The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

CD 1: Chamber
CD 2: Chamber
CD 3: Chamber
CD 4: Chamber
CD 5: Chamber
CD 6: Chamber
CD 7: Chamber
CD 8: Chamber
CD 9: Chamber
CD 10: Chamber
CD 11: Chamber
CD 12: Chamber
CD 13: Chamber
CD 14: Chamber
CD 15: Chamber
CD 16: Chamber
CD 17: Chamber
CD 18: Chamber
CD 19: Chamber
CD 20: Chamber
CD 21: Chamber
CD 22: Chamber
CD 23: Chamber
CD 24: Chamber
CD 25: Chamber
CD 26: Chamber
CD 27: Chamber
CD 28: Chamber
CD 29: Chamber
CD 30: Chamber
CD 31: Chamber
CD 32: Chamber
CD 33: Chamber
CD 34: Chamber
CD 35: Chamber
CD 36: Chamber
CD 37: Chamber
CD 38: Chamber
CD 39: Chamber
CD 40: Chamber
CD 41: Chamber
CD 42: Chamber
CD 43: Chamber
CD 44: Chamber
CD 45: Chamber
CD 46: Chamber
CD 47: Chamber
CD 48: Chamber
CD 49: Chamber
CD 50: Orchestral
CD 51: Orchestral
CD 52: Orchestral
CD 53: Orchestral
CD 54: Orchestral
CD 55: Orchestral
CD 56: Orchestral
CD 57: Orchestral
CD 58: Orchestral
CD 59: Orchestral
CD 60: Orchestral
CD 61: Orchestral
CD 62: Orchestral
CD 63: Orchestral
CD 64: Orchestral
CD 65: Orchestral
CD 66: Orchestral
CD 67: Orchestral
CD 68: Orchestral
CD 69: Orchestral
CD 70: Orchestral
CD 71: Orchestral
CD 72: Orchestral
CD 73: Orchestral
CD 74: Orchestral
CD 75: Orchestral
CD 76: Orchestral
CD 77: Orchestral
CD 78: Orchestral
CD 79: Orchestral
CD 80: Orchestral
CD 81: Orchestral
CD 82: Orchestral
CD 83: Orchestral
CD 84: Orchestral
CD 85: Orchestral
CD 86: Orchestral
CD 87: Orchestral
CD 88: Orchestral
CD 89: Orchestral
CD 90: Orchestral
CD 91: Orchestral
CD 92: Orchestral
CD 93: Orchestral
CD 94: Orchestral
CD 95: Orchestral
CD 96: Orchestral
CD 97: Orchestral
CD 98: Orchestral
CD 99: Orchestral
CD 100: Orchestral
CD 101: Orchestral
CD 102: Theatre
CD 103: Theatre
CD 104: Theatre
CD 105: Theatre
CD 106: Theatre
CD 107: Theatre
CD 108: Theatre
CD 109: Theatre
CD 110: Theatre
CD 111: Theatre
CD 112: Theatre
CD 113: Theatre
CD 114: Theatre
CD 115: Theatre
CD 116: Theatre
CD 117: Theatre
CD 118: Theatre
CD 119: Theatre
CD 120: Theatre
CD 121: Theatre
CD 122: Theatre
CD 123: Theatre
CD 124: Theatre
CD 125: Theatre
CD 126: Theatre
CD 127: Theatre
CD 128: Theatre
CD 129: Theatre
CD 130: Theatre
CD 131: Theatre
CD 132: Theatre
CD 133: Theatre
CD 134: Theatre
CD 135: Theatre
CD 136: Theatre
CD 137: Theatre
CD 138: Theatre
CD 139: Theatre
CD 140: Theatre
CD 141: Theatre
CD 142: Theatre
CD 143: Theatre
CD 144: Theatre
CD 145: Theatre
CD 146: Theatre
CD 147: Theatre
CD 148: Theatre
CD 149: Theatre
CD 150: Theatre
CD 151: Theatre
CD 152: Theatre
CD 153: Sacred
CD 154: Sacred
CD 155: Sacred
CD 156: Sacred
CD 157: Sacred
CD 158: Sacred
CD 159: Sacred
CD 160: Sacred
CD 161: Sacred
CD 162: Sacred
CD 163: Sacred
CD 164: Sacred
CD 165: Sacred
CD 166: Sacred
CD 167: Sacred
CD 168: Sacred
CD 169: Sacred
CD 170: Sacred
CD 171: Private
CD 172: Private
CD 173: Private
CD 174: Fragments
CD 175: Fragments
CD 176: Completions
CD 177: Completions
CD 178: Completions
CD 179: Arrangements
CD 180: Arrangements
CD 181: Arrangements
CD 182: Arrangements
CD 183: Arrangements
CD 184: Arrangements
CD 185: Arrangements
CD 186: Arrangements
#TitleArtistRatingLength
1Das Alexander-Fest, K. 591: Part I. Overture
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Overture
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel6:08
2Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:53
3Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:26
4Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:35
5Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:21
6Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:54
7Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:44
8Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel3:44
9Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:33
10Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:30
11Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:02
12Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:39
13Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel1:20
14Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:53
15Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:50
16Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel2:43
17Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel0:28
18Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel3:18
19Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel4:50
20Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel4:07
21Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel6:25
22Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part I
George Frideric Handel4:12
CD 187: Arrangements
CD 188: Self-Arrangements
CD 189: Self-Arrangements
CD 190: Self-Arrangements
CD 191: Self-Arrangements
CD 192: Self-Arrangements
CD 193: Self-Arrangements
CD 194: Doubtful Works
CD 195: Doubtful Works
CD 196: Doubtful Works
CD 197: Doubtful Works
CD 198: Doubtful Works
CD 199: Doubtful Works
CD 200: Doubtful Works