The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

▶ CD 1: Vol 1. Cantatas CD 1
▶ CD 2: Vol 1. Cantatas CD 2
▶ CD 3: Vol 1. Cantatas CD 3
▶ CD 4: Vol 1. Cantatas CD 4
▶ CD 5: Vol 2. Cantatas CD 1
▶ CD 6: Vol 2. Cantatas CD 2
▶ CD 7: Vol 2. Cantatas CD 3
▶ CD 8: Vol 2. Cantatas CD 4
▶ CD 9: Vol 3. Cantatas CD 1
▶ CD 10: Vol 3. Cantatas CD 2
▶ CD 11: Vol 3. Cantatas CD 3
▶ CD 12: Vol 3. Cantatas CD 4
▶ CD 13: Vol 4. Cantatas CD 1
▶ CD 14: Vol 4. Cantatas CD 2
▶ CD 15: Vol 4. Cantatas CD 3
▶ CD 16: Vol 4. Cantatas CD 4
▶ CD 17: Vol 5. Cantatas CD 1
▶ CD 18: Vol 5. Cantatas CD 2
▶ CD 19: Vol 5. Cantatas CD 3
▶ CD 20: Vol 5. Cantatas CD 4
▶ CD 21: Vol 6. Cantatas CD 1
▶ CD 22: Vol 6. Cantatas CD 2
▶ CD 23: Vol 6. Cantatas CD 3
▶ CD 24: Vol 6. Cantatas CD 4
▶ CD 25: Vol 7. Cantatas CD 1
▶ CD 26: Vol 7. Cantatas CD 2
▶ CD 27: Vol 7. Cantatas CD 3
▶ CD 28: Vol 7. Cantatas CD 4
▶ CD 29: Vol 8. Cantatas CD 1
▶ CD 30: Vol 8. Cantatas CD 2
▶ CD 31: Vol 8. Cantatas CD 3
▶ CD 32: Vol 8. Cantatas CD 4
▶ CD 33: Vol 9. Cantatas CD 1
▶ CD 34: Vol 9. Cantatas CD 2
▶ CD 35: Vol 9. Cantatas CD 3
▶ CD 36: Vol 9. Cantatas CD 4
▶ CD 37: Vol 10. Cantatas CD 1
▶ CD 38: Vol 10. Cantatas CD 2
▶ CD 39: Vol 10. Cantatas CD 3
▶ CD 40: Vol 10. Cantatas CD 4
▶ CD 41: Vol 11. Cantatas CD 1
▶ CD 42: Vol 11. Cantatas CD 2
▶ CD 43: Vol 11. Cantatas CD 3
▶ CD 44: Vol 11. Cantatas CD 4
▶ CD 45: Vol 12. Cantatas CD 1
▶ CD 46: Vol 12. Cantatas CD 2
▶ CD 47: Vol 12. Cantatas CD 3
▶ CD 48: Vol 12. Cantatas CD 4
▶ CD 49: Vol 13. Cantatas CD 1
▶ CD 50: Vol 13. Cantatas CD 2
▶ CD 51: Vol 13. Cantatas CD 3
▶ CD 52: Vol 13. Cantatas - CD 4
▶ CD 53: Vol 14. Cantatas - CD 1
▶ CD 54: Vol 14. Cantatas - CD 2
▶ CD 55: Vol 14. Cantatas - CD 3
▶ CD 56: Vol 14. Cantatas - CD 4
▶ CD 57: Vol 15. Cantatas - CD 1
▶ CD 58: Vol 15. Cantatas - CD 2
▶ CD 59: Vol 15. Cantatas - CD 3
▶ CD 60: Vol 15. Cantatas - CD 4
▶ CD 61: Vol 16. Cantatas CD 1
▶ CD 62: Vol 16. Cantatas CD 2
▶ CD 63: Vol 16. Cantatas CD 3
▶ CD 64: Vol 16. Cantatas CD 4
▶ CD 65: Vol 17. Cantatas CD 1
▶ CD 66: Vol 17. Cantatas CD 2
▶ CD 67: Vol 17. Cantatas CD 3
▶ CD 68: Vol 17. Cantatas CD 4
▶ CD 69: Vol 18. Congratulatory And Hommage Cantatas CD 1
▶ CD 70: Vol 18. Congratulatory And Hommage Cantatas CD 2
▶ CD 71: Vol 18. Congratulatory And Hommage Cantatas CD 3
▶ CD 72: Vol 18. Congratulatory And Hommage Cantatas CD 4
▶ CD 73: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
▶ CD 74: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
▶ CD 75: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
▶ CD 76: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
▶ CD 77: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
▶ CD 78: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
▶ CD 79: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
▶ CD 80: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
▶ CD 81: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
▶ CD 82: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
▶ CD 83: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
▶ CD 84: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
▶ CD 85: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
▶ CD 86: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
▼ CD 87: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
#TitleRatingLength
1Oster‐Oratorium, BWV 249: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
