| # | Title | Artist | Rating | Length |
|---|
| 1 | Please Forgive Me- recording engineer:
- Steve Jackson (on 1993-09-30)
- producer:
- Bryan Adams and Robert John 'Mutt' Lange
- mixer:
- Bob Clearmountain
- acoustic guitar:
- Joe Walker, Jr. (on 1993-09-30)
- drums (drum set):
- Mickey Curry (on 1993-09-30)
- electric bass guitar [bass]:
- James "Hutch" Hutchinson (on 1993-09-30)
- guitar:
- BA (on 1993-09-30) and Keith Scott (on 1993-09-30)
- Hammond organ:
- David Paich (on 1993-09-30)
- lead vocals:
- BA (on 1993-09-30)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993, in 1999), Badman Ltd. (in 1993, in 1999) and UMG Recordings, Inc. (in 1993)
- recorded at:
- Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (on 1993-09-30)
- mixed at:
- Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France
- part of:
- The Downloader’s Music Source Book (number: 174)
- recording of:
- Please Forgive Me (on 1993-09-30)
- writer:
- Bryan Adams (from 1993-09-30 until 1993-10) and Robert John “Mutt” Lange (from 1993-09-30 until 1993-10)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd., WorkSongs Ltd. and Zomba Enterprises, Inc.
- live recording of:
- Please Forgive Me
- writer:
- Bryan Adams (from 1993-09-30 until 1993-10) and Robert John “Mutt” Lange (from 1993-09-30 until 1993-10)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd., WorkSongs Ltd. and Zomba Enterprises, Inc.
| Bryan Adams | 3.65 | 5:56 |
| 2 | All for Love- assistant recording engineer:
- Rob Vermeulen (from 1993-10-17 until 1993-10-26)
- programming:
- Olle Romo
- engineer:
- David Nicholas
- producer:
- BA , David Nicholas and Chris Thomas
- mixer:
- David Nicholas (from 1993-10-17 until 1993-10-26)
- bass:
- Sting (from 1993-10-17 until 1993-10-26)
- drums (drum set):
- Mickey Curry (from 1993-10-17 until 1993-10-26)
- guitar:
- BA (from 1993-10-17 until 1993-10-26) and Keith Scott (from 1993-10-17 until 1993-10-26)
- piano:
- Bill Payne (from 1993-10-17 until 1993-10-26)
- lead vocals:
- Bryan Adams (from 1993-10-17 until 1993-10-26)
- vocals:
- Sting (from 1993-10-17 until 1993-10-26) and Rod Stewart (on 1993-10-19)
- phonographic copyright (℗) by:
- A&M Records (in 1993), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom (from 1993-10-17 until 1993-10-26), The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-10-17 until 1993-10-26: bass), The Warehouse Studio in Vancouver, British Columbia, Canada (from 1993-10-17 until 1993-10-26) and Cherokee Studios in Hollywood, Los Angeles, California, United States (on 1993-10-19)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (from 1993-10-17 until 1993-10-26)
- part of:
- The Downloader’s Music Source Book (number: 186)
- recording of:
- All for Love (from 1993-10-17 until 1993-10-26)
- writer:
- Bryan Adams , Michael Kamen and Mutt Lange
- publisher:
- Almo Music Corp. , Badams Music Limited, K-Man Corp., Out-of-Pocket Productions Ltd., Sony Songs Inc., Wonderland Music Company, Inc. , WorkSongs Ltd. and Zomba Enterprises, Inc.
