Music Inspired by Ghosts

~ Release by Mozart, Beethoven; Vienna Boys’ Choir, Charlotte Church, Barbara Hendricks, Anne‐Sophie Mutter (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Violin Sonata no. 7 in C minor, op. 30 no. 2: IV. “Finale. Allegro - Presto”
producer:
Michael Fine (producer)
piano:
Lambert Orkis (pianist) (in 1998-08)
violin:
Anne‐Sophie Mutter (violinist) (in 1998-08)
balance engineer:
Ulrich Vette (engineer)
live recording of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: IV. Finale. Allegro (in 1998-08)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2
Ludwig van Beethoven5:32
2The Fairy’s Kiss: Scene III. Variation / Coda
orchestra:
The Cleveland Orchestra (on 1955-12-11)
conductor:
Igor Stravinsky (Russian composer) (on 1955-12-11)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1955-12-11)
recording of:
The Fairy's Kiss: Scene 3. Coda
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
The Fairy's Kiss: Scene 3
recording of:
The Fairy's Kiss: Scene 3. Variation
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
The Fairy's Kiss: Scene 3
Igor Stravinsky3:36
3Super flumina Babylonis
choir vocals:
The Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Super flumina Babylonis
composer:
Philippe de Monte (Flemish composer of the late Renaissance)
Philippe de Monte5:59
4Promenades: VIII. En chemin de fer / IX. À bicyclette
piano:
Pascal Rogé (pianist)
recording of:
Promenades: IX. À bicyclette
composer:
Francis Poulenc (pianist and composer)
part of:
Promenades (10) for piano, FP 24
recording of:
Promenades: VIII. En chemin de fer
composer:
Francis Poulenc (pianist and composer)
part of:
Promenades (10) for piano, FP 24
Francis Poulenc1:37
5Lucia di Lammermoor: “Fra poco me ricovero”
recording engineer:
Kevin Boutote (engineer) (from 1998-04-20 until 1998-05-02)
executive producer:
Jeremy Caulton
producer:
David Frost (pianist and Grammy-winning producer of classical recordings)
tenor vocals:
Marcelo Álvarez (argentine tenor) (from 1998-04-20 until 1998-05-02)
orchestra:
Orchestra of the Welsh National Opera (from 1998-04-20 until 1998-05-02)
conductor:
Carlo Rizzi (conductor) (from 1998-04-20 until 1998-05-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)
recorded at:
Brangwyn Hall in Swansea, Wales, United Kingdom (from 1998-04-20 until 1998-05-02)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:25
6Credo: “Qui propter nos homines” / “Et incarnatus est” (opening)
recording engineer:
Don Harder (Recording engineer)
assistant engineer:
Bill Barnett (Engineer)
producer:
Karen Wilson (Canadian producer)
bass vocals:
Thomas Quasthoff (bass-baritone)
choir vocals:
Oregon Bach Festival Choir
mezzo-soprano vocals:
Milagro Vargas
soprano vocals:
Juliane Banse (soprano)
tenor vocals:
Thomas Randle (tenor)
orchestra:
Oregon Bach Festival Orchestra
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1998)
recorded at:
Silva Concert Hall in Eugene, Oregon, United States
partial recording of:
Credo: Et incarnatus est
composer:
Krzysztof Penderecki (Polish composer) (from 1997 until 1998)
part of:
Credo
recording of:
Credo: Qui propter nos homines
composer:
Krzysztof Penderecki (Polish composer) (from 1997 until 1998)
part of:
Credo
Krzysztof Penderecki2:15
7Sequenza X per tromba in do (opening)
recording engineer and balance engineer:
Ko Witteveen (engineer) (in 1994-09)
producer:
Martha de Francisco (classical producer and engineer)
piano:
Peter Solomon (in 1994-09)
trumpet:
Håkan Hardenberger (classical trumpeter) (in 1994-09)
recorded at:
Musica Théâtre (1837-2003) in La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1994-09)
partial recording of:
Sequenza X for Trumpet in C and Piano Resonance
composer:
Luciano Berio (Italian composer) (in 1984)
Luciano Berio2:46
8Ave verum corpus
organ:
Alfred Halbartschlager (organist)
choir vocals:
Chorus Viennensis and Wiener Sängerknaben
orchestra:
