald (pop singer/songwriter, active from the mid–2000s), Stephan Moccio and Sacha Skarbek
publisher:
BMG Platinum Songs, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG (2008–present)), Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Kasz Money Publishing (ASCAP), Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc., Sony/ATV Tunes LLC and Universal Music Publishing Canada II
Miley Cyrus3.653:41
50Everyday Is a Winding Road
assistant recording engineer:
Ron Black, S. "Husky" Höskulds, Cappy Japngie and John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
producer:
Sheryl Crow
mixer:
Tchad Blake
drums (drum set):
Michael Urbano
electric bass guitar [bass], Hammond organ [Hammond] and harmonium:
Sheryl Crow
guitar:
Steve Donnelly and Jeff Trott
harmonium [dueling harmonium]:
Mitchell Froom
sampler [loop]:
Brian MacLeod (American drummer)
guest background vocals:
Neil Finn
vocals:
Sheryl Crow and Neil Finn
phonographic copyright (℗) by:
A&M Records, Inc. (in 1996)
recording of:
Everyday Is a Winding Road
writer:
Sheryl Crow, Brian MacLeod (American drummer) and Jeff Trott
publisher:
Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996) and Weenie Stand Music (in 1996)
Sheryl Crow3.84:18
Digital Media 2

Credits

Release Group

part of:NOW 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 6)