# | Title | Rating | Length |
---|
1 | Changes- producer:
- Leroy Shield
- alto saxophone:
- Jimmy Dorsey (on 1927-11-23), Chester Hazlett (on 1927-11-23), Nye Mayhew (on 1927-11-23), Hal McLean (on 1927-11-23) and Charles Strickfaden (on 1927-11-23)
- banjo:
- Mike Pingitore (on 1927-11-23)
- baritone saxophone:
- Charles Strickfaden (on 1927-11-23)
- cornet:
- Bix Beiderbecke (on 1927-11-23)
- double bass:
- Steve Brown (on 1927-11-23)
- drums (drum set):
- Harold McDonald (on 1927-11-23)
- piano:
- Harry Perrella (on 1927-11-23)
- trombone:
- Tommy Dorsey (on 1927-11-23) and Wilbur Hall (on 1927-11-23)
- trumpet:
- Henry Busse (on 1927-11-23) and Charlie Margulis (on 1927-11-23)
- tuba:
- Mike Trafficante (on 1927-11-23)
- violin:
- Kurt Dieterle (on 1927-11-23), Matty Malneck (on 1927-11-23), Mario Perry (on 1927-11-23) and Mischa Russell (on 1927-11-23)
- baritone vocals:
- Bing Crosby (on 1927-11-23)
- tenor vocals:
- Harry Barris (on 1927-11-23), Al Rinker (on 1927-11-23) and Austin “Skin” Young (on 1927-11-23)
- vocals:
- Jack Fulton (on 1927-11-23), Charles Gaylord (on 1927-11-23) and The Rhythm Boys (on 1927-11-23)
- orchestra:
- Paul Whiteman and His Orchestra (on 1927-11-23)
- conductor:
- Paul Whiteman (on 1927-11-23)
- arranger:
- Bill Challis
- recorded at:
- N Michigan Avenue Recording Studios in Chicago, Illinois, United States (on 1927-11-23)
- recording of:
- Changes (on 1927-11-23)
- lyricist and composer:
- Walter Donaldson (in 1927)
- publisher:
- Leo Feist, Inc. (in 1927)
| | 2:58 |
2 | (What Are You Waiting for) Mary | | 2:50 |
3 | There Ain’t No Sweet Man That’s Worth the Salt of My Tears- alto saxophone:
- Rube Crozier (on 1928-02-08), Jimmy Dorsey (on 1928-02-08), Chester Hazlett (on 1928-02-08) and Hal McLean (on 1928-02-08)
- banjo:
- Mike Pingitore (on 1928-02-08)
- baritone saxophone:
- Charles Strickfaden (on 1928-02-08)
- bassoon and flute:
- Rube Crozier (on 1928-02-08)
- clarinet:
- Jimmy Dorsey (on 1928-02-08), Hal McLean (on 1928-02-08) and Charles Strickfaden (on 1928-02-08)
- cornet:
- Bix Beiderbecke (on 1928-02-08, on 1928-02-28)
- double bass:
- Steve Brown (on 1928-02-08)
- drums (drum set):
- Harold McDonald (on 1928-02-08)
- piano:
- Roy Bargy (on 1928-02-08) and Tom Satterfield (on 1928-02-08)
- saxophone [c melody saxophone]:
- Frankie Trumbauer (on 1928-02-08)
- trombone:
- Boyce Cullen (on 1928-02-08), Jack Fulton (on 1928-02-08), Wilbur Hall (on 1928-02-08) and Bill Rank (on 1928-02-08)
- trumpet:
- Henry Busse (on 1928-02-08) and Charlie Margulis (on 1928-02-08)
- tuba:
- Mike Trafficante (on 1928-02-08)
- violin:
- John Bowman (on 1928-02-08), Kurt Dieterle (on 1928-02-08), Charles Gaylord (on 1928-02-08), Matty Malneck (on 1928-02-08), Mario Perry (on 1928-02-08) and Mischa Russell (on 1928-02-08)
- baritone vocals:
- Bing Crosby (on 1928-02-08, on 1928-02-28)
- tenor vocals:
