The Opera Edition

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Mozart: Die Zauberflöte [disc 1]
▶ CD 2: Mozart: Die Zauberflöte [disc 2]
▶ CD 3: Mozart: Don Giovanni [disc 1]
▶ CD 4: Mozart: Don Giovanni [disc 2]
▶ CD 5: Mozart: Don Giovanni [disc 3]
▶ CD 6: Mozart: Le nozze di Figaro [disc 1]
▶ CD 7: Mozart: Le nozze di Figaro [disc 2]
▶ CD 8: Mozart: Le nozze di Figaro [disc 3]
▶ CD 9: Beethoven: Fidelio [disc 1]
▶ CD 10: Beethoven: Fidelio [disc 2]
▶ CD 11: Rossini: Overtures [1991]
▶ CD 12: Rossini: L'Italiana in Algeri [disc 1]
▶ CD 13: Rossini: L'Italiana in Algeri [disc 2]
▶ CD 14: Rossini: Il barbiere di Siviglia (1971) [disc 1]
▶ CD 15: Rossini: Il barbiere di Siviglia (1971) [disc 2]
▶ CD 16: Rossini: Il barbiere di Siviglia (1992) [disc 1]
▶ CD 17: Rossini: Il barbiere di Siviglia (1992) [disc 2]
▶ CD 18: Rossini: La Cenerentola [disc 1]
▶ CD 19: Rossini: La Cenerentola [disc 2]
▶ CD 20: Rossini: Il viaggio a Reims [disc 1]
▶ CD 21: Rossini: Il viaggio a Reims [disc 2]
▶ CD 22: Schubert: Fierrabras [disc 1]
▶ CD 23: Schubert: Fierrabras [disc 2]
▶ CD 24: Wagner: Orchestral Music
▶ CD 25: Wagner: Lohengrin [disc 1]
▶ CD 26: Wagner: Lohengrin [disc 2]
▶ CD 27: Wagner: Lohengrin [disc 3]
▶ CD 28: Bryn Terfel Sings Wagner
▶ CD 29: Wagner: Gala Concert
▶ CD 30: Verdi: Overtures & Preludes
▶ CD 31: Verdi: Macbeth [disc 1]
▶ CD 32: Verdi: Macbeth [disc 2]
▶ CD 33: Verdi: Simon Boccanegra [disc 1]
▶ CD 34: Verdi: Simon Boccanegra [disc 2]
▶ CD 35: Verdi: Un ballo in maschera [disc 1]
▶ CD 36: Verdi: Un ballo in maschera [disc 2]
▶ CD 37: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 1]
▶ CD 38: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 2]
▶ CD 39: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 3]
▶ CD 40: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 4]
▶ CD 41: Verdi: Aida [disc 1]
▶ CD 42: Verdi: Aida [disc 2]
▶ CD 43: Verdi: Falstaff [disc 1]
▶ CD 44: Verdi: Falstaff [disc 2]
▶ CD 45: Verdi: Choruses
▶ CD 46: Verdi: Arias [Alagna]
▶ CD 47: Nicolai Ghiuarov: Great Scenes from Verdi Operas
▶ CD 48: Bizet: Carmen [disc 1]
▶ CD 49: Bizet: Carmen [disc 2]
▼ CD 50: Bizet: Carmen [disc 3] & The Berlin Gala: A Salute to Carmen [Excerpts]
#TitleArtistRatingLength
1Carmen: Act III, Scene I. "Eh bien, j'avais raison." (Dancaire, Carmen, Remendado, Frasquita, Mercédès, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:30
2Carmen: Act III, Scene I. "Quant au douanier, c'est notre affaire!" (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaire, Remendado)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c'est notre affaire » (Frasquita, Mercédès, Carmen, Le Dancaïre, Le Remendado, Chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen : Acte III
Georges Bizet3:08
3Carmen: Act III, Scene I. "Nous y sommes" (Le Guide, Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:45
4Carmen: Act III, Scene I. "Je dis que rien ne m'épouvante" (Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:52
5Carmen: Act III, Scene I. "Mais... je ne me trompe pas..." (Micaëla, Escamillo, Don José) / "Je suis Escamillo, toréro de Grenade." (Escamillo, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Air : « Mais… Je ne me trompe pas… C’est Don José » (Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:43
6Carmen: Act III, Scene I. "Holà! José!" (Carmen, Escamillo, Dancaire, Don José, Les Contrebandiers, Les Contrebandières)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:01
7Carmen: Act III, Scene I. "Halte! Quelqu'un est là qui cherche à se cacher." (Remendado, Carmen, Dancaire, Don José, Micaëla, Choeur)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:18
8Carmen: Act III, Scene II. Entr'acte
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08), St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:11
9Carmen: Act III, Scene II. Choeur "A deux cuartos!"
