The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Vol 1. Cantatas CD 1
▶ CD 2: Vol 1. Cantatas CD 2
▶ CD 3: Vol 1. Cantatas CD 3
▶ CD 4: Vol 1. Cantatas CD 4
▶ CD 5: Vol 2. Cantatas CD 1
▶ CD 6: Vol 2. Cantatas CD 2
▶ CD 7: Vol 2. Cantatas CD 3
▶ CD 8: Vol 2. Cantatas CD 4
▶ CD 9: Vol 3. Cantatas CD 1
▶ CD 10: Vol 3. Cantatas CD 2
▶ CD 11: Vol 3. Cantatas CD 3
▶ CD 12: Vol 3. Cantatas CD 4
▶ CD 13: Vol 4. Cantatas CD 1
▶ CD 14: Vol 4. Cantatas CD 2
▶ CD 15: Vol 4. Cantatas CD 3
▶ CD 16: Vol 4. Cantatas CD 4
▶ CD 17: Vol 5. Cantatas CD 1
▶ CD 18: Vol 5. Cantatas CD 2
▶ CD 19: Vol 5. Cantatas CD 3
▶ CD 20: Vol 5. Cantatas CD 4
▶ CD 21: Vol 6. Cantatas CD 1
▼ CD 22: Vol 6. Cantatas CD 2
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1Kantate, BWV 68 „Also hat Gott die Welt geliebt“: I. Choral „Also hat Gott die Welt geliebt“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": I. Choral "Also hat Gott die Welt geliebt" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomo Liscow (in 1675)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
4:38
2Kantate, BWV 68 „Also hat Gott die Welt geliebt“: II. Aria (Sopran) + Ritornello „Mein gläubiges Herze“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
3:34
3Kantate, BWV 68 „Also hat Gott die Welt geliebt“: III. Recitativo (Bass) „Ich bin mit Petro nicht vermessen“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": III. Recitativo (Bass) "Ich bin mit Petro nicht vermessen" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
0:51
4Kantate, BWV 68 „Also hat Gott die Welt geliebt“: IV. Aria (Bass) „Du bist geboren mir zugute“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": IV. Aria (Bass) "Du bist geboren mir zugute" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
4:32
5Kantate, BWV 68 „Also hat Gott die Welt geliebt“: V. Coro „Wer an ihn gläubet, der wird nicht gerichtet“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-04)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": V. Coro "Wer an ihn gläubet, der wird nicht gerichtet" (from 1980-12 until 1981-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
3:34
6Kantate, BWV 69 „Lobe den Herrn, meine Seele“: I. Coro „Lobe den Herrn meine Seele“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn meine Seele" (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
6:27
7Kantate, BWV 69 „Lobe den Herrn, meine Seele“: II. Recitativo (Sopran) „Wie groß ist Gottes Güte doch!“
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Wie groß ist Gottes Güte doch!" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
1:34
8Kantate, BWV 69 „Lobe den Herrn, meine Seele“: III. Aria (Alt) „Meine Seele, auf! erzähle“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": III. Aria (Alt) "Meine Seele, auf! erzähle" (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
6:17
9Kantate, BWV 69 „Lobe den Herrn, meine Seele“: IV. Recitativo (Tenor) „Der Herr hat große Ding an uns getan“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": IV. Recitativo (Tenor) "Der Herr hat große Ding an uns getan" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
2:20
10Kantate, BWV 69 „Lobe den Herrn, meine Seele“: V. Aria (Bass) „Mein Erlöser und Erhalter“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Mein Erlöser und Erhalter" (in 1973-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
4:10
11Kantate, BWV 69 „Lobe den Herrn, meine Seele“: VI. Choral „Es danke, Gott, und lobe dich“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele": VI. Choral "Es danke, Gott, und lobe dich" (in 1973-03)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 97)
part of:
Kantate, BWV 69 "Lobe den Herrn, meine Seele"
1:31
12Kantate, BWV 70 „Wachet! betet! betet! wachet!“: I. Coro „Wachet! betet! betet! wachet!“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
4:14
13Kantate, BWV 70 „Wachet! betet! betet! wachet!“: II. Recitativo (Bass) „Erschrecket, ihr verstockten Sünder“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:33
14Kantate, BWV 70 „Wachet! betet! betet! wachet!“: III. Aria (Alt) „Wenn kömmt der Tag“
alto vocals:
Verena Gohl (Swiss contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
4:18
15Kantate, BWV 70 „Wachet! betet! betet! wachet!“: IV. Recitativo (Tenor) „Auch bei dem himmlischen Verlangen“
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
0:50
16Kantate, BWV 70 „Wachet! betet! betet! wachet!“: V. Aria (Sopran) „Laßt der Spötter Zungen schmähen“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
2:38
17Kantate, BWV 70 „Wachet! betet! betet! wachet!“: VI. Recitativo (Tenor) „Jedoch bei dem unartigen Geschlechte“
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (in 1982-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
0:39
18Kantate, BWV 70 „Wachet! betet! betet! wachet!“: VII. Choral „Freu dich sehr, o meine Seele“
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:20
19Kantate, BWV 70 „Wachet! betet! betet! wachet!“: VIII. Aria (Tenor) „Hebt euer haupt empor“
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (in 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
3:17
20Kantate, BWV 70 „Wachet! betet! betet! wachet!“: IX. Recitativo (Bass) „Ach, soll nicht dieser große Tag“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
2:20
21Kantate, BWV 70 „Wachet! betet! betet! wachet!“: X. Aria (Bass) „Seligster Erquickungstag“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
2:34
22Kantate, BWV 70 „Wachet! betet! betet! wachet!“: XI. Choral „Nicht nach Welt, nach Himmel nicht“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (in 1970)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!"
