NOW 100 Hits: Classic Rock

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
2(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., ソニー・ミュージックパブリッシング A事業部 and Sony/ATV Tunes LLC (in 1976)
Blue Öyster Cult4.43:49
3Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something3.74:17
4Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.553:08
5You Ain’t Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:38
6I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
Cheap Trick4.353:10
7American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
Cirrus Musik and Dunbar Music Inc.
The Guess Who4.23:53
8Bad to the Bone
recording of:
Bad to the Bone
lyricist and composer:
George Thorogood
George Thorogood & the Destroyers3:38
9Teenage Dirtbag
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus14:02
10Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
bass:
Tony Breit
electric guitar:
Craig Ross (guitarist)
background vocals and lead vocals:
Lenny Kravitz
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Lenny Kravitz and Craig Ross (guitarist)
publisher:
Miss Bessie Music, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Lenny Kravitz3.853:32
11Juke Box Hero
recording of:
Juke Box Hero
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:04
12Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975)
recording of:
Slow Ride (Foghat)
lyricist and composer:
Dave Peverett
Foghat4.63:58
13Carry On Wayward Son
recording of:
Carry On Wayward Son
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (1989-07-24–present) (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部
Kansas43:27
14Bring Me to Life
additional programming:
Zac Baird, David Hodges (keyboardist of Trading Yesterday) and Chris Johnson (programming/production for Ivy Lane Music)
programming:
Ben Moody (American musician and producer)
additional engineer:
Ben Moody (American musician and producer)
assistant engineer:
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson and Sam Storey
engineer:
Jeremy Parker (engineer)
producer:
Dave Fortman
mixer:
Jay Baumgardner
bass guitar:
Francesco DiCosmo
drums (drum set):
Josh Freese (American drummer)
guitar and percussion:
Ben Moody (American musician and producer)
keyboard and piano:
David Hodges (keyboardist of Trading Yesterday)
guest vocals:
Paul McCoy
lead vocals:
Amy Lee (singer‐songwriter/keyboardist of Evanescence)
music videos:
Bring Me to Life by Evanescence
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 43)
recording of:
Bring Me to Life
writer:
David Hodges (keyboardist of Trading Yesterday), Amy Lee (singer‐songwriter/keyboardist of Evanescence) and Ben Moody (American musician and producer)
publisher:
Forthefallen Publishing, Reservoir One America and Zombies Ate My Publishing
Evanescence4.53:57
15Stranglehold
recording of:
Stranglehold
lyricist and composer:
Ted Nugent
additional writer:
Rob Grange
publisher:
Magicland Music
parody version of:
Strangest Folks
Ted Nugent4.258:24
16Roundabout
recording of:
Roundabout
writer:
Jon Anderson (Yes/Jon & Vangelis) and Steve Howe
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. (holding: File NO Releases), Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Yes8:31
17For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield42:36
▶ CD 5
▶ CD 6

Credits

Release Group

part of:NOW 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 5)