The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Annotation last modified on 2018-03-03 07:12 UTC.

Tracklist

▶ CD 1: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
▶ CD 2: Argenta · España / Tchaikovsky: Violin Concerto
▶ CD 3: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
▶ CD 4: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
▶ CD 5: Bartoli · Italian Songs
▶ CD 6: Bell · Barber & Walton Concertos
▶ CD 7: Blomstedt · R. Strauss: Eine Alpensinfonie
▶ CD 8: Böhm · Bruckner 4
▶ CD 9: Boskovsky · New Year’s Day Concert, 1979
▶ CD 10: Britten · War Requiem
▶ CD 11: Chailly · Messiaen: Turangalîla‐sinfonie
▶ CD 12: Chung · Bruch & Mendelssohn Concertos
▶ CD 13: Curzon · Mozart: Piano Concertos 20 & 27
▶ CD 14: Dohnányi · Schoenberg / Berg / Webern
▶ CD 15: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
▶ CD 16: Dutoit · Ravel: Ma Mère l’Oye / Boléro
▶ CD 17: Fleming · Opera Scenes
▶ CD 18: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
▶ CD 19: Haitink · Shostakovich 4 & 9
▶ CD 20: Hogwood · Purcell: Dido and Aeneas
▶ CD 21: Jansen · Britten & Beethoven Violin Concertos
▶ CD 22: Karajan · Holst: The Planets
▶ CD 23: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
▶ CD 24: Kertész · Dvořak: New World Symphony / Symphony 8
▶ CD 25: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
▶ CD 26: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
▶ CD 27: Lemper · Berlin Cabaret Songs
▶ CD 28: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
▶ CD 29: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
▶ CD 30: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
▶ CD 31: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
▶ CD 32: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
▶ CD 33: Martinon · Ibert: Divertissement / Borodin 2
▶ CD 34: Mehta · Varèse / Ives 2
▶ CD 35: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
▼ CD 36: Münchinger · Bach: Magnificat / Cantatas 10 & 140
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: I. Coro. Magnificat
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:21
2Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus
soprano vocals:
Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat, op. 26: II. Et exultavit
composer:
Urmas Sisask (in 1990)
part of:
Magnificat, op. 26
Johann Sebastian Bach2:32
3Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem – IV. Coro. Omnes generationes
choir vocals:
Vienna Academy Chorus (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:22
4Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna
baritone vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:20
5Magnificat in D major, BWV 243: VI. Aria (duetto). Et misericordia
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:18
6Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam
choir vocals:
Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
7Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
8Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis
contralto vocals:
Helen Watts (contralto) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach3:12
9Magnificat in D major, BWV 243: X. Aria (terzetto). Suscepit Israel
contralto vocals:
Helen Watts (contralto) (in 1968-05)
soprano vocals:
Elly Ameling (soprano) (in 1968-05) and Hanneke van Bork (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12
10Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
11Magnificat in D major, BWV 243: XII. Coro. Gloria Patri
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:36
12Cantata, BWV 10 Meine Seel erhebt den Herren: I. Coro. Meine Seel erhebt den Herren
choir vocals:
Wiener Akademie and Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:12
13Cantata, BWV 10 Meine Seel erhebt den Herren: II. Aria. Herr, der du stark und mächtig bist
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:04
14Cantata, BWV 10 Meine Seel erhebt den Herren: III. Recitativo. Des Höchsten Güt und Treu
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:25
15Cantata, BWV 10 Meine Seel erhebt den Herren: IV. Aria. Gewaltige stößt Gott vom Stuhl
bass vocals:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:26
16Cantata, BWV 10 Meine Seel erhebt den Herren: V. Duetto. Er denket der Barmherzigkeit
alto vocals:
Helen Watts (contralto)
bass vocals:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
contralto vocals:
Helen Watts (contralto) (in 1968-05)
tenor vocals:
Werner Krenn (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:03
17Cantata, BWV 10 Meine Seel erhebt den Herren: VI. Recitativo. Was Gott den Vätern alter Zeiten
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:25
18Cantata, BWV 10 Meine Seel erhebt den Herren: VII. Choral. Lob und Preis sei Gott dem Vater
choir vocals:
Wiener Akademie and Vienna Academy Chorus (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
19Cantata, BWV 140 Wachet auf, ruft uns die Stimme: I. Wachet auf, ruft uns die Stimme
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:14
20Cantata, BWV 140 Wachet auf, ruft uns die Stimme: II. Recitativo. Er kommt, er kommt
tenor vocals:
Gösta Winbergh (tenor) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:14
21Cantata, BWV 140 Wachet auf, ruft uns die Stimme: III. Aria (duetto). Wenn kömmst du, mein Heil
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:13
22Cantata, BWV 140 Wachet auf, ruft uns die Stimme: IV. Choral. Zion hört die Wächter singen
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:58
23Cantata, BWV 140 Wachet auf, ruft uns die Stimme: V. Recitativo. So geh herein zu mir
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:41
24Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VI. Aria (duetto). Mein Freund ist mein
bass vocals:
Tom Krause (bass-baritone) (in 1984-02)
soprano vocals:
Gabriele Fontana (soprano) (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach7:35
25Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VII. Choral. Gloria sei dir gesungen
choir vocals:
Stuttgarter Hymnus-Chorknaben (in 1984-02)
orchestra:
Stuttgarter Kammerorchester (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:52
▶ CD 37: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
▶ CD 38: Carreras / Domingo / Pavarotti · In Concert, 1990
▶ CD 39: Pavarotti ・ Puccini: Turandot (highlights)
▶ CD 40: Pickett · Susato: Dansereye
▶ CD 41: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
▶ CD 42: Rousset · Pergolesi: Stabat Mater
▶ CD 43: Schiff · Bach: Goldber Variations
▶ CD 44: Solti · Romantic Russia / Suppé: 4 Overtures
▶ CD 45: Solti · Mahler 8
▶ CD 46: Sutherland / Horne / Pavarotti · Live from Lincoln Center
▶ CD 47: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
▶ CD 48: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
▶ CD 49: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
▶ CD 50: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release Group