1:02
▶ CD 23: Vol 6. Cantatas CD 3
▶ CD 24: Vol 6. Cantatas CD 4
▶ CD 25: Vol 7. Cantatas CD 1
▶ CD 26: Vol 7. Cantatas CD 2
▶ CD 27: Vol 7. Cantatas CD 3
▶ CD 28: Vol 7. Cantatas CD 4
▶ CD 29: Vol 8. Cantatas CD 1
▶ CD 30: Vol 8. Cantatas CD 2
▶ CD 31: Vol 8. Cantatas CD 3
▶ CD 32: Vol 8. Cantatas CD 4
▶ CD 33: Vol 9. Cantatas CD 1
▶ CD 34: Vol 9. Cantatas CD 2
▶ CD 35: Vol 9. Cantatas CD 3
▶ CD 36: Vol 9. Cantatas CD 4
▶ CD 37: Vol 10. Cantatas CD 1
▶ CD 38: Vol 10. Cantatas CD 2
▶ CD 39: Vol 10. Cantatas CD 3
▶ CD 40: Vol 10. Cantatas CD 4
▶ CD 41: Vol 11. Cantatas CD 1
▶ CD 42: Vol 11. Cantatas CD 2
▶ CD 43: Vol 11. Cantatas CD 3
▶ CD 44: Vol 11. Cantatas CD 4
▶ CD 45: Vol 12. Cantatas CD 1
▶ CD 46: Vol 12. Cantatas CD 2
▶ CD 47: Vol 12. Cantatas CD 3
▶ CD 48: Vol 12. Cantatas CD 4
▶ CD 49: Vol 13. Cantatas CD 1
▶ CD 50: Vol 13. Cantatas CD 2
▶ CD 51: Vol 13. Cantatas CD 3
▶ CD 52: Vol 13. Cantatas - CD 4
▶ CD 53: Vol 14. Cantatas - CD 1
▶ CD 54: Vol 14. Cantatas - CD 2
▶ CD 55: Vol 14. Cantatas - CD 3
▶ CD 56: Vol 14. Cantatas - CD 4
▶ CD 57: Vol 15. Cantatas - CD 1
▶ CD 58: Vol 15. Cantatas - CD 2
▶ CD 59: Vol 15. Cantatas - CD 3
▶ CD 60: Vol 15. Cantatas - CD 4
▶ CD 61: Vol 16. Cantatas CD 1
▶ CD 62: Vol 16. Cantatas CD 2
▶ CD 63: Vol 16. Cantatas CD 3
▶ CD 64: Vol 16. Cantatas CD 4
▶ CD 65: Vol 17. Cantatas CD 1
▶ CD 66: Vol 17. Cantatas CD 2
▶ CD 67: Vol 17. Cantatas CD 3
▶ CD 68: Vol 17. Cantatas CD 4
▶ CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
▶ CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
▶ CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
▶ CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
▶ CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
▶ CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
▶ CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
▶ CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
▶ CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
▶ CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
▶ CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
▶ CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
▶ CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
▶ CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
▶ CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
▶ CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
▶ CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
▶ CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
▶ CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
▶ CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
▶ CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
▶ CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
▶ CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
▶ CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
▶ CD 93: Vol 24. A Book Of Chorale-Settings CD 1
▶ CD 94: Vol 24. A Book Of Chorale-Settings CD 2
▶ CD 95: Vol 24. A Book Of Chorale-Settings CD 3
▶ CD 96: Vol 24. A Book Of Chorale-Settings CD 4
▶ CD 97: Vol 25. Organ Works CD 1
