Dido & Aeneas / King Arthur / Dioclesian / Timon von Athen · Timon of Athens / 3 Odes

~ Release by Henry Purcell; The English Concert Choir, The English Concert, Trevor Pinnock (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1Dioclesian, Z.627, The Masque: Prelude: "Behold, O mightiest of Gods"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
The English Concert Choir (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Chorus "Behold, O mighty'st of Gods" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:31
2Dioclesian, Z.627, The Masque: Paspe
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Paspe. The first entry of heroes on the stage (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:51
3Dioclesian, Z.627, The Masque: "Oh the sweet delights of love!"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01) and Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "O the Sweet Delights of Love" (Wood-Gods) (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:50
4Dioclesian, Z.627, The Masque: "Let monarchs fight": "Hear, mighty Love!"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
The English Concert Choir (in 1994-01)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let monarchs fight" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:11
5Dioclesian, Z.627, The Masque: "Since from my dear Astraea's sight"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:14
6Dioclesian, Z.627, The Masque: "Make room, make room"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Simon Birchall (operatic bass) (in 1994-01) and Lawrence Wallington (lay vicar & bass) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: (Prelude and) Duet "Make room for the great god of wine" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:45
7Dioclesian, Z.627, The Masque: "I'm here, I'm here, with my jolly crew": "We'll rejoice as well as you" - "The mighty Jove"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Brian Bannatyne-Scott (in 1994-01) and Stephen Gadd (baritone) (in 1994-01)
choir vocals:
The English Concert Choir (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid) (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell2:19
8Dioclesian, Z.627, The Masque: Dance of Bacchanals
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:27
9Dioclesian, Z.627, The Masque: "Still I'm wishing, still desiring"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Nancy Argenta (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Ritornello "Still I'm wishing" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:38
10Dioclesian, Z.627, The Masque: Canaries
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Canaries (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:28
11Dioclesian, Z.627, The Masque: "Tell me why"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Tell me why my charming fair" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell5:41
12Dioclesian, Z.627, The Masque: Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:50
13Dioclesian, Z.627, The Masque: "All our days and our nights": "Begone, begone, importunate reason"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
The English Concert Choir (in 1994-01)
tenor vocals:
Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5.: Masque: Aria and Chorus "All our days" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:58
14Dioclesian, Z.627, The Masque: "Let us dance, let us sing"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals:
Ann Monoyios (soprano) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let us dance" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell1:39
15Dioclesian, Z.627, The Masque: Dance
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (2) (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell0:41
16Dioclesian, Z.627, The Masque: "Triumph, triumph victorious Love": "Then all rehearse"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals:
Stephen Gadd (baritone) (in 1994-01)
choir vocals:
The English Concert Choir (in 1994-01)
tenor vocals:
Paul Agnew (tenor / conductor) (in 1994-01) and Richard Edgar‐Wilson (tenor) (in 1994-01)
orchestra:
The English Concert (in 1994-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-01)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-01)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Trio and Chorus "Triumph, triumph, victorious Love" (in 1994-01)
composer:
Henry Purcell (baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell4:13
17Timon Of Athens, Z.632: Overture
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 1. Overture (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell5:42
18Timon Of Athens, Z.632, The Masque: no. 1 Duet "Hark! How the songsters of the grove"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" (in 1994-11)
lyricist:
Thomas Shadwell
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:49
19Timon Of Athens, Z.632, The Masque: no. 2 Solo "Love in their little veins inspires"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Nymph]:
Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:21
20Timon Of Athens, Z.632, The Masque: no. 3 Trio "But ah! how much are our delights"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Shepherd]:
Christopher Foster (English bass-baritone) (in 1994-11)
soprano vocals [Nymph]:
Nancy Argenta (soprano) (in 1994-11) and Ann Monoyios (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:25
21Timon Of Athens, Z.632, The Masque: Nos.4&5 Solo&Chorus "Hence with your trifling deity": "But over us no griefs prevail"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne-Scott (in 1994-11)
choir vocals:
The English Concert Choir (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:34
22Timon Of Athens, Z.632, The Masque: Nos.6&7 Solo&Chorus "Come all, come all to me": "Who can resist such mighty charms?"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
choir vocals:
The English Concert Choir (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell3:03
23Timon Of Athens, Z.632, The Masque: no. 8 Solo "Return, revolting rebels"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne-Scott (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (in 1994-11)
composer:
Henry Purcell (baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:21
24Timon Of Athens, Z.632, The Masque: "The Cares Of Lovers"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:57
25Timon Of Athens, Z.632, The Masque: no. 10 Solo "Love quickly is pall'd"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
tenor vocals [Bacchanalian]:
Paul Agnew (tenor / conductor) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:21
26Timon Of Athens, Z.632, The Masque: no. 11&12 Duet&Chorus "Come, let us agree"
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
bass vocals [Bacchus]:
Brian Bannatyne-Scott (in 1994-11)
choir vocals:
The English Concert Choir (in 1994-11)
soprano vocals [Cupid]:
Nancy Argenta (soprano) (in 1994-11)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 13. Chorus "Come, let us agree" (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:22
27Timon Of Athens, Z.632, The Masque: Curtain Tune on a Ground
executive producer:
Dr. Peter Czornyj
producer:
Hans Bernhard Bätzing (engineer, producer)
orchestra:
The English Concert (in 1994-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1994-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-11)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground (in 1994-11)
composer:
Henry Purcell (baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:27
▶ CD 5