111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1: Abbado – Chaliapin
#TitleArtistRatingLength
1Carmen: Prelude to Act IV
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08), St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:16
2Symphony no. 10 in E minor, op. 93: II. Allegro
orchestra:
Česká filharmonie (Czech Philharmonic; formerly Czech Philharmonic Orchestra) (in 1955-10)
conductor:
Karel Ančerl (conductor) (in 1955-10)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1955-10)
recording of:
Symphony no. 10 in E minor, op. 93: II. Allegro (in 1955-10)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1946 until 1953)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 10 in E minor, op. 93
Дмитрий Дмитриевич Шостакович3:52
32 Études de Concert, S.145 3 no. 1: Waldesrauschen
piano:
Anda Géza (pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien, Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:37
4Trumpet Concerto in E‐flat, H.VIIe no. 1: III. Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Joseph Haydn4:36
5Czech Dances Tance II: 2. Slepicka in B‐flat major (moderato)
piano:
Stefan Askenase (Polish-Belgian pianist) (in 1952-03)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1952-03)
recording of:
Czech Dances, Book II, JB 1:114 No. 2: Slepička (in 1952-03)
composer:
Bedřich Smetana (composer) (in 1879)
part of:
Czech Dances, Book II, JB 1:114
Bedřich Smetana3:03
6Piano Concerto no. 4 in G major, op. 58: III. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: III. Presto (in 1967-06)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:57
7Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:24
8Cantata no. 202 “Weichet Nur, Betrübte Schatten” (Wedding Cantata), BWV 202: V. Aria: Wenn Die Frühlingslüfte Streichen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:41
9Suite Populaire Espagnole Nana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40
Manuel de Falla1:31
10Lieder Eines Fahrenden Gesellen Ging Heut’ Morgen Übers Feld
baritone vocals:
Thomas Hampson (baritone) (on 1990-02-24)
orchestra:
Wiener Philharmoniker (on 1990-02-24)
conductor:
Leonard Bernstein (on 1990-02-24)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1990-02-24)
live recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1990-02-24)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen
Gustav Mahler4:09
11Peer Gynt, op. 23 Sung in German Der Winter Mag Scheiden (Solveig’s Song)
recorded in:
Berlin, Germany (in 1934-10)
soprano vocals:
Erna Berger (German lyric soprano) (in 1934-10)
orchestra:
Staatskapelle Berlin (in 1934-10)
conductor:
Leo Blech (conductor and composer) (in 1934-10)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (in 1934-10)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:02
12Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto
piano:
Rafał Blechacz (Polish pianist) (in 2008-07)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 2008-07)
recording of:
Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto (in 2008-07)
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1795)
part of:
Sonata for Piano no. 2 in A major, op. 2 no. 2
Ludwig van Beethoven3:02
13Bassoon Concerto in B‐flat, K.191: III. Rondo (Tempo di menuetto)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart4:24
14Carmina Burana: III. Cour D’Amours “In Trutina”
recording engineer:
Jürgen Bulgrin (Sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (Engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1993-10)
orchestra:
Wiener Philharmoniker (in 1993-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1993-10)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1993-10)
live recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1993-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:32
15Nocturnes: II. Fêtes (orchestral version)
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:31
16Tosca, Act I.: “Recondita Armonia”
bass vocals:
Fernando Corena (operatic bass) (in 1979-09)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-09)
orchestra:
Berliner Philharmoniker (in 1979-09)
conductor:
Herbert von Karajan (conductor) (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1979-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:05
17Concerto in A minor for two Violins, Strings, and Continuo, R.523: II. Largo
assistant engineer:
Bastian Schick
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2007-10) and Виктория Муллова (violinist) (in 2007-10)
orchestra:
Venice Baroque Orchestra (in 2007-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2007-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal in Toblach, Bolzano, Trentino-Alto Adige, Italy (in 2007-10)
recording of:
Concerto for 2 Violins in A minor, RV 523: II. Largo (in 2007-10)
composer:
Antonio Vivaldi
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi2:22
18Boris Godounov, Act IV.: “Proshchay, Moy Syn” (Death of Boris)
recorded in:
Sankt-Peterburg, Russia (in 1911-10)
bass vocals:
Фёдор Шаляпин (operatic bass) (in 1911-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911-10)
recording of:
Boris Godunow: Act IV "Tod des Boris" (in 1911-10)
composer:
Модест Петрович Мусоргский (composer)
part of:
Борис Годунов: Act IV (1872 version)
Модест Петрович Мусоргский4:44
▶ CD 2: Collins – Galway
▶ CD 3: Goebel – Knappertsbusch
▶ CD 4: Kleiber – Mravinsky
▶ CD 5: Mutter – Rostropovich
▶ CD 6: Seefried – Zimerman