Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

▶ CD 1: Bach: Christmas Oratorio (Parts I-III)
▶ CD 2: Bach: Christmas Oratorio (Parts IV-VI)
▶ CD 3: Bach: St. Matthew Passion (Parts I & II beg.)
▶ CD 4: Bach: St. Matthew Passion (Part II cont.)
▶ CD 5: Bach: St. John Passion (Parts I & II beg.)
▶ CD 6: Bach: St. John Passion (Part II cont.)
▶ CD 7: Bach: Mass in B minor (Kyrie - Gloria)
▶ CD 8: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
▶ CD 9: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
▶ CD 10: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
▶ CD 11: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
▶ CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶ CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶ CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶ CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▶ CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶ CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶ CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▼ CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
#TitleArtistRatingLength
1“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 1. Chorus (Concerto): “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Coro "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:34
2“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 2. Recitative (tenor): “Das heutge Christentum ist leider schlecht bestellt”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitativo (Tenor) "Das heutge Christentum ist leider schlecht bestellt" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach0:58
3“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 3. Aria (tenor): “Falscher Heuchler Ebenbild”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria (Tenor) "Falscher Heuchler Ebenbild" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach2:44
4“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 4. Recitative (bass): “Wer so von innen wie von außen ist”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitativo (Bass) "Wer so von innen wie von außen ist" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:42
5“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 5. Aria (soprano): “Liebster Gott, erbarme dich”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach5:37
6“Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179: 6. Chorale: “Ich armer Mensch, ich armer Sünder”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Choral "Ich armer Mensch, ich armer Sünder" (on 2000-09-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Christoph Tietze (in 1663)
part of:
Breitkopf 389 Choralgesänge (number: 371)
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach1:21
7“Mein Herze schwimmt im Blut”, BWV 199: 1. Recitative (soprano): “Mein Herze schwimmt im Blut”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:59
8“Mein Herze schwimmt im Blut”, BWV 199: 2. Aria & Recitative (soprano): “Stumme Seufzer, stille, Klagen” / “Mein Herz ist itzt ein Tränenbrunn”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach8:00
9“Mein Herze schwimmt im Blut”, BWV 199: 3. Recitative (soprano): “Doch Gott muss mir genädig sein”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:58
10“Mein Herze schwimmt im Blut”, BWV 199: 4. Aria (soprano): “Tief gebückt und voller Reue”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach9:03
11“Mein Herze schwimmt im Blut”, BWV 199: 5. Recitative (soprano): “Auf diese Schmerzensreu”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:13
12“Mein Herze schwimmt im Blut”, BWV 199: 6. Chorale (soprano): “Ich, dein, betrübetes Kind”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach1:51
13“Mein Herze schwimmt im Blut”, BWV 199: 7. Recitative (soprano): “Ich lege mich in diese Wunden”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitativo "Ich lege mich in diese Wunden" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach0:46
14“Mein Herze schwimmt im Blut”, BWV 199: 8. Aria (soprano): “Wie freudig ist mein Herz”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (on 2000-09-03)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
Johann Sebastian Bach2:06
15“Herr Jesu Christ, du höchstes Gut”, BWV 113: 1. Chorale: “Herr Jesu Christ, du höchstes Gut”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": I. Coro "Herr Jesu Christ, du höchstes Gut" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach3:30
16“Herr Jesu Christ, du höchstes Gut”, BWV 113: 2. Chorale (alto): “Erbarm dich mein in solcher Last”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
countertenor vocals [alto]:
William Towers (Countertenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": II. Aria (Choral, Alt) "Erbarm dich mein in solcher Last" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach4:13
17“Herr Jesu Christ, du höchstes Gut”, BWV 113: 3. Aria (bass): “Fürwahr, wenn mir das kommet ein”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria (Bass) "Fürwahr, wenn mir das kömmet ein" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach3:02
18“Herr Jesu Christ, du höchstes Gut”, BWV 113: 4. Chorale & Recitative (bass): “Jedoch dein heilsam Wort, das macht dass meine Brust”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
bass vocals:
Stephan Loges (bass-baritone) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": IV. Recitativo (Bass) "Jedoch dein heilsam Wort, das macht" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach1:53
19“Herr Jesu Christ, du höchstes Gut”, BWV 113: 5. Aria (tenor): “Jesus nimmt die Sünder an”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria (Tenor) "Jesus nimmt die Sünder an" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach5:49
20“Herr Jesu Christ, du höchstes Gut”, BWV 113: 6. Recitative (tenor): “Der Heiland nimmt die Sünder an”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Mark Padmore (British tenor) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VI. Recitativo (Tenor) "Der heiland nimmt die Sünder an" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach1:58