includes:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn (composer); Peter Maag (conductor)
Arcana / Intégrales / Ionisation by Edgard Varèse (composer); Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber (American orchestral, choral, opera & piano composer), Walton (composer and conductor), Bloch (composer); Joshua Bell (violinist), Baltimore Symphony Orchestra, David Zinman (conductor)
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók (composer), Ravel (classical composer); Julius Katchen (pianist), London Symphony, István Kertész (conductor)
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato (Flemish Renaissance composer); New London Consort, Philip Pickett (musician)
Daphnis et Chloé by Ravel (classical composer); London Symphony Orchestra, Pierre Monteux (conductor)
Eine Alpensinfonie / Don Juan by Richard Strauss (German composer); San Francisco Symphony, Herbert Blomstedt
España by Argenta (pianist and conductor), The London Symphony Orchestra
Goldberg Variations (1982 recording) by Johann Sebastian Bach (German Baroque period composer & musician); András Schiff (pianist)
Goyescas: Volumes 1 & 2 / El pelele by Granados (composer); Alicia de Larrocha (pianist)
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert (composer), Bizet (composer), Saint‐Saëns (composer); Paris Conservatoire Orchestra, Jean Martinon (conductor)
In Concert by Carreras (Spanish tenor), Domingo (tenor), Pavarotti (tenor), Mehta (conductor)
Italian Songs by Beethoven (German composer), Schubert (composer), Mozart (classical composer), Haydn (composer); Cecilia Bartoli (mezzo-soprano), András Schiff (pianist)
La fanciulla del West (1958 studio cast) by Puccini (Italian composer); Tebaldi (soprano), del Monaco (tenor), MacNeil (American baritone), Tozzi (operatic bass), Orchestra e Coro dell’Accademia di Santa Cecilia, Roma, Franco Capuana (conductor)
Le Sacre du printemps / L’Oiseau de feu by Stravinsky (Russian composer); Antal Doráti (conductor)
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel (classical composer); Orchestre symphonique de Montréal, Charles Dutoit (conductor)
Magnificat in D major / Cantata no. 10 by Bach (German Baroque period composer & musician); Ameling (soprano), Van Bork (soprano), Watts (contralto), Krenn (tenor), Rintzler (Romanian operatic bass), Krause (bass-baritone), Wiener Akademiechor (choir), Stuttgart Chamber Orchestra, Karl Münchinger (German conductor)
Mendelssohn Octet / Beethoven Septet by Mendelssohn (composer), Beethoven (German composer); Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker, Willi Boskovsky (violinist and conductor)
Piano Concerto No. 20 / Piano Concerto No. 27 by Mozart (classical composer); English Chamber Orchestra, Benjamin Britten (English composer, conductor, and pianist), Clifford Curzon (pianist)
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns (composer); Pascal Rogé (pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Charles Dutoit (conductor)
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven (German composer); Radu Lupu (Romanian concert pianist)
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi (composer), Rimsky‐Korsakov (Nikolaï Rimski‐Korsