| # | Title | Artist | Rating | Length |
|---|
| 1 | Don't You Want Me | The Human League | 4 | 3:58 |
| 2 | Stand and Deliver | Adam and the Ants | 4 | 3:07 |
| 3 | Love Plus One | Haircut One Hundred | 4.5 | 3:33 |
| 4 | Kids in America- recording engineer:
- Jeo
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
- engineer:
- Steve Stewart
- producer:
- Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
- additional keyboard:
- Nick Priessnitz
- bass guitar:
- Derek von Krogh and Martin Russell (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn, Tobias Wörner and Chris North (from 1980 until 1981)
- guitar:
- Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI France (in 1993), EMI Records Ltd. (in 1996, in 2001) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio, RAK Studios in London , England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London , England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (in 1980)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- Finchley Music Corp.
| Kim Wilde | 4.45 | 3:23 |
| 5 | This Ole House | Shakin’ Stevens | | 3:06 |
| 6 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.5 | 3:50 |
| 7 | The Land of Make Believe | Bucks Fizz | 3.5 | 3:49 |
| 8 | Do You Really Want to Hurt Me | Culture Club | 3.95 | 4:23 |
| 9 | It Must Be Love | Madness | 4 | 3:18 |
| 10 | Ashes to Ashes- recording engineer:
- David Bowie (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
- assistant engineer:
- Larry Alexander (from 1980-02 until 1980-04) and Jeff Hendrickson (from 1980-02 until 1980-04)
- producer:
- David Bowie and Tony Visconti
- drums (drum set):
- Dennis Davis (from 1980-02-15 until 1980-06)
- electric bass guitar:
- George Murray (from 1980-02-15 until 1980-06)
- guitar:
- Carlos Alomar (from 1980-02-15 until 1980-06)
- guitar synthesizer [Roland GR-500 guitar synthesizer]:
- Chuck Hammer (from 1980-02-15 until 1980-06)
- Minimoog and analog synthesizer [Yamaha CS-80]:
- Andy Clark (from 1980-02-15 until 1980-06)
- percussion and shakers:
- Tony Visconti (from 1980-02-15 until 1980-06)
- piano [flanged piano]:
- Roy Bittan (from 1980-02-15 until 1980-06)
- background vocals and lead vocals:
- David Bowie (from 1980-04 until 1980-06)
- phonographic copyright (℗) by:
- RCA Records (in 1980), Mainman S.A. (in 1992) and Tintoretto Music (in 1992)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (from 1980-04 until 1980-06)
- recording of:
- Ashes to Ashes (from 1980-02-15 until 1980-06)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.3 | 4:22 |
| 11 | Echo Beach | Martha and the Muffins | 4 | 3:36 |
| 12 | I Could Be Happy | Altered Images | 5 | 3:31 |
| 13 | Maneater | Hall & Oates | | 4:15 |
| 14 | Use It Up and Wear It Out | Odyssey | | 3:46 |
| 15 | Japanese Boy | Aneka | 3 | 3:56 |
| 16 | The Lion Sleeps Tonight | Tight Fit | | 2:59 |
| 17 | Together We Are Beautiful | Fern Kinney | | 4:11 |
| 18 | Just an Illusion | Imagination | | 3:40 |
| 19 | Jealous Guy- producer:
- Rhett Davies, Bryan Ferry and Roxy Music
- mixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (in 1981, in 2000)
- cover recording of:
- Jealous Guy
- lyricist and composer:
- John Lennon
- publisher:
- BMG Music Publishing , BMG Music Publishing Ltd., Chappell Music Ltd., Fujipacific Music, Inc. Division 2, Lenono Music, Maclen Music, Inc. , Northern Songs Ltd. and Warner Bros. Music Ltd.
- revision of:
- Child of Nature
- recording of:
- Jealous Guy
- lyricist and composer:
- John Lennon
- publisher:
- BMG Music Publishing , BMG Music Publishing Ltd., Chappell Music Ltd., Fujipacific Music, Inc. Division 2, Lenono Music, Maclen Music, Inc. , Northern Songs Ltd. and Warner Bros. Music Ltd.
- revision of:
- Child of Nature
| Roxy Music | 4 | 4:51 |
| 20 | Only You | Yazoo | 4.4 | 3:10 |
| 21 | Vienna | Ultravox | 3 | 4:37 |
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