Tu Tu Amore: Puccini's Greatest Love Songs

~ Release by Carreras, Domingo, Pavarotti (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Turandot, Opera: Nessun Dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
53:04
2Tosca, Opera: Recondita Armonia
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
3:04
3Manon Lescaut, Opera: Donna Non Vidi Mai
2:20
4La Bohème, Opera: Che Gelida Manina
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
4:43
5Tosca, Opera: E Lucevan Le Stelle
2:32
6Madama Butterfly (Madame Butterfly), Opera: Dovunque Al Mondo Lo Yankee Vagabondo
3:48
7Turandot, Opera: Non Piangere, Liù
2:25
8La Fanciulla Del West (The Girl of the Golden West), Opera: Ch'Ella Mi Creda Libero
baritone vocals:
Sherrill Milnes (baritone)
tenor vocals:
Plácido Domingo (tenor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
part of:
La fanciulla del West: Atto III
2:21
9Madama Butterfly (Madame Butterfly), Opera: Addio Fiorito Asil
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
2:10
10La Bohème, Opera: O Mimì, Tu Più Non Torni
3:04
11La Bohème, Opera: O Soave Fanciulla
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
4:17
12Tosca, Opera: Ah, Quegli Occhi!-Qual Occhio Al Mondo Può Star
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Plácido Domingo (tenor)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
5:42
13Madama Butterfly (Madame Butterfly), Opera: Bimba, Dagli, Occhi Pieni di Malia
producer:
Wolfgang Stengel
soprano vocals:
Mirella Freni (soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
12:40
14La Bohème, Opera: Dunque È Proprio Finita
baritone vocals:
Rolando Panerai (baritone)
soprano vocals:
Mirella Freni (soprano) and Elizabeth Harwood (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
6:12
15Tosca, Opera: O Dolci Mani
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Plácido Domingo (tenor)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
5:59
16Manon Lescaut, Opera: Tu, Tu, Amore? Tu?
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals [Des Grieux]:
José Carreras (Spanish tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
8:39
17Turandot, Opera: Nessun Dorma
tenor vocals:
José Carreras (Spanish tenor), Plácido Domingo (tenor), Luciano Pavarotti (tenor) and The Three Tenors
orchestra:
Orchestra del Maggio Musicale Fiorentino and Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
3:15

Credits

Release

ASIN:US: B00001IVQM [info]