4:03
2Oster‐Oratorium, BWV 249: II. Adagio
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
4:18
3Oster‐Oratorium, BWV 249: III. Coro „Kommt, eilet und laufet“
choir vocals:
Gächinger Kantorei Stuttgart
solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
4:43
4Oster‐Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) „O kalter Männer Sinn“
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30 "Freue dich, erlöste Schar"
1:07
5Oster‐Oratorium, BWV 249: V. Aria (Sopran) „Seele, deine Spezereien“
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": V. Aria (Tenor) "Kommt, eilet, stimmet Sait und Lieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
8:21
6Oster‐Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) „Hier ist die Gruft“
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:48
7Oster‐Oratorium, BWV 249: VII. Aria (Tenor) „Sanfte soll mein Todeskummer“
solo tenor vocals and tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
6:11
8Oster‐Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) „Indessen seufzen wir“
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
solo soprano vocals and soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:56
9Oster‐Oratorium, BWV 249: IX. Aria (Alt) „Saget, saget mir geschwinde“
alto vocals and solo mezzo-soprano vocals [Alt]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1980-12 until 1981-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
6:58
10Oster‐Oratorium, BWV 249: X. Recitativo (Bass) „Wir sind erfreut“
bass vocals and solo bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
0:42
11Oster‐Oratorium, BWV 249: XI. Coro „Preis und Dank“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1980-12 until 1981-05)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1980-12 until 1981-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
2:47
12Himmelfahrts‐Oratorium, BWV 11: I. Coro „Lobet Gott in seinen Reichen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:41
13Himmelfahrts‐Oratorium, BWV 11: II. „Der Herr Jesu hub seine Hände auf“ (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:30
14Himmelfahrts‐Oratorium, BWV 11: III. Recitativo (Bass) „Ach, Jesu, ist dein Abschied schon so nah“
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:06
15Himmelfahrts‐Oratorium, BWV 11: IV. Aria (Alt) „Ach bleibe doch, mein liebstes Leben“
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:14
16Himmelfahrts‐Oratorium, BWV 11: V. „Und ward aufgehaben zusehends“ (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:26
17Himmelfahrts‐Oratorium, BWV 11: VI. Choral „Nun lieget alles unter dir“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1984-02)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
1:11
18Himmelfahrts‐Oratorium, BWV 11: VII. „Und da sie ihm nachsahen“ (Evangelista)
tenor vocals [Evangelist]:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
2:11
19Himmelfahrts‐Oratorium, BWV 11: VIII. Aria (Sopran) „Jesu, deine Gnadenblicke“
soprano vocals:
Costanza Cuccaro (American soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
5:43
20Himmelfahrts‐Oratorium, BWV 11: IX. Choral „Wenn soll es doch geschehen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:10
▶ CD 88: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
▶ CD 89: Vol 23. Magnificat · Sacred Vocal Works CD 1
▶ CD 90: Vol 23. Magnificat · Sacred Vocal Works CD 2