▶ CD 98: Vol 25. Organ Works CD 2
▶ CD 99: Vol 25. Organ Works CD 3
▶ CD 100: Vol 25. Organ Works CD 4
▶ CD 101: Vol 26. Organ Works CD 1
▶ CD 102: Vol 26. Organ Works CD 2
▶ CD 103: Vol 26. Organ Works CD 3
▶ CD 104: Vol 26. Organ Works CD 4
▶ CD 105: Vol 27. Organ Works CD 1
▶ CD 106: Vol 27. Organ Works CD 2
▶ CD 107: Vol 27. Organ Works CD 3
▶ CD 108: Vol 27. Organ Works CD 4
▶ CD 109: Vol 28. Organ Works CD 1
▶ CD 110: Vol 28. Organ Works CD 2
▶ CD 111: Vol 28. Organ Works CD 3
▶ CD 112: Vol 28. Organ Works CD 4
▶ CD 113: Vol 29. Organ Works CD 1
▶ CD 114: Vol 29. Organ Works CD 2
▶ CD 115: Vol 29. Organ Works CD 3
▶ CD 116: Vol 29. Organ Works CD 4
▶ CD 117: Vol 30. Harpsichord Music CD 1
▶ CD 118: Vol 30. Harpsichord Music CD 2
▶ CD 119: Vol 30. Harpsichord Music CD 3
▶ CD 120: Vol 30. Harpsichord Music CD 4
▶ CD 121: Vol 31. Keyboard Works CD 1
▶ CD 122: Vol 31. Keyboard Works CD 2
▶ CD 123: Vol 31. Keyboard Works CD 3
▶ CD 124: Vol 31. Keyboard Works CD 4
▶ CD 125: Vol 32. Keyboard Works CD 1
▶ CD 126: Vol 32. Keyboard Works CD 2
▶ CD 127: Vol 32. Keyboard Works CD 3
▶ CD 128: Vol 32. Keyboard Works CD 4
▶ CD 129: Vol 33. Keyboard Works CD 1
▶ CD 130: Vol 33. Keyboard Works CD 2
▶ CD 131: Vol 33. Keyboard Works CD 2
▶ CD 132: Vol 33. Keyboard Works CD 4
▶ CD 133: Vol 34. Keyboard Works CD 1
▶ CD 134: Vol 34. Keyboard Works CD 2
▶ CD 135: Vol 34. Keyboard Works CD 3
▶ CD 136: Vol 34. Keyboard Works CD 4
▶ CD 137: Vol 35. Keyboard Works CD 1
▶ CD 138: Vol 35. Keyboard Works CD 2
▶ CD 139: Vol 35. Keyboard Works CD 3
▶ CD 140: Vol 35. Keyboard Works CD 4
▶ CD 141: Vol 36. Keyboard Works CD 1
▶ CD 142: Vol 36. Keyboard Works CD 2
▶ CD 143: Vol 36. Keyboard Works CD 3
▶ CD 144: Vol 36. Keyboard Works CD 4
▶ CD 145: Vol 37. Keyboard Works CD 1
▶ CD 146: Vol 37.Keyboard Works CD 2
▶ CD 147: Vol 37. Keyboard Works CD 3
▶ CD 148: Vol 37. Keyboard Works CD 4
▶ CD 149: Vol 38. Orchestral Music CD 1
▶ CD 150: Vol 38. Orchestral Music CD 2
▶ CD 151: Vol 38. Orchestral Music CD 3
▶ CD 152: Vol 38. Orchestral Music CD 4
▶ CD 153: Vol 39. Works For Violin CD 1
▶ CD 154: Vol 39. Works For Violin CD 2
▶ CD 155: Vol 39. Works For Violin CD 3
▶ CD 156: Vol 39. Works For Violin CD 4
▶ CD 157: Vol 40. Harpsichord Concertos CD 1
▶ CD 158: Vol 40. Harpsichord Concertos CD 2
▶ CD 159: Vol 40. Harpsichord Concertos CD 3
▶ CD 160: Vol 40. Harpsichord Concertos CD 4
▶ CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
▶ CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
▶ CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
▶ CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
▶ CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
▶ CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
▶ CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
▶ CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
▶ CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
▶ CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
▶ CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3