- Harry Barris (on 1928-02-08), Al Rinker (on 1928-02-08) and Austin “Skin” Young (on 1928-02-08)
- vocals:
- Jack Fulton (on 1928-02-08) and Charles Gaylord (on 1928-02-08)
- orchestra:
- Paul Whiteman and His Orchestra (on 1928-02-08, on 1928-02-28)
- conductor:
- Paul Whiteman (on 1928-02-08)
- recorded at:
- Liederkranz Hall in New York, New York, United States (on 1928-02-08, on 1928-02-28)
- cover recording of:
- There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
- lyricist and composer:
- Fred Fisher
| | 3:32 |
4 | Sunshine- alto saxophone:
- Rube Crozier (on 1928-02-13), Jimmy Dorsey (on 1928-02-13), Chester Hazlett (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Nye Mayhew (on 1928-02-13)
- banjo:
- Mike Pingitore (on 1928-02-13)
- baritone saxophone:
- Nye Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
- bassoon and flute:
- Rube Crozier (on 1928-02-13)
- clarinet:
- Jimmy Dorsey (on 1928-02-13), Izzy Friedman (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
- cornet:
- Bix Beiderbecke (on 1928-02-13) and Bob Mayhew (on 1928-02-13)
- double bass:
- Steve Brown (on 1928-02-13)
- drums (drum set):
- Harold McDonald (on 1928-02-13)
- guitar:
- Wilbur Hall (on 1928-02-13)
- piano:
- Roy Bargy (on 1928-02-13), Harry Perrella (on 1928-02-13) and Tom Satterfield (on 1928-02-13)
- saxophone [c melody saxophone]:
- Frankie Trumbauer (on 1928-02-13)
- trombone:
- Boyce Cullen (on 1928-02-13), Jack Fulton (on 1928-02-13) and Bill Rank (on 1928-02-13)
- trumpet:
- Henry Busse (on 1928-02-13) and Charlie Margulis (on 1928-02-13)
- tuba:
- Mike Trafficante (on 1928-02-13)
- violin:
- John Bowman (on 1928-02-13), Kurt Dieterle (on 1928-02-13), Charles Gaylord (on 1928-02-13), Matty Malneck (on 1928-02-13), Mario Perry (on 1928-02-13) and Mischa Russell (on 1928-02-13)
- baritone vocals:
- Bing Crosby (on 1928-02-13)
- tenor vocals:
- Al Rinker (on 1928-02-13) and Austin “Skin” Young (on 1928-02-13)
- vocals:
- Jack Fulton (on 1928-02-13) and Charles Gaylord (on 1928-02-13)
- orchestra:
- Paul Whiteman and His Orchestra (on 1928-02-13)
- conductor:
- Paul Whiteman (on 1928-02-13)
- recorded at:
- Liederkranz Hall in New York, New York, United States (on 1928-02-13)
- recording of:
- Sunshine (on 1928-02-13)
- lyricist and composer:
- Irving Berlin
| | 3:01 |
5 | Mississippi Mud | | 3:31 |
6 | High Water | | 3:59 |
7 | From Monday On | | 3:07 |
8 | Lovable | | 3:01 |
9 | My Pet | | 2:55 |
10 | Louisianna | | 3:00 |
11 | Do I Hear You Saying “I Love You”? | | 3:00 |
12 | You Took Advantage of Me | | 2:55 |
13 | ’Taint So, Honey, ’Taint So | | 2:49 |
14 | That’s My Weakness Now | | 3:01 |
15 | Because My Baby Don’t Mean “Maybe” Now | | 2:59 |
16 | I’m in the Seventh Heaven | | 3:14 |
17 | Reaching for Someone (and Not Finding Anyone There) | | 3:21 |
18 | On, Miss Hannah | | 3:27 |
19 | Your Mother and Mine | | 3:08 |
20 | Waiting at the End of the Road | | 2:54 |