Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

CD 1: Bellini: Beatrice di Tenda (I)
CD 2: Bellini: Beatrice di Tenda (II)
CD 3: Donizetti: La fille du régiment (I)
CD 4: Donizetti: La fille du régiment (II)
CD 5: Verdi: Messa da Requiem
CD 6: Mascagni: L'amico Fritz (I)
CD 7: Mascagni: L'amico Fritz (II)
CD 8: R. Strauss: Der Rosenkavalier (I)
CD 9: R. Strauss: Der Rosenkavalier (II)
CD 10: R. Strauss: Der Rosenkavalier (III)
CD 11: Donizetti: L'elisir d'amore (I)
CD 12: Donizetti: L'elisir d'amore (II)
CD 13: Verdi: Un ballo in maschera (I)
CD 14: Verdi: Un ballo in maschera (II)
CD 15: Verdi: Macbeth (I)
CD 16: Verdi: Macbeth (II)
CD 17: Rossini: Stabat Mater
CD 18: Verdi: Rigoletto (I)
CD 19: Verdi: Rigoletto (II)
CD 20: Donizetti: Lucia di Lammermoor (I)
CD 21: Donizetti: Lucia di Lammermoor (II)
CD 22: Puccini: Turandot (I)
CD 23: Puccini: Turandot (II)
CD 24: Puccini: La bohème (I)
CD 25: Puccini: La bohème (II)
CD 26: Bellini: I puritani (I)
CD 27: Bellini: I puritani (II)
CD 28: Bellini: I puritani (III)
CD 29: Puccini: Madama Butterfly (I)
CD 30: Puccini: Madama Butterfly (II)
#TitleArtistRatingLength
1Madama Butterfly: Atto II, parte 1. “C'è. Entrate” (Goro)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini6:42
2Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini1:04
3Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Il Principe Yamadori]:
Giorgio Stendoro (baritone) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:00
4Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:56
5Madama Butterfly: Atto II, parte 1. “Ebbene, che fareste, Madama Butterfly?” (Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:53
6Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:27
7Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:18
8Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [La madre di Cio-Cio-San]:
Evamaria Hurdes (soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:01
9Madama Butterfly: Atto II, parte 1. “Una nave da Guerra” (Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:45
10Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:39
11Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
bass vocals [L'ufficiale del registro]:
Siegfried Rudolf Frese (German operatic bass-baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:34
12Madama Butterfly: Atto II, parte 1. (Coro a bocca chiusa)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:04
13Madama Butterfly: Atto II, parte 2. Intermezzo
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini6:16
14Madama Butterfly: Atto II, parte 2. (fischi d'uccelli dal giardino)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
partial recording of:
Madama Butterfly: Atto III. Intermezzo (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:49
15Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:32
16Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:33
17Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:10
18Madama Butterfly: Atto II, parte 2. “Non ve l'avevo detto?” (Sharpless)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Non ve l’avevo detto?” (Sharpless, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:54
19Madama Butterfly: Atto II, parte 2. “Addio fiorito asil” (Pinkerton)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini3:10
20Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Suzuki! Suzuki! Dove sei?” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini1:56
21Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Kate Pinkerton]:
Elke Schary (Polish soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:45
22Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:44
23Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini5:34
CD 31: Donizetti: La favorita (I)
CD 32: Donizetti: La favorita (II)
CD 33: Donizetti: Maria Stuarda (I)
CD 34: Donizetti: Maria Stuarda (II)
CD 35: Verdi: Luisa Miller (I)
CD 36: Verdi: Luisa Miller (II)
CD 37: Mascagni: Cavalleria rusticana
CD 38: Leoncavalla: Pagliacci
CD 39: Verdi: Il trovatore (I)
CD 40: Verdi: Il trovatore (II)
CD 41: Puccini: Tosca (I)
CD 42: Puccini: Tosca (II)
CD 43: Rossini: Petite messe solennelle
CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
CD 45: Rossini: Guglielmo Tell (I)
CD 46: Rossini: Guglielmo Tell (II)
CD 47: Rossini: Guglielmo Tell (III)
CD 48: Rossini: Guglielmo Tell (IV)
CD 49: Verdi: La traviata (I)
CD 50: Verdi: La traviata (II)
CD 51: Bellini: La sonnambula (I)
CD 52: Bellini: La sonnambula (II)
CD 53: Ponchielli: La Gioconda (I)
CD 54: Ponchielli: La Gioconda (II)
CD 55: Ponchielli: La Gioconda (III)
CD 56: Boito: Mefistofele (I)
CD 57: Boito: Mefistofele (II)
CD 58: Verdi: Un ballo in maschera (I)
CD 59: Verdi: Un ballo in maschera (II)
CD 60: Giordano: Andrea Chénier (I)
CD 61: Giordano: Andrea Chénier (II)
CD 62: Mozart: Idomeneo (I)
CD 63: Mozart: Idomeneo (II)
CD 64: Mozart: Idomeneo (III)
CD 65: Bellini: Norma (I)
CD 66: Bellini: Norma (II)
CD 67: Bellini: Norma (III)
CD 68: Verdi: Aida (I)
CD 69: Verdi: Aida (II)
CD 70: Verdi: Aida (III)
CD 71: Verdi: Ernani (I)
CD 72: Verdi: Ernani (II)
CD 73: Berlioz: Requiem
CD 74: Verdi: Rigoletto (I)
CD 75: Verdi: Rigoletto (II)
CD 76: Donizetti: L'elisir d'amore (I)
CD 77: Donizetti: L'elisir d'amore (II)
CD 78: Verdi: Il trovatore (I)
CD 79: Verdi: Il trovatore (II)
CD 80: Verdi: Otello (I)
CD 81: Verdi: Otello (II)
CD 82: Verdi: La traviata (I)
CD 83: Verdi: La traviata (II)
CD 84: Leoncavallo: Pagliacci
CD 85: Puccini: Manon Lescaut (I)
CD 86: Puccini: Manon Lescaut (II)
CD 87: Verdi: Don Carlo (I)
CD 88: Verdi: Don Carlo (II)
CD 89: Verdi: Don Carlo (III)
CD 90: Verdi: Rigoletto (I)
CD 91: Verdi: Rigoletto (II)
CD 92: Verdi: I Lombardi (I)
CD 93: Verdi: I Lombardi (II)
Blu-ray 94: Donizetti: L'elisir d'amore
Blu-ray 95: Verdi: Rigoletto
Blu-ray 96: Donizetti: Lucia di Lammermoor
Blu-ray 97: Puccini: Turandot
Blu-ray 98: Puccini: La bohème
Blu-ray 99: Puccini: Madama Butterfly
CD 100: Puccini: La bohème (I)
CD 101: Puccini: La bohème (II)

Credits

Release Group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]