Mass in B minor

~ Release by Johann Sebastian Bach; Tölzer Knabenchor, The King’s Consort, Robert King (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Mass in B minor, BWV 232: I. Missa. Kyrie eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:14
2Mass in B minor, BWV 232: I. Missa. Christe eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:01
3Mass in B minor, BWV 232: I. Missa. Kyrie eleison
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:46
4Mass in B minor, BWV 232: II. Gloria. Gloria in excelsis Deo
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:44
5Mass in B minor, BWV 232: II. Gloria. Et in terra pax hominibus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:42
6Mass in B minor, BWV 232: II. Gloria. Laudamus te
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:12
7Mass in B minor, BWV 232: II. Gloria. Gratias agimus tibi
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
8Mass in B minor, BWV 232: II. Gloria. Domine Deus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
tenor vocals:
Anthony Rolfe Johnson (tenor) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:41
9Mass in B minor, BWV 232: II. Gloria. Qui tollis peccata mundi
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
10Mass in B minor, BWV 232: II. Gloria. Qui sedes ad dextram Patris
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:25
11Mass in B minor, BWV 232: II. Gloria. Quoniam tu solus Sanctus
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass vocals:
Michael George (operatic bass) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:23
12Mass in B minor, BWV 232: II. Gloria. Cum Sancto Spiritu
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:44
▶ CD 2

Credits

Release

executive producer:Nick Flower
Joanna Gamble (producer)
alto vocals:Maximilian Fraas (boy alto)
Matthias Schloderer (German boy alto)
treble vocals:Manuel Mrasek (boy soprano)
Matthias Ritter (German boy soprano)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
ASIN:US: B000003013 [info]
discography entry:http://www.bach-cantatas.com/Vocal/BWV232-King.htm [info]
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67201/2 [info]