▶ CD 91: Vol 23. Magnificat · Sacred Vocal Works CD 3
▶ CD 92: Vol 23. Magnificat · Sacred Vocal Works CD 4
▶ CD 93: Vol 24. A Book Of Chorale-Settings CD 1
▶ CD 94: Vol 24. A Book Of Chorale-Settings CD 2
▶ CD 95: Vol 24. A Book Of Chorale-Settings CD 3
▶ CD 96: Vol 24. A Book Of Chorale-Settings CD 4
▶ CD 97: Vol 25. Organ Works CD 1
▶ CD 98: Vol 25. Organ Works CD 2
▶ CD 99: Vol 25. Organ Works CD 3
▶ CD 100: Vol 25. Organ Works CD 4
▶ CD 101: Vol 26. Organ Works CD 1
▶ CD 102: Vol 26. Organ Works CD 2
▶ CD 103: Vol 26. Organ Works CD 3
▶ CD 104: Vol 26. Organ Works CD 4
▶ CD 105: Vol 27. Organ Works CD 1
▶ CD 106: Vol 27. Organ Works CD 2
▶ CD 107: Vol 27. Organ Works CD 3
▶ CD 108: Vol 27. Organ Works CD 4
▶ CD 109: Vol 28. Organ Works CD 1
▶ CD 110: Vol 28. Organ Works CD 2
▶ CD 111: Vol 28. Organ Works CD 3
▶ CD 112: Vol 28. Organ Works CD 4
▶ CD 113: Vol 29. Organ Works CD 1
▶ CD 114: Vol 29. Organ Works CD 2
▶ CD 115: Vol 29. Organ Works CD 3
▶ CD 116: Vol 29. Organ Works CD 4
▶ CD 117: Vol 30. Harpsichord Music CD 1
▶ CD 118: Vol 30. Harpsichord Music CD 2
▶ CD 119: Vol 30. Harpsichord Music CD 3
▶ CD 120: Vol 30. Harpsichord Music CD 4
▶ CD 121: Vol 31. Keyboard Works CD 1
▶ CD 122: Vol 31. Keyboard Works CD 2
▶ CD 123: Vol 31. Keyboard Works CD 3
▶ CD 124: Vol 31. Keyboard Works CD 4
▶ CD 125: Vol 32. Keyboard Works CD 1
▶ CD 126: Vol 32. Keyboard Works CD 2
▶ CD 127: Vol 32. Keyboard Works CD 3
▶ CD 128: Vol 32. Keyboard Works CD 4
▶ CD 129: Vol 33. Keyboard Works CD 1
▶ CD 130: Vol 33. Keyboard Works CD 2
▶ CD 131: Vol 33. Keyboard Works CD 2
▶ CD 132: Vol 33. Keyboard Works CD 4
▶ CD 133: Vol 34. Keyboard Works CD 1
▶ CD 134: Vol 34. Keyboard Works CD 2
▶ CD 135: Vol 34. Keyboard Works CD 3
▶ CD 136: Vol 34. Keyboard Works CD 4
▶ CD 137: Vol 35. Keyboard Works CD 1
▶ CD 138: Vol 35. Keyboard Works CD 2
▶ CD 139: Vol 35. Keyboard Works CD 3
▶ CD 140: Vol 35. Keyboard Works CD 4
▶ CD 141: Vol 36. Keyboard Works CD 1
▶ CD 142: Vol 36. Keyboard Works CD 2
▶ CD 143: Vol 36. Keyboard Works CD 3
▶ CD 144: Vol 36. Keyboard Works CD 4
▶ CD 145: Vol 37. Keyboard Works CD 1
▶ CD 146: Vol 37.Keyboard Works CD 2
▶ CD 147: Vol 37. Keyboard Works CD 3
▶ CD 148: Vol 37. Keyboard Works CD 4
▶ CD 149: Vol 38. Orchestral Music CD 1
▶ CD 150: Vol 38. Orchestral Music CD 2
▶ CD 151: Vol 38. Orchestral Music CD 3
▶ CD 152: Vol 38. Orchestral Music CD 4
▶ CD 153: Vol 39. Works For Violin CD 1
▶ CD 154: Vol 39. Works For Violin CD 2
▶ CD 155: Vol 39. Works For Violin CD 3
▶ CD 156: Vol 39. Works For Violin CD 4
▶ CD 157: Vol 40. Harpsichord Concertos CD 1
▶ CD 158: Vol 40. Harpsichord Concertos CD 2
▶ CD 159: Vol 40. Harpsichord Concertos CD 3
▶ CD 160: Vol 40. Harpsichord Concertos CD 4
▶ CD 161: Vol 41. Works For Solo Violin And Solo Cello CD 1
▶ CD 162: Vol 41. Works For Solo Violin And Solo Cello CD 2
▶ CD 163: Vol 41. Works For Solo Violin And Solo Cello CD 3
▶ CD 164: Vol 41. Works For Solo Violin And Solo Cello CD 4
▶ CD 165: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
▶ CD 166: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
▶ CD 167: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
▶ CD 168: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
▶ CD 169: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
▶ CD 170: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
▶ CD 171: Vol 43. Restored Oboe Concerti · Musical Offering CD 3