The Ultimate Movie Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Bridget Jones’s Diary: Out of Reach
lead vocals:
Gabrielle (British singer-songwriter)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
music videos:
Out of Reach by Gabrielle (British singer-songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer-songwriter) and Jonathan Shorten
publisher:
Perfect Songs
Gabrielle2.653:19
2Gladiator: Now We Are Free
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000) and Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator (Live in Prague)
Hans Zimmer, Lisa Gerrard54:17
3Moulin Rouge: One Day I’ll Fly Away
additional engineer and additional producer:
Simon Franglen (English score composer)
engineer:
Geoff Foster (sound engineer)
producer:
Craig Armstrong (Scottish score composer), BLAM (Baz Luhrmann and Anton Monsted), Josh G. Abrahams (aka Puretone) and Marius DeVries
mixer:
Andy Bradfield
vocals:
Nicole Kidman (actress)
orchestra:
London Orchestra
conductor:
Cecilia Weston
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Interscope Records (in 2001)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
Nicole Kidman43:19
4Notting Hill: When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:15
5American Beauty: Dead Already
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 1999)
recording of:
Dead Already (American Beauty)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
part of:
American Beauty (1991)
Thomas Newman43:19
6Braveheart: For the Love of a Princess
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Jonathan Allen (engineer)
producer:
James Horner (American score composer) and Shawn Murphy (producer/engineer)
assistant editor:
Christine Cholvin and Joe E. Rand (editor)
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (organist and choral conductor)
orchestrator:
James Horner (American score composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
For the Love of a Princess (Braveheart)
composer:
James Horner (American score composer)
part of:
Braveheart
James Horner4.54:08
7Four Weddings and a Funeral: You’re the First, the Last, My Everything
spoken vocals:
Hugh Grant (actor)
vocals:
Barry White
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), Little A Music, My Baby's Music Company, Sa‐Vette Music, Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3:36
8O Brother Where Art Thou: Down to the River to Pray
recording engineer and mixer:
Mike Piersante (recording engineer & mixer)
assistant engineer:
Matt Andrews and Rail Rogut
producer:
T‐Bone Burnett (musician, songwriter and producer)
assistant mixer:
Ok Hee Kim
choir vocals:
The First Baptist Choir of White House, Tennessee
lead vocals:
Alison Krauss
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 2000)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
recording of:
The Good Old Way
writer:
[traditional] (special purpose artist)
Alison Krauss42:57
9Hannibal: Vide cor meum
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Hans Zimmer3:57
10The Shawshank Redemption: Courtyard Theme
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:33
11The Thomas Crown Affair: Windmills of Your Mind
additional programming and additional producer:
John W. Baxter (producer, singer and songwriter) and Nick Trevisick
producer:
Sting (singer, songwriter & member of The Police)
keyboard [keyboards]:
Jason Rebello
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
Interscope Records (in 1999)
cover recording of:
The Windmills of Your Mind
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd. and United Partnership Ltd.
part of:
Academy Award for Best Original Song (number: 41)
part of:
The Thomas Crown Affair (The Thomas Crown Affair (1968))
Sting4:18
12Platoon: Adagio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber37:27
13Ghost: Unchained Melody
orchestra:
Hollywood Bowl
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
instrumental recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
Hollywood Bowl Orchestra, John Mauceri3:28
14Fantasia: The Sorcerer’s Apprentice
orchestra:
Montreal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1986)
partial recording of:
L’Apprenti sorcier
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas2:20
15The Big Lebowski: Just Dropped In
producer:
Mike Post
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1998)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
lyricist and composer:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers4.353:21
16Philadelphia: La mamma morta
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1984)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
part of:
Andrea Chénier: Atto III
Umberto Giordano5:33
17Snatch: Hernando’s Hideaway
phonographic copyright (℗) by:
Universal Music Ltd. (UK sound recording / publishing company) (in 2000)
recording of:
Hernando’s Hideaway (The Pajama Game)
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music Corp. (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
The Johnston Brothers2:32
18Lock, Stock & Two Smoking Barrels: Eighteen With a Bullet
lead vocals:
Carleen Anderson and Lewis Taylor (British multi-instrumentalist)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1998)
recording of:
Eighteen With a Bullet
lyricist and composer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Lewis Taylor/Carleen Anderson3:31
19A Room With a View: O mio babbino caro
soprano vocals:
Sylvia McNair (soprano)
orchestra:
Hollywood Bowl Orchestra
conductor:
John Mauceri (conductor)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:37
▶ CD 2