Cantatas BWV 11 & BWV 249

~ Release by J.S. Bach; Orchestra and Choir of the Age of Enlightenment, Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Oster-Oratorium, BWV 249: 1. Sinfonia
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
J.S. Bach4:11
2Oster-Oratorium, BWV 249: 2. Adagio
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
J.S. Bach4:13
3Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach5:37
4Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach0:55
5Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach10:51
6Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach0:42
7Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach7:28
8Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach0:53
9Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach5:52
10Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach0:38
11Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
J.S. Bach2:35
12Himmelfahrts-Oratorium, BWV 11: 1. Chor «Lobet Gott in seinen Reichen»
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach5:21
13Himmelfahrts-Oratorium, BWV 11: 2. Rezitative (Tenor) «Der Herr Jesus hub seine Hände auf»
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach0:30
14Himmelfahrts-Oratorium, BWV 11: 3. Rezitativ (Baß) «Ach, Jesu, ist dein Abschied schon so nah?»
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach1:05
15Himmelfahrts-Oratorium, BWV 11: 4. Arie (Altus) «Ach, bleibe doch, mein leibstes Leben»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach6:59
16Himmelfahrts-Oratorium, BWV 11: 5. Rezitativ (Tenor) «Und ward aufgehoben zusehends»
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach0:26
17Himmelfahrts-Oratorium, BWV 11: 6. Choral «Nun lieget alles unter dir»
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach1:05
18Himmelfahrts-Oratorium, BWV 11: 7a. Rezitativ (Tenor, Baß) «Und sa sie ihm nachshen gen Himmel fahren»
bass vocals:
David Wilson‐Johnson (baritone) (in 1993-04)
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach1:01
19Himmelfahrts-Oratorium, BWV 11: 7b. Rezitativ (Altus) «Ach ja! So komme bald zurück»
alto vocals:
Ralf Popken (countertenor and chorus master) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach0:35
20Himmelfahrts-Oratorium, BWV 11: 7c. Rezitativ (Tenor) «Sie aber beteten ihn an»
tenor vocals:
Christoph Prégardien (tenor) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach0:40
21Himmelfahrts-Oratorium, BWV 11: 8. Arie (Sopran) «Jesus, deine Gnadenblicke»
soprano vocals:
Monika Frimmer (soprano) (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach6:59
22Himmelfahrts-Oratorium, BWV 11: 9. Choral «Wenn soll es doch geschehen»
choir vocals:
Choir of the Age of Enlightenment (in 1993-04)
orchestra:
Orchestra of the Age of Enlightenment (in 1993-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1993-04)
recorded at:
St. Giles’ Cripplegate in London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
J.S. Bach4:52