Choral Works

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The Music Makers op. 69 (Moderato E Nobilmente)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Moderato e nobilmente (from 1966-12-21 until 1966-12-23)
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar3:29
2The Music Makers op. 69: We are the music makers
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Larghetto. "We are the music makers" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar1:57
3The Music Makers op. 69: With wonderful deathless ditties
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "With wonderful deathless ditties" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar1:41
4The Music Makers op. 69: We, in the ages lying
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegretto. "We, in the ages lying" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar3:58
5The Music Makers op. 69: A breath of our inspiration
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar4:01
6The Music Makers op. 69: They had no vision amazing
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Contralto solo, lento, quasi recitativo. "They had no vision amazing" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar3:21
7The Music Makers op. 69: And therefore to-day is thrilling
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro molto. "And therefor today is thrilling" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar4:27
8The Music Makers op. 69: But we, with our dreaming and singing
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Andantino. "But we, with our dreaming and singing" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar3:32
9The Music Makers op. 69: For we are afar with the dawning
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Come prima. "For we are afar with the dawning" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar2:38
10The Music Makers op. 69: Great hail! we cry to the comers
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Dame Janet Baker (mezzo-soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "Great hail! we cry to the comers" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
Edward Elgar8:58
11The Dream of Gerontius op. 38: Part 1: Prelude (Lento, mistico — Moderato — Andantino — Come prima)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (Cues 1–21) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar9:38
12The Dream of Gerontius op. 38: Part 1: Jesu Maria — I am near to death (Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (Cues 22–32) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:05
13The Dream of Gerontius op. 38: Part 1: Kyrie eleison…Holy Mary, pray for him (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (Cues 22–32) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:07
14The Dream of Gerontius op. 38: Part 1: Rouse thee, my fainting soul (Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (Cues 33–39) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:52
15The Dream of Gerontius op. 38: Part 1: Be merciful, be gracious (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (Cues 33–39) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:59
16The Dream of Gerontius op. 38: Part 1: Sanctus fortis, Sanctus Deus (Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Cues 40–67) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar5:20
17The Dream of Gerontius op. 38: Part 1: I can no more (Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Cues 40–67) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:41
18The Dream of Gerontius op. 38: Part 1: Rescue him, o Lord (Chorus/Gerontius)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Cues 40–67) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:56
19The Dream of Gerontius op. 38: Part 1: Novissima hora est (Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Cues 40–67) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:23
20The Dream of Gerontius op. 38: Part 1: Proficiscere, anima Christiana (Priest)
producer:
Christopher Bishop (conductor/producer)
solo bass vocals:
Robert Lloyd (operatic bass) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (Cue 68–78) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:02
21The Dream of Gerontius op. 38: Part 1: Go in the name of angels (Chorus/Priest)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo bass vocals:
Robert Lloyd (operatic bass) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (Cue 68–78) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar5:02
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▶ CD 4
▶ CD 5
▶ CD 6

Credits

Release Group

included in:The Complete Recordings