| Bryan Adams with Sting and Rod Stewart | 3.5 | 4:44 |
| 3 | Have You Ever Really Loved a Woman?- recorded in:
- Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
- mixed in:
- France (in 1996-03)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (on 1995-03-08)
- acoustic guitar and handclaps:
- BA (from 1995-02-23 until 1995-03-04)
- bass:
- Mutt Lange (from 1995-02-23 until 1995-03-04)
- brushes and drums (drum set):
- Mickey Curry (from 1995-02-23 until 1995-03-04)
- castanets:
- Olle Romo (from 1995-02-23 until 1995-03-04)
- classical guitar [Spanish guitar]:
- Paco de Lucía (from 1995-02-23 until 1995-03-04)
- vocals:
- BA (from 1995-02-23 until 1995-03-04)
- phonographic copyright (℗) by:
- A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (in 1995, in 1999)
- recorded at:
- The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
- part of:
- The Downloader’s Music Source Book (number: 163)
- recording of:
- Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
- writer:
- Bryan Adams , Michael Kamen and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K-Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
| Bryan Adams | 3.65 | 4:53 |
| 4 | Rock Steady (live)- recording engineer:
- Ed Cherney (in 1995-07)
- producer:
- Bonnie Raitt and Don Was
- mixer:
- Ed Cherney
- bass:
- James "Hutch" Hutchinson (in 1995-07)
- drums (drum set):
- Ricky Fataar (in 1995-07)
- electric guitar:
- Bryan Adams (in 1995-07) and George Marinelli (in 1995-07)
- guitar [Tremolo Guitar]:
- Keith Scott (in 1995-07)
- harmonica and keyboard:
- Glen Clark (in 1995-07)
- percussion:
- Debra Dobkin (in 1995-07)
- slide guitar:
- Bonnie Raitt (in 1995-07)
- vocals:
- Bryan Adams (in 1995-07), Glen Clark (in 1995-07), Debra Dobkin (in 1995-07), James "Hutch" Hutchinson (in 1995-07), George Marinelli (in 1995-07) and Bonnie Raitt (in 1995-07)
- phonographic copyright (℗) by:
- EMI‐Capitol Music Special Markets (in 1995)
- recorded at:
- Paramount Theatre in Oakland, California, United States (in 1995-07)
- live recording of:
- Rock Steady (in 1995-07)
- writer:
- Bryan Adams and Gretchen Peters
- publisher:
- EMI April Music Canada Ltd., Sony Music , Sony/ATV Cross Keys Publishing, Badams Music Limited (in 1995), Purple Crayon Music (in 1995) and Sony Cross Keys Publishing Co., Inc. (in 1995)
| Bryan Adams with Bonnie Raitt | 5 | 4:06 |
| 5 | The Only Thing That Looks Good on Me Is You- recorded in:
- France (from 1994 until 1996-03-16)
- mixed in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-16)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (from 1996-03 until 1996-03-16)
- 12 string guitar, guitar [Wah Guitar] and lead vocals:
- BA (from 1994 until 1996-03-16)
- bass:
- Dave Taylor (from 1994 until 1996-03-16)
- drums (drum set):
- Mickey Curry (from 1994 until 1996-03-16)
- guitar:
- Mutt Lange (from 1994 until 1996-03-16) and Keith Scott (from 1994 until 1996-03-16)
- percussion:
- Olle Romo (from 1994 until 1996-03-16)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- part of:
- The Downloader’s Music Source Book (number: 172)
- recording of:
- The Only Thing That Looks Good on Me Is You (from 1994 until 1996-03-16)
- written in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France
- writer:
- Bryan Adams and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Music Publishing (UK) Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 4.5 | 3:39 |
| 6 | Let's Make a Night to Remember- recorded in:
- Jamaica (from 1994-10-17 until 1995) and Provence-Alpes-Côte-d'Azur, France (from 1995 until 1996-03-18)
- mixed in:
- Ramatuelle, Var, Provence-Alpes-Côte-d'Azur, France (from 1996-03 until 1996-03-18)
- recording engineer:
- Olle "Sven" Romo (from 1994-10-17 until 1996-03-18)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (from 1996-03 until 1996-03-18)
- bass:
- Dave Taylor (from 1994-10-17 until 1996-03-18)
- drums (drum set):
- Mickey Curry (from 1994-10-17 until 1996-03-18)
- electric sitar:
- Keith Scott (from 1994-10-17 until 1996-03-18)
- guitar:
- BA (from 1994-10-17 until 1996-03-18), Matt Lange (from 1994-10-17 until 1996-03-18) and Keith Scott (from 1994-10-17 until 1996-03-18)
- keyboard and percussion:
- Olle Romo (from 1994-10-17 until 1996-03-18)
- lead vocals:
- BA (from 1994-10-17 until 1996-03-18)
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1996), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- part of:
