Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 18 available)

Tracklist

▶ CD 1: Volume 1: Symphonies
▶ CD 2: Volume 1: Symphonies
▶ CD 3: Volume 1: Symphonies
▶ CD 4: Volume 1: Symphonies
▶ CD 5: Volume 1: Symphonies
▶ CD 6: Volume 1: Symphonies
▶ CD 7: Volume 1: Symphonies
▶ CD 8: Volume 1: Symphonies
▶ CD 9: Volume 1: Symphonies
▶ CD 10: Volume 1: Symphonies
▶ CD 11: Volume 1: Symphonies
▶ CD 12: Volume 1: Symphonies
▶ CD 13: Volume 2: Serenades / Dances / Marches
▶ CD 14: Volume 2: Serenades / Dances / Marches
▶ CD 15: Volume 2: Serenades / Dances / Marches
▶ CD 16: Volume 2: Serenades / Dances / Marches
▶ CD 17: Volume 2: Serenades / Dances / Marches
▶ CD 18: Volume 2: Serenades / Dances / Marches
▶ CD 19: Volume 2: Serenades / Dances / Marches
▶ CD 20: Volume 2: Serenades / Dances / Marches
▶ CD 21: Volume 2: Serenades / Dances / Marches
▶ CD 22: Volume 2: Serenades / Dances / Marches
▶ CD 23: Volume 2: Serenades / Dances / Marches
▶ CD 24: Volume 2: Serenades / Dances / Marches
▶ CD 25: Volume 2: Serenades / Dances / Marches
▶ CD 26: Volume 3: Divertimenti / Serenades
▶ CD 27: Volume 3: Divertimenti / Serenades
▶ CD 28: Volume 3: Divertimenti / Serenades
▶ CD 29: Volume 3: Divertimenti / Serenades
▶ CD 30: Volume 3: Divertimenti / Serenades
▼ CD 31: Volume 3: Divertimenti / Serenades
#TitleRatingLength
1Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": Ia. Largo
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - Allegro molto (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
1:51
2Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": Ib. Allegro molto
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - Allegro molto (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
7:04
3Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
8:41
4Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer) and Martha de Francisco (classical producer and engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
wind instruments:
Academy of St Martin in the Fields Wind Ensemble (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
5:42
5Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
5:05
6Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
7:27
7Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
9:47
8Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo
recorded in:
London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
producer:
Michael Bremner (producer/engineer)
basset horn:
Hale Hambleton (from 1984-07-25 until 1984-07-27) and Angela Malsbury (from 1984-07-25 until 1984-07-27)
bassoon:
Graham Sheen (bassoonist) (from 1984-07-25 until 1984-07-27) and Felix Warnock (from 1984-07-25 until 1984-07-27)
clarinet:
Antony Pay (clarinetist) (from 1984-07-25 until 1984-07-27) and Richard West (clarinettist, Academy of St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
double bass:
Raymund Koster (violist) (from 1984-07-25 until 1984-07-27)
horn:
Julian Baker (horn player) (from 1984-07-25 until 1984-07-27), Timothy Brown (UK horn player) (from 1984-07-25 until 1984-07-27), Nicholas Hill (horn player) (from 1984-07-25 until 1984-07-27) and Colin Horton (Horn player, St. Martin in the Fields) (from 1984-07-25 until 1984-07-27)
instruments:
Members of the Academy of St Martin in the Fields (from 1984-07-25 until 1984-07-27)
oboe:
Barry Davis (classical oboist) (from 1984-07-25 until 1984-07-27) and Celia Nicklin (oboist) (from 1984-07-25 until 1984-07-27)
orchestra:
Wind Ensemble of the Academy of St. Martin in the Fields (from 1984-07-25 until 1984-07-27)
conductor:
Neville Marriner (conductor) (from 1984-07-25 until 1984-07-27)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1984-07-25 until 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo (from 1984-07-25 until 1984-07-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
3:29
9Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
2:12
10Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
1:53
11Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
1:10
12Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
1:46
13Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
0:53
14Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte
producer:
Martha de Francisco (classical producer and engineer)
flute:
Christine Messiter (flutist) (on 1989-07-30) and Lenore Smith (flutist) (on 1989-07-30)
timpani:
Tristan Fry (on 1989-07-30)
trumpet:
Simon Ferguson (on 1989-07-30), Edward Hobart (trumpet) (on 1989-07-30), William Houghton (classical trumpet player) (on 1989-07-30), Michael Laird (classical trumpeter) (on 1989-07-30) and Michael Meeks (Trumpet player) (on 1989-07-30)
orchestra:
Members of the Academy of St Martin in the Fields (on 1989-07-30)
conductor:
Michael Laird (classical trumpeter) (on 1989-07-30)
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1989-07-30)
recording of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte (on 1989-07-30)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
0:52
▶ CD 32: Volume 3: Divertimenti / Serenades
▶ CD 33: Volume 3: Divertimenti / Serenades
▶ CD 34: Volume 3: Divertimenti / Serenades
▶ CD 35: Volume 3: Divertimenti / Serenades
▶ CD 36: Volume 3: Divertimenti / Serenades
▶ CD 37: Volume 4: Piano Concertos
▶ CD 38: Volume 4: Piano Concertos
▶ CD 39: Volume 4: Piano Concertos
▶ CD 40: Volume 4: Piano Concertos
▶ CD 41: Volume 4: Piano Concertos
▶ CD 42: Volume 4: Piano Concertos
▶ CD 43: Volume 4: Piano Concertos
▶ CD 44: Volume 4: Piano Concertos
▶ CD 45: Volume 4: Piano Concertos
▶ CD 46: Volume 4: Piano Concertos
▶ CD 47: Volume 4: Piano Concertos
▶ CD 48: Volume 4: Piano Concertos
▶ CD 49: Volume 5: Violin Concertos / Wind Concertos
▶ CD 50: Volume 5: Violin Concertos / Wind Concertos
▶ CD 51: Volume 5: Violin Concertos / Wind Concertos
▶ CD 52: Volume 5: Violin Concertos / Wind Concertos
▶ CD 53: Volume 5: Violin Concertos / Wind Concertos
▶ CD 54: Volume 5: Violin Concertos / Wind Concertos
▶ CD 55: Volume 5: Violin Concertos / Wind Concertos
▶ CD 56: Volume 5: Violin Concertos / Wind Concertos
▶ CD 57: Volume 5: Violin Concertos / Wind Concertos
▶ CD 58: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 59: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 60: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 61: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 62: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 63: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 64: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 65: Volume 6: Quintets, Quartets, Trios, etc.
