Elgar: Coronation Ode / The Spirit of England / Parry: I Was Glad

~ Release by Elgar, Parry; Dame Felicity Lott, Sir Philip Ledger, Richard Hickox (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1National Anthem
choir vocals:
Cambridge University Musical Society (in 1977-02) and Choir of King’s College, Cambridge (in 1977-02)
orchestra:
Band of the Royal Military School of Music (Kneller Hall) (in 1977-02) and New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-02)
conductor:
Philip Ledger (in 1977-02)
recording of:
God Save the King (for soloists, chorus and orchestra, Elgar) (in 1977-02)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arranger:
Edward Elgar (composer)
arrangement of:
God Save the King (national anthem of several countries in the British Commonwealth)
[unknown]2:46
2I Was Glad
choir vocals:
Cambridge University Musical Society (in 1977-02) and Choir of King’s College, Cambridge (in 1977-02)
orchestra:
Band of the Royal Military School of Music (Kneller Hall) (in 1977-02) and New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-02)
conductor:
Philip Ledger (in 1977-02)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1977-02)
recording of:
I was glad (Psalm 122) (in 1977-02)
lyricist:
[anonymous] (special purpose artist)
composer:
Hubert Parry (English composer) (in 1902)
Sir Hubert Parry6:49
3Coronation Ode, op. 44: I. Crown the King
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: I. Crown the King (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar10:10
4Coronation Ode, op. 44: IIa. The Queen
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: IIa. The Queen (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar2:21
5Coronation Ode, op. 44: IIb. Daughter of Ancient Kings
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: IIb. Daughter of Ancient Kings (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar1:34
6Coronation Ode, op. 44: III. Britain, Ask of Thyself
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: III. Britain, Ask of Thyself (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar3:49
7Coronation Ode, op. 44: IV. Hark, Upon the Hallowed Air... Only Let the Heart Be Pure
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: IV. Hark, Upon the Hallowed Air... Only Let the Heart Be Pure (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar7:25
8Coronation Ode, op. 44: V. Peace, Gentle Peace
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: V. Peace, Gentle Peace (from 1977-02-07 until 1977-02-08)
composer:
Edward Elgar (composer) (in 1902)
part of:
Coronation Ode, op. 44
Edward Elgar3:34
9Coronation Ode, op. 44: VI. Land of Hope and Glory
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (in 1977-02)
producer:
Christopher Bishop (conductor/producer)
instruments:
Band of the Royal Military School of Music (Kneller Hall) (from 1977-02-07 until 1977-02-08)
bass vocals:
Stephen Roberts (UK bass-baritone) (from 1977-02-07 until 1977-02-08)
choir vocals:
Cambridge University Musical Society Chorus (from 1977-02-07 until 1977-02-08) and Choir of King’s College, Cambridge (from 1977-02-07 until 1977-02-08)
contralto vocals:
Alfreda Hodgson (contralto) (from 1977-02-07 until 1977-02-08)
soprano vocals:
Felicity Lott (soprano) (from 1977-02-07 until 1977-02-08)
tenor vocals:
Richard Morton (operatic tenor) (from 1977-02-07 until 1977-02-08)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-02-07 until 1977-02-08)
conductor:
Philip Ledger (from 1977-02-07 until 1977-02-08)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-02-07 until 1977-02-08)
recording of:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus) (from 1977-02-07 until 1977-02-08)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major
part of:
Coronation Ode, op. 44
Edward Elgar4:33
10Oh Hearken Thou, op. 64
choir vocals:
London Symphony Chorus (in 1987-10)
orchestra:
Royal Northern Sinfonia (in 1987-10)
conductor:
Richard Hickox (conductor) (in 1987-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-10)
recording of:
O hearken thou, op. 64 (in 1987-10)
composer:
Edward Elgar (composer) (from 1911 until 1911-03)
dedicated to:
King George V (King of the United Kingdom)
premiered at:
Coronation of Their Majesties King George the Fifth and Queen Mary (1911-06-22)
publisher:
Novello & Co. Ltd. (in 1911)
part of:
Works of Edward Elgar by opus number (number: op. 64)
Edward Elgar4:11
11The Spirit of England, op. 80: I. The Fourth of August
choir vocals:
London Symphony Chorus (in 1987-10)
soprano vocals:
Felicity Lott (soprano) (in 1987-10)
orchestra:
Royal Northern Sinfonia (in 1987-10)
conductor:
Richard Hickox (conductor) (in 1987-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-10)
recording of:
The Spirit of England, op. 80: I. The Fourth of August (in 1987-10)
lyricist:
Laurence Binyon
composer:
Edward Elgar (composer) (from 1915 until 1917)
part of:
The Spirit of England, op. 80
Edward Elgar7:38
12The Spirit of England, op. 80: II. To Women
choir vocals:
London Symphony Chorus (in 1987-10)
soprano vocals:
Felicity Lott (soprano) (in 1987-10)
orchestra:
Royal Northern Sinfonia (in 1987-10)
conductor:
Richard Hickox (conductor) (in 1987-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-10)
recording of:
The Spirit of England, op. 80: II. To Women (in 1987-10)
lyricist:
Laurence Binyon
composer:
Edward Elgar (composer) (from 1915 until 1917)
part of:
The Spirit of England, op. 80
Edward Elgar6:40
13The Spirit of England, op. 80: III. For the Fallen
choir vocals:
London Symphony Chorus (in 1987-10)
soprano vocals:
Felicity Lott (soprano) (in 1987-10)
orchestra:
Royal Northern Sinfonia (in 1987-10)
conductor:
Richard Hickox (conductor) (in 1987-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-10)
recording of:
The Spirit of England, op. 80: III. For the Fallen (in 1987-10)
lyricist:
Laurence Binyon
composer:
Edward Elgar (composer) (from 1915 until 1917)
part of:
The Spirit of England, op. 80
Edward Elgar12:52

Credits

Release

part of:British Composers (EMI/Virgin/Warner Classics) (order: 15)
ASIN:UK: B0000DB55B [info]