The All-Baroque Box From Monteverdi to Bach

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

two parts of Download links
Download Vol.1: 0289 479 0531 8 https://www.deutschegrammophon.com/en/cat/4790531?IN_XXSERIES=ARCPRD
Download Vol.2: 0289 479 0532 5 https://www.deutschegrammophon.com/en/cat/4790532?IN_XXSERIES=ARCPRD

Annotation last modified on 2019-01-01 22:18 UTC.

Tracklist

▶ CD 1: Monteverdi: L'Orfeo
▶ CD 2: Monteverdi: L'Orfeo; Lamento D'Arianna
▶ CD 3: Monteverdi: Vespers Of The Blessed Virgin
▶ CD 4: Monteverdi: Vespers Of The Blessed Virgin
▶ CD 5: Monteverdi: Madrigali Erotici
▶ CD 6: Gabrieli: Music For San Rocco
▶ CD 7: Schütz: Motets And Concerts
▶ CD 8: Venetian Vespers Of 1643
▶ CD 9: Venetian Verspers Of 1643
▶ CD 10: Biber: Missa Salisburghensis
▶ CD 11: Lully: Le Roi Danse
▶ CD 12: Charpentier: Te Deum; Nuit; Messe De Minuit
▶ CD 13: Purcell: Dido And Aeneas
▶ CD 14: Purcell: Ode To St. Cecilia; My Beloved Spake; O Sing Unto The Lord
▶ CD 15: Corelli: Concerti Grossi Op. 6 Nos. 1-6
▶ CD 16: Corelli: Concerti Grossi Op. 6 Nos. 7-12
▶ CD 17: Couperin: Pièces De Clavecin
▶ CD 18: Arcadia
▶ CD 19: Pachelbel: Canon & Gigue / Handel: Sonata No. 4 / Vivaldi: Sonata No. 12 / Bach, J.S.: Orchestral Suites Nos. 2 & 5
▶ CD 20: Vivaldi: L'Estro Armonico Nos.1-9
▶ CD 21: Vivaldi: L'Estro Armonico Nos.10-12; Four Seasons
▶ CD 22: Vivaldi: Gloria; Concerto For Strings And Basso Continuo; Stabat Mater; Sinfonia For Strings; Nisi Dominus
▶ CD 23: Telemann: Wind Concerts
▶ CD 24: Rameau: Dardanus
▶ CD 25: Rameau: Dardanus
▶ CD 26: Rameau: Une Symphonie Imaginaire
▶ CD 27: Heinichen: Concerti Grandi
▶ CD 28: Bach, J.S.: Organ Works
▶ CD 29: Bach, J.S.: Harpsichord Works
▶ CD 30: Bach, J.S.: Aria Mit 30 Veränderungen BWV 988 "Goldberg Variations"
▶ CD 31: Bach, J.S.: Sonatas No.1 In G Minor BWV 1001; No. 2 In A Minor BWV 1003; Partita No. 1 In B Minor BWV 1002
▶ CD 32: Bach, J.S.: Partita No. 2 In D Minor BWV 1004; No. 3 In E BWV 1006; Sonata No. 3 In C BWV 1005
▶ CD 33: Bach, J.S.: Cello Suites BWV 1007, 1008, 1009
▶ CD 34: Bach, J.S.: Cello Suites BWV 1010, 1011, 1012
▶ CD 35: Bach, J.S.: Brandenburg Concertos Nos.1-5
▶ CD 36: Bach, J.S.: Brandenburg Concerto No. 6; Violin Concertos Nos. 1&2; Double Violin Concerto
▶ CD 37: Bach, J.S.: Cantatas "Ich Habe Genug" BWV 82, "Wachet Auf, Ruft Uns Die Stimme" BWV 140, "Herz Und Mund Und Tat Und Leben" BWV 147
▶ CD 38: Bach, J.S.: St. Matthew Passion BWV 244
▶ CD 39: Bach, J.S.: St. Matthew Passion BWV 244
▶ CD 40: Bach, J.S.: Mass In B Minor
▼ CD 41: Bach, J.S.: Mass In B Minor
#TitleArtistRatingLength
1Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1III. Credo in unum Deum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:55
2Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IV. Patrem omnipotentem
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:53
3Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1V. Et in unum Dominum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
mezzo-soprano vocals:
Mary Nichols (soprano & alto) (in 1985-02)
soprano vocals:
Patrizia Kwella (soprano) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:11
4Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VI. Et incarnatus est
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:25
5Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VII. Crucifixus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (in 1985-02)
tenor vocals:
Wynford Evans (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:07
6Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1VIII. Et resurrexit
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:47
7Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 1IX. Et in Spiritum Sanctum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
oboe [oboe d'amore]:
Valerie Darke (oboist) (in 1985-02) and Sophia McKenna (oboist) (in 1985-02)
bass vocals:
Richard Lloyd-Morgan (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:29
8Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 20. Confiteor unum baptisma
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:32
9Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Credo: 2I. Et expecto resurrectionem
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:34
10Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2II. Sanctus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
The English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:24
11Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2III. Osanna in excelsis
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
The English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985) and Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:31
12Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2IV. Benedictus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1985-02)
tenor vocals:
Wynford Evans (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:47
13Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Sanctus: 2V. Osanna in excelsis
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:33
14Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VI. Agnus Dei
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:46
15Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Agnus Dei: 2VII. Dona nobis pacem
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:20
▶ CD 42: Handel: Giulio Cesare In Egitto HWV 17
▶ CD 43: Handel: Giulio Cesare In Egitto HWV 17
▶ CD 44: Handel: Giulio Cesare In Egitto HWV 17
▶ CD 45: Handel: Messiah
▶ CD 46: Handel: Messiah
▶ CD 47: Handel: Water Music; Fireworks
▶ CD 48: Handel: Dixit Dominus; Coronation Anthems
▶ CD 49: Scarlatti, D.: Sonatas
▶ CD 50: Pergolesi: Stabat Mater; Salve Regina In C Minor (1736); Allegri: Miserere