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
10Carmen: Act III, Scene II. "Les voici, voici le quadrille" (Choeur)
editor:
Joachim Niss
baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09) and George Watson’s College Boys’ Chorus (in 1977-09)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") and Polydor International GmbH (not for release label use!)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
11Carmen: Act III, Scene II. "Si tu m'aimes, Carmen" (Escamillo, Carmen, Frasquita, Mercédès)
editor:
Joachim Niss
baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09) and George Watson’s College Boys’ Chorus (in 1977-09)
mezzo-soprano vocals:
Alicia Nafé (mezzo-soprano) (in 1977-09)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
soprano vocals:
Yvonne Kenny (Australian soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:20
12Carmen: Act III, Scene II. "C'est toi?" "C'est-moi."
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-08)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-08)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-08)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (in 1977-08)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:23
13Carmen: Prélude
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Prélude (on 1997-12-31)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:09
14Carmen: Havanaise (Habanera): « L'amour est un oiseau rebelle » (Carmen, chorus)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Orfeón Donostiarra (in 1997-12)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-12)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
chorus master:
José Antonio Sainz Alfaro (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (on 1997-12-31)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:30
15Carmen: Couplet (Air du Toréador): « Votre toast... je peux vous le rendre » (Escamillo, chorus, Frasquita, Mercédès, Carmen)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Escamillo]:
Bryn Terfel (bass-baritone opera singer) (in 1997-12)
choir vocals:
Orfeón Donostiarra (in 1997-12)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-12)
mezzo-soprano vocals [Mercédès]:
Stella Doufexis (mezzo-soprano) (in 1997-12)
soprano vocals [Frasquita]:
Véronique Gens (soprano) (in 1997-12)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
chorus master:
José Antonio Sainz Alfaro (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (on 1997-12-31)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:07
16Carmen: Chanson (Gypsy Song): « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Carmen]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-12)
mezzo-soprano vocals [Mercédès]:
Stella Doufexis (mezzo-soprano) (in 1997-12)
soprano vocals [Frasquita]:
Véronique Gens (soprano) (in 1997-12)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (on 1997-12-31)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:45
17Carmen: Air de la Fleur (Flower Song): « La fleur que tu m'avais jetée » (Don José)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals [Don José]:
Roberto Alagna (tenor) (in 1997-12)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (on 1997-12-31)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:13
18Carmen: Chœur: « Les voici ! Voici la quadrille » (chorus)
recording engineer:
Ulrich Vette (engineer)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Orfeón Donostiarra (in 1997-12) and Südtiroler Kinderchor (in 1997-12)
orchestra:
Berliner Philharmoniker (in 1997-12)
conductor:
Claudio Abbado (conductor) (in 1997-12)
chorus master:
Gretel Brugger (Chorus Master) (in 1997-12) and José Antonio Sainz Alfaro (in 1997-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1997-12)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (on 1997-12-31)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet4:12
▶ CD 51: Debussy: Pelléas et Mélisande [disc 1]
▶ CD 52: Debussy: Pelléas et Mélisande [disc 2]
▶ CD 53: Mussorgsky: Khovanshchina [disc 1]
▶ CD 54: Mussorgsky: Khovanshchina [disc 2]
▶ CD 55: Mussorgsky: Khovanshchina [disc 3]
▶ CD 56: Berg: Wozzeck [disc 1]
▶ CD 57: Berg: Wozzeck [disc 2]
▶ CD 58: Anna Netrebko: Sempre libera
▶ CD 59: Kaufmann: Mozart, Schubert, Beethoven & Wagner
▶ CD 60: Berlin Gala: Songs of Love and Desire