Greensleeves

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Fantasia on ‘Greensleeves’
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:44
2The Walk to the Paradise Garden
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (on 1965-08-24)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-24)
recording of:
A Village Romeo and Juliet, Scene 5: IV. The walk to the Paradise Garden (on 1965-08-24)
composer:
Frederick Delius (composer)
part of:
A Village Romeo and Juliet, RT i/6
Frederick Delius9:50
3The Lark Ascending
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams?:??
4The Banks of Green Willow (Idyll)
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
The Banks of Green Willow, Idyll
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:07
5Serenade for Strings, Op.20: I. Allegro Piacevole
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:50
6Serenade for Strings, Op.20: II. Larghetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar5:23
7Serenade for Strings, Op.20: III. Allegretto - Come Prima
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:13
8On Hearing the First Cuckoo in Spring
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
On Hearing the First Cuckoo in Spring, RT vi/19/1
composer:
Frederick Delius (composer) (in 1912)
dedicated to:
Balfour Gardiner
Frederick Delius7:30
9A Shropshire Lad (Rhapsody)
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
A Shropshire Lad (orchestral rhapsody)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth8:58
10English Folk Song Suite: I. March ‘Seventeen Come Sunday’
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:54
11English Folk Song Suite: II. Intermezzo ‘My Bonny Boy’
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
12English Folk Song Suite: III. March ‘Folk Songs from Somerset’
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:00