My Baby Just Cares for Me

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleRatingLength
1Please Don’t Let Me Be Misunderstood
recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
5:52
2Little Girl Blue
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
4.54:22
3Porgy
5:10
4I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1967-01-05)
writer:
James “Tim” Brymn, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.42:32
5Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:04
6It Don’t Mean a Thing
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy "Duke" Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:32
7I Ain’t Got No
cover recording of:
Ain’t Got No, I Got Life
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
I Got Life (from “Hair”)
medley of:
Ain’t Got No (from “Hair”)
6:44
8You’ll Never Walk Alone
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Co., Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Co., Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
53:50
9Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
43:14
10The Other Woman
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
The Other Woman
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
43:01
11He Needs Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
lyricist and composer:
Arthur Hamilton
publisher:
Warner Chappell North America
52:32
12I Like the Sunrise
cover recording of:
Liberian Suite: I Like the Sunrise
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music and Tempo Music Inc
33:01
13Cotton Eyed Joe
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959-10)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
22:52
14It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
part of:
State Fair (1945 film soundtrack)
3.653:57
15Blue Prelude
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Blue Prelude (in 1959)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
43:22
16You’ve Been Gone Too Long
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
lyricist and composer:
Brother John Sellers
52:11
17Chilly Winds Don’t Blow
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
writer:
Hecky Krasnow and Bill Lovelock (songwriter)
is based on:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
42:47
18Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959)
arranger:
Robert Mersey
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
3.353:14
19Rags and Old Iron
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
cover recording of:
Rags and Old Iron (in 1961)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.54:09
20Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:58