21“Herr Jesu Christ, du höchstes Gut”, BWV 113: 7. Aria (Duet: soprano, alto): “Ach Herr, mein Gott, vergib mir doch”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
countertenor vocals [alto]:
William Towers (Countertenor) (on 2000-09-03)
soprano vocals:
Magdalena Kožená (mezzo-soprano) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VII. Aria (Duetto Sopran, Alt) "Ach Herr, mein Gott, vergib mirs doch" (on 2000-09-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach2:48
22“Herr Jesu Christ, du höchstes Gut”, BWV 113: 8. Chorale: “Stärk mich mit deinem Freudengeist”
recording engineer:
Dagmar Birwe and Jürgen Bulgrin (Sound engineer)
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Martha de Francisco (classical producer and engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-09-03)
orchestra:
English Baroque Soloists (on 2000-09-03)
conductor:
Sir John Eliot Gardiner (on 2000-09-03)
balance engineer:
Rainer Maillard
recorded at:
St. David's Cathedral in St Davids, Pembrokeshire, Wales, United Kingdom (on 2000-09-03)
live recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": VIII. Choral "Stärk mich mit deinem Freudengeist" (on 2000-09-03)
lyricist:
Bartholomäus Ringwaldt
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 142)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
Johann Sebastian Bach1:10
▶ CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶ CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶ CD 22: Beethoven: Symphonies nos. 1 & 2
▶ CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶ CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶ CD 25: Beethoven: Symphonies nos. 7 & 8
▶ CD 26: Beethoven: Symphony no. 9 “Choral”
▶ CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶ CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶ CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶ CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶ CD 31: Beethoven: Violin Concerto
▶ CD 32: Beethoven: Missa solemnis
▶ CD 33: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
▶ CD 34: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
▶ CD 35: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
▶ CD 36: Interviews with John Eliot Gardiner
▶ CD 37: Britten: War Requiem
▶ CD 38: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
▶ CD 39: Bruckner: Mass no. 1 / 5 Motets
▶ CD 40: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
▶ CD 41: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
▶ CD 42: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
▶ CD 43: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
▶ CD 44: Handel: Acis and Galatea (Act I)
▶ CD 45: Handel: Acis and Galatea (Act II)
▶ CD 46: Handel: Hercules (Acts I & II beg.)
▶ CD 47: Handel: Hercules (Acts II cont. & III)
▶ CD 48: Haydn: The Creation (Parts I & II beg.)
▶ CD 49: Haydn: The Creation (Parts II cont. & III)
▶ CD 50: Haydn: The Seasons (Spring - Summer)
▶ CD 51: Haydn: The Seasons (Autumn - Winter)
▶ CD 52: Grainger: The Warriors / Holst: The Planets
▶ CD 53: Lehár: Die lustige Witwe
▶ CD 54: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
▶ CD 55: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
▶ CD 56: Monteverdi: Vespro della Beata Vergine nos. 1-10
▶ CD 57: Monteverdi: Vespro della Beata Vergine nos. 11-13
▶ CD 58: Monteverdi: L'Orfeo (Prologue - Acts I & II)
▶ CD 59: Monteverdi: L'Orfeo (Acts III-V)
▶ CD 60: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
▶ CD 61: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
▶ CD 62: Monteverdi: L'incoronazione di Poppea (Act III)
▶ CD 63: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
▶ CD 64: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
▶ CD 65: Mozart: Piano Concertos nos. 11, 12 & 13
▶ CD 66: Mozart: Piano Concertos nos. 14, 15 & 18
▶ CD 67: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
▶ CD 68: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
▶ CD 69: Mozart: Piano Concertos nos. 22 & 23
▶ CD 70: Mozart: Piano Concertos nos. 24 & 25
▶ CD 71: Mozart: Piano Concertos nos. 26 “Coronation” & 27
▶ CD 72: Mozart: Idomeneo (Acts I & II beg.)
▶ CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
▶ CD 74: Mozart: Idomeneo (Act III cont.)
▶ CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
▶ CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
▶ CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
▶ CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶ CD 79: Mozart: Le nozze di Figaro (Act IV)
▶ CD 80: Mozart: Don Giovanni (Act I beg.)
▶ CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
▶ CD 82: Mozart: Don Giovanni (Act II cont.)
▶ CD 83: Mozart: Così fan tutte (Act I beg.)
▶ CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
▶ CD 85: Mozart: Così fan tutte (Act II cont.)
▶ CD 86: Mozart: La clemenza di Tito (Act I)
▶ CD 87: Mozart: La clemenza di Tito (Act II)
▶ CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
▶ CD 89: Mozart: Die Zauberflöte (Act II cont.)
▶ CD 90: Purcell: The Fairy Queen (Acts I-III)
▶ CD 91: Purcell: The Fairy Queen (Acts IV & V)
▶ CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
▶ CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
▶ CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
▶ CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
▶ CD 96: Schumann: Symphonies nos. 4 (original version) & 2
▶ CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
▶ CD 98: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
▶ CD 99: Schumann: Das Paradies und die Peri (Parts II & III)
▶ CD 100: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
▶ CD 101: Stravinsky: The Rake's Progress (Acts I & II beg.)
▶ CD 102: Stravinsky: The Rake's Progress (Acts II cont. & III)
▶ CD 103: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
▶ CD 104: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
▶ CD 105: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]