- The Downloader’s Music Source Book (number: 169)
- recording of:
- Let’s Make a Night to Remember (from 1994-10-17 until 1996-03-18)
- writer:
- Bryan Adams (on 1994-10-17) and Robert John “Mutt” Lange (on 1994-10-17)
- publisher:
- Out-of-Pocket Productions Ltd., Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 3.5 | 6:20 |
| 7 | Star | Bryan Adams | 5 | 3:42 |
| 8 | Back to You (live) | Bryan Adams | | 4:42 |
| 9 | I'm Ready (live)- recording engineer:
- Bob Clearmountain (on 1997-09-26), Dave Hewitt (on 1997-09-26) and David Hewitt (on 1997-09-26)
- assistant engineer:
- Phil Gitomer
- producer:
- BA and Patrick Leonard
- assistant mixer:
- Dean Maher, Chris Potter , Olle Romo and Phil Western
- mixer:
- Bob Clearmountain
- accordion:
- Tommy Mandel (on 1997-09-26)
- bass:
- Dave Taylor (on 1997-09-26)
- drums (drum set):
- Mickey Curry (on 1997-09-26)
- guitar and resonator guitar [dobro]:
- Bryan Adams (on 1997-09-26) and Keith Scott (on 1997-09-26)
- harmonica:
- Bryan Adams (on 1997-09-26)
- low whistle, tin whistle [irish whistle] and uilleann pipes:
- Davy Spillane (on 1997-09-26)
- mandolin and slide guitar:
- Keith Scott (on 1997-09-26)
- organ and piano:
- Patrick Leonard (on 1997-09-26) and Tommy Mandel (on 1997-09-26)
- percussion:
- Danny Cummings (on 1997-09-26)
- background vocals:
- Danny Cummings (on 1997-09-26), Mickey Curry (on 1997-09-26), Keith Scott (on 1997-09-26) and Dave Taylor (on 1997-09-26)
- lead vocals:
- BA (on 1997-09-26)
- orchestra:
- Julliard School NYC (on 1997-09-26)
- conductor:
- Michael Kamen (on 1997-09-26)
- strings arranger:
- Michael Kamen
- arranger:
- BA and Patrick Leonard
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Hammerstein Ballroom in Midtown Manhattan, New York, New York, United States (on 1997-09-26)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada
- live recording of:
- I’m Ready (on 1997-09-26)
- written in:
- Vancouver, British Columbia, Canada (in 1978-10)
- writer:
- Bryan Adams (in 1978-10) and Jim Vallance (in 1978-10)
- publisher:
- Almo Music Corp. , Badams Music Limited, Adams Communications Inc. (in 1979), Calypso Toonz (in 1979) and Testatyme Music (in 1979)
| Bryan Adams | 4 | 4:30 |
| 10 | On a Day Like Today- recorded in:
- Saint Ann, Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06 until 1998-08), Phil Thornalley (from 1998-06 until 1998-08) and Phil Western (from 1998-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- programming:
- Olle Romo
- producer:
- Bryan Adams and Phil Thornalley
- assistant mixer:
- Dean Maher
- mixer:
- Bob Clearmountain
- bass and guitar:
- Phil Thornalley (from 1998-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06 until 1998-08)
- guitar [guitars]:
- ba (from 1998-06 until 1998-08)
- strings:
- Vancouver Orchestra (from 1998-06 until 1998-08)
- vocals:
- BA (from 1998-06 until 1998-08)
- conductor:
- Bob Buckley (from 1998-06 until 1998-08)
- strings arranger:
- David Munday and Phil Thornalley
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1998), Badman Limited (in 1998) and UMG Recordings, Inc. (in 1998)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada
- part of:
- The Downloader’s Music Source Book (number: 170)
- recording of:
- On a Day Like Today (from 1998-06 until 1998-08)
- writer:
- Bryan Adams and Phil Thornalley
- publisher:
- BMG Music Publishing Ltd., badams music ltd. (in 1998) and BMG Songs, Inc. (in 1998)
| Bryan Adams | 3.65 | 3:30 |
| 11 | When You're Gone- recorded in:
- Saint Ann, Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06-06 until 1998-08), Phil Thornalley (from 1998-06-06 until 1998-08) and Phil Western (from 1998-06-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- engineer:
- Eliot Kennedy
- producer:
- Bryan Adams and Bob Rock
- assistant mixer:
- Dean Maher (on 1998-09-03)
- mixer:
- Bob Clearmountain (on 1998-09-03)
- bass:
- Dave Taylor (from 1998-06-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06-06 until 1998-08)
- guitar [guitars]:
- BA (from 1998-06-06 until 1998-08) and Keith Scott (from 1998-06-06 until 1998-08)
- keyboard [keyboards]:
- Phil Western (from 1998-06-06 until 1998-08)
- guest vocals:
- Melanie C (from 1998-06-06 until 1998-08)
- vocals:
- BA (from 1998-06-06 until 1998-08)