Orchester der Wiener Volksoper
conductor:
Uwe Christian Harrer (chorus master)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart3:10
9Suo Gan
vocals:
Charlotte Church
orchestra:
Orchestra of the Welsh National Opera
conductor:
Sian Edwards (English conductor)
recording of:
Suo Gân
lyricist and composer:
[traditional] (special purpose artist)
reconstructed by:
Robert Bryan (poet and folklorist)
[traditional]23:16
10Carnival of the Animals: “Elephants”
spoken vocals:
Johnny Morris (Animal voices, worked for the BBC)
orchestra:
Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra)
conductor:
Ondrej Lenárd (conductor)
recording of:
Le Carnaval des animaux : V. L'Éléphant
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:54
11Der Freischütz: Act II, Scene 4, “The Wolf’s Glen” (ending)
choir vocals:
Rundfunkchor Berlin
vocals:
Peter Matić (Austrian actor and voice actor), Kurt Rydl (operatic bass) and Peter Seiffert (tenor)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marek Janowski (conductor)
partial recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:33
12Schwestergruss
piano:
Irwin Gage (pianist)
soprano vocals:
Gundula Janowitz (soprano)
recording of:
Schwestergruss, D. 762
lyricist:
Franz Seraph Ritter von Bruchmann
composer:
Franz Schubert (composer) (in 1822-11)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 762)
Franz Schubert5:24
13St. Bertrand de Comminges: “He Was Laughing in the Tower” (opening)
piano:
Donna Amato (pianist)
partial recording of:
St. Bertrand de Comminges, KSS64
composer:
Kaikhosru Shapurji Sorabji (composer) (in 1941)
Kaikhosru Shapurji Sorabji3:23
14The Turn of the Screw: Act Ii, Scene 1, “Why Did You Call Me…” (extract)
vocals:
Philip Langridge (tenor) and Nadine Secunde (soprano)
orchestra:
Aldeburgh Festival Ensemble
conductor:
Steuart Bedford (conductor)
partial recording of:
The Turn of the Screw (Opera in a prologue and two acts after the story by Henry James)
composer:
Benjamin Britten (English composer, conductor, and pianist)
librettist:
Myfanwy Piper
part of:
Works of Benjamin Britten by opus number (number: op. 54)
Benjamin Britten3:53
15Songs of Farewell: “There Is an Old Belief”
choir vocals:
Vasari Singers
conductor:
Jeremy Backhouse
recording of:
Songs of Farewell: No. 4. There Is an Old Belief
lyricist:
John Gibson Lockhart
composer:
Hubert Parry (English composer)
part of:
Songs of Farewell
Hubert Parry3:52
16A Ceremony of Carols, op. 28: “Wolcum Yole!”
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Sioned Williams (harpist) (from 1986-06-26 until 1986-06-27)
choir vocals:
Westminster Cathedral Choir (from 1986-06-26 until 1986-06-27)
conductor:
David Hill (organist and conductor) (from 1986-06-26 until 1986-06-27)
recorded at:
Westminster Cathedral in London (Greater London), England, United Kingdom (from 1986-06-26 until 1986-06-27)
recording of:
A Ceremony of Carols, op. 28: II. Wolcum Yole! (from 1986-06-26 until 1986-06-27)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1942)
part of:
A Ceremony of Carols, op. 28
Benjamin Britten1:26
17Give Me Jesus
choir vocals:
The Moses Hogan Singers
soprano vocals:
Barbara Hendricks (soprano)
recording of:
Give Me Jesus (spiritual)
lyricist and composer:
[traditional] (special purpose artist)
[traditional]4:04
18My Man’s Gone Now
percussion programming:
Robert Sadin
producer:
Robert Sadin
mixer:
Bruce Swedien
editor:
Andreas Meyer (US sound engineer)
bass:
Bakithi Kumalo (from 1998-03 until 1998-06)
percussion:
Cyro Baptista (percussionist) (from 1998-03 until 1998-06) and Marlon Graves (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (from 1998-03 until 1998-06)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin1:55

Credits

Release

manufactured in:EEC
photography:Simon Marsden (English photographer)
editor:Mark Funnell
mastering:Adam Crute
glass mastered by:Disctronics
Discogs:https://www.discogs.com/release/9750368 [info]