▶ CD 66: Volume 7: String Quartets / String Quintets
▶ CD 67: Volume 7: String Quartets / String Quintets
▶ CD 68: Volume 7: String Quartets / String Quintets
▶ CD 69: Volume 7: String Quartets / String Quintets
▶ CD 70: Volume 7: String Quartets / String Quintets
▶ CD 71: Volume 7: String Quartets / String Quintets
▶ CD 72: Volume 7: String Quartets / String Quintets
▶ CD 73: Volume 7: String Quartets / String Quintets
▶ CD 74: Volume 7: String Quartets / String Quintets
▶ CD 75: Volume 7: String Quartets / String Quintets
▶ CD 76: Volume 7: String Quartets / String Quintets
▶ CD 77: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 78: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 79: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 80: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 81: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 82: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 83: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 84: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 85: Volume 8: Violin Sonatas / String Duos & Trios
▶ CD 86: Volume 9: Piano Music
▶ CD 87: Volume 9: Piano Music
▶ CD 88: Volume 9: Piano Music
▶ CD 89: Volume 9: Piano Music
▶ CD 90: Volume 9: Piano Music
▶ CD 91: Volume 9: Piano Music
▶ CD 92: Volume 9: Piano Music
▶ CD 93: Volume 9: Piano Music
▶ CD 94: Volume 9: Piano Music
▶ CD 95: Volume 9: Piano Music
▶ CD 96: Volume 9: Piano Music
▶ CD 97: Volume 9: Piano Music
▶ CD 98: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 99: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 100: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 101: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 102: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 103: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 104: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 105: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 106: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 107: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 108: Volume 10: Missae / Requiem / Organ Sonatas & Solos
▶ CD 109: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 110: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 111: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 112: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 113: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 114: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 115: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 116: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 117: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 118: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 119: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 120: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 121: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
▶ CD 122: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 123: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 124: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 125: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 126: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 127: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 128: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 129: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 130: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 131: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
▶ CD 132: Volume 13: Early Italian Operas
▶ CD 133: Volume 13: Early Italian Operas
▶ CD 134: Volume 13: Early Italian Operas
▶ CD 135: Volume 13: Early Italian Operas
▶ CD 136: Volume 13: Early Italian Operas
▶ CD 137: Volume 13: Early Italian Operas
▶ CD 138: Volume 13: Early Italian Operas
▶ CD 139: Volume 13: Early Italian Operas
▶ CD 140: Volume 13: Early Italian Operas
▶ CD 141: Volume 13: Early Italian Operas
▶ CD 142: Volume 13: Early Italian Operas
▶ CD 143: Volume 13: Early Italian Operas
▶ CD 144: Volume 13: Early Italian Operas
▶ CD 145: Volume 14: Middle Italian Operas
▶ CD 146: Volume 14: Middle Italian Operas
▶ CD 147: Volume 14: Middle Italian Operas
▶ CD 148: Volume 14: Middle Italian Operas
▶ CD 149: Volume 14: Middle Italian Operas
▶ CD 150: Volume 14: Middle Italian Operas
▶ CD 151: Volume 14: Middle Italian Operas
▶ CD 152: Volume 14: Middle Italian Operas
▶ CD 153: Volume 14: Middle Italian Operas
▶ CD 154: Volume 15: Late Italian Operas
▶ CD 155: Volume 15: Late Italian Operas
▶ CD 156: Volume 15: Late Italian Operas
▶ CD 157: Volume 15: Late Italian Operas
▶ CD 158: Volume 15: Late Italian Operas
▶ CD 159: Volume 15: Late Italian Operas
▶ CD 160: Volume 15: Late Italian Operas
▶ CD 161: Volume 15: Late Italian Operas
▶ CD 162: Volume 15: Late Italian Operas
▶ CD 163: Volume 15: Late Italian Operas
▶ CD 164: Volume 15: Late Italian Operas
▶ CD 165: Volume 16: German Operas
▶ CD 166: Volume 16: German Operas
▶ CD 167: Volume 16: German Operas
▶ CD 168: Volume 16: German Operas
▶ CD 169: Volume 16: German Operas
▶ CD 170: Volume 16: German Operas
▶ CD 171: Volume 16: German Operas
▶ CD 172: Volume 16: German Operas
▶ CD 173: Volume 16: German Operas
▶ CD 174: Volume 16: German Operas
▶ CD 175: Volume 16: German Operas
▶ CD 176: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 177: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 178: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 179: Volume 17: Theatre and Ballet Music / Rarities / Surprises
▶ CD 180: Volume 17: Theatre and Ballet Music / Rarities / Surprises