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) and Badman Ltd. (in 1999)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-06-06), Metropolis Studios in London , England, United Kingdom (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-09-03)
- part of:
- The Downloader’s Music Source Book (number: 185)
- recording of:
- When You’re Gone (from 1998-06-06 until 1998-08)
- writer:
- Bryan Adams and Eliot Kennedy
- publisher:
- Badams Music Limited (in 1998) and Sony Music Publishing (UK) Ltd. (in 1998)
| Bryan Adams with Melanie C | 4.15 | 3:25 |
| 12 | Cloud Number Nine (Chicane mix)- recorded in:
- Jamaica (from 1998-06 until 1998-08)
- assistant recording engineer:
- Dean Maher (from 1998-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06 until 1998-08)
- programming:
- Nick Bracegirdle
- producer:
- BA and Bob Rock
- drums (drum set):
- Mickey Curry (from 1998-06 until 1998-08) and 屋敷豪太 (from 1998-06 until 1998-08)
- guitar:
- BA (from 1998-06 until 1998-08) and Keith Scott (from 1998-06 until 1998-08)
- keyboard:
- Nick Bracegirdle (from 1998-06 until 1998-08)
- synthesizer:
- Chicane (from 1998-06 until 1998-08)
- lead vocals:
- BA (from 1998-06 until 1998-08)
- remixer:
- Chicane
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1998), A&M Records, Inc. (in 1999) and Badman Ltd. (in 1999)
- recording of:
- Cloud Number Nine (from 1998-06 until 1998-08)
- writer:
- Bryan Adams , Max Martin and Gretchen Peters
- publisher:
- Sony/ATV Cross Keys Publishing, Badams Music Limited (in 1998), Cross Keys Publishing Co. (in 1998), Grantsville Publishing Ltd. (in 1998), Purple Crayon Music (in 1998), Sony/ATV Tunes LLC (in 1998) and Zomba Enterprises, Inc. (in 1998)
| Bryan Adams | 4 | 4:12 |
| 13 | The Best of Me- recording engineer:
- Zach Blackstone (from 1999-09-11 until 1999-09-16) and Phil Western (from 1999-09-11 until 1999-09-16)
- programming:
- Phil Thornalley
- engineer:
- Zach Blackstone, Greg Goldman, Chris Potter and Phil Western
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- assistant mixer:
- Zach Blackstone (in 1999-09)
- mixer:
- Bob Clearmountain (in 1999-09)
- bass and lead vocals:
- BA (from 1999-08-30 until 1999-09-16)
- drums (drum set):
- Mickey Curry (on 1999-09-10)
- guitar:
- BA (from 1999-08-30 until 1999-09-16) and Mutt Lange (from 1999-08-30 until 1999-09-16)
- keyboard:
- Phil Western (from 1999-08-30 until 1999-09-16)
- strings arranger:
- BA and Bob Buckley
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1999), Badman Limited (in 1999), Badman Ltd. (in 1999) and Interscope Geffen (A&M) Records (in 1999)
- recorded at:
- Sully Sound in Switzerland (from 1999-08-30 until 1999-08-31), Conway Recording Studios in Hollywood, Los Angeles, California, United States (on 1999-09-10: drums (drum set)) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1999-09-11 until 1999-09-16)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (in 1999-09)
- recording of:
- The Best of Me (from 1999-08-30 until 1999-09-16)
- writer:
- Bryan Adams (from 1999-08-19 until 1999-08-20) and Robert John “Mutt” Lange (from 1999-08-19 until 1999-08-20)
- publisher:
- Badams Music Limited, Out-of-Pocket Productions Ltd. and Zomba Enterprises, Inc.
| Bryan Adams | 4 | 3:32 |
| 14 | Here I Am | Bryan Adams | 5 | 4:46 |
| 15 | Open Road | Bryan Adams | 5 | 3:31 |
| 16 | 18 Til I Die (live)- recording engineer:
- Daniel Bekerman and João Escada
- producer:
- BA
- assistant mixer:
- Brandon Duncan (from 2005-06-25 until 2005-06-27)
- mixer:
- Bob Clearmountain (from 2005-06-25 until 2005-06-27)
- bass:
- Norm Fisher
- drums (drum set):
- Mickey Curry
- guitar:
- BA and Keith Scott
- organ and piano:
- Gary Breit
- lead vocals:
- BA
- phonographic copyright (℗) by:
- A&M Records (in 2005)
- recorded at:
- Pavilhao Atlantico in Lisboa, Lisboa, Portugal
- mixed at:
- Mix This! in Pacific Palisades, Los Angeles, California, United States (from 2005-06-25 until 2005-06-27)
- live recording of:
- 18 'til I Die
- writer:
- Bryan Adams and Robert John “Mutt” Lange
- publisher:
- 2855 Music, Almo Music Corp. , Sony Music Publishing (UK) Ltd., Zomba Music Publishers Ltd. , Badams Music Limited (in 1996), Zomba Enterprises, Inc. (in 1996) and Zomba Music Publishing Ltd. (in 1996)
| Bryan Adams | 5 | 4:06 |
| 17 | So Far So Good | Bryan Adams | 5 | 3:41 |
| 18 | I'm Not the Man You Think I Am | Bryan Adams | 5 | 3:03 |
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