The Great Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 1 available)

Annotation

three jewel-cased discs in a box

Annotation last modified on 2023-05-03 12:51 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Sweet Lorraine
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
Sweet Lorraine (on 1943-12-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:12
2It's Only a Paper Moon
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
instruments:
The Nat King Cole Trio (in 1943)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (in 1943, on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
It’s Only a Paper Moon (on 1943-12-15)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
recording of:
It’s Only a Paper Moon (in 1943)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
2:57
3I Just Can't See for Lookin’
double bass:
Red Callender (on 1943-12-15) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
recording of:
I Just Can’t See for Lookin’ (on 1943-12-15)
writer:
Nadine Robinson and Dok Stanford
3:09
4Embraceable You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
instrumental cover recording of:
Embraceable You (on 1943-12-15)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:25
5Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
52:35
6Jumpin’ at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
2:29
7If You Can't Smile and Say Yes
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
If You Can’t Smile and Say Yes (on 1943-11-30)
writer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Timmie Rogers
3:07
8Gee Baby, Ain’t I Good to You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1943-11-30)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
2:58
9Got a Penny
recorded in:
Los Angeles, California, United States (on 1943-11-02)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-02)
guitar:
Oscar Moore (on 1943-11-02)
piano:
Nat King Cole (on 1943-11-02)
vocals:
Nat King Cole (on 1943-11-02)
recording of:
Got a Penny (on 1943-11-02)
writer:
Henry May and Robert Scherman
publisher:
St. James Music
2:34
10Vom, Vim, Veedle
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
Vom, Vim, Veedle (on 1942-10-11)
writer:
Frankie “Half Pint” Jaxon and Robert Scherman
2:59
11All for You
double bass:
Red Callender (on 1942-10-11)
guitar:
Oscar Moore (on 1942-10-11)
piano:
Nat King Cole (on 1942-10-11)
vocals:
Nat King Cole (on 1942-10-11)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1942-10-11)
recording of:
All for You (on 1942-10-11)
lyricist and composer:
Robert Scherman
recording of:
All for You (in 1942)
lyricist and composer:
Robert Scherman
3:24
12That Ain’t Right
recorded in:
New York, New York, United States (on 1941-10-22)
bass and double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
recording of:
That Ain't Right (on 1941-10-22)
lyricist and composer:
Nat King Cole and Irving Mills
3:17
13Hit the Jive Jack
recorded in:
New York, New York, United States (on 1941-10-22)
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
performer:
The Nat King Cole Trio (on 1941-10-22)
recording of:
Hit That Jive Jack (on 1941-10-22)
writer:
John Alston and Skeets Tolbert
2:59
14Call the Police
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22) and Oscar Moore (on 1941-10-22)
3:17
15Are You Fer It?
double bass:
Wesley Prince (on 1941-10-22)
guitar:
Oscar Moore (on 1941-10-22)
piano:
Nat King Cole (on 1941-10-22)
vocals:
Nat King Cole (on 1941-10-22)
recording of:
Are You Fer It (on 1941-10-22)
writer:
Nat King Cole and Carl Sigman
3:10
16This Will Make You Laugh
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
This Will Make You Laugh (on 1941-07-16)
lyricist and composer:
Irene Higginbotham
3:17
17Stop! The Red Light's On
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
Stop! The Red Light's On (on 1941-07-16)
writer:
Taps Miller
2:39
18I Like To Riff
double bass:
Wesley Prince (on 1941-07-16)
guitar:
Oscar Moore (on 1941-07-16)
piano:
Nat King Cole (on 1941-07-16)
vocals:
Nat King Cole (on 1941-07-16)
recording of:
I Like To Riff (on 1941-07-16)
lyricist and composer:
Nat King Cole
2:53
▶ CD 2
▶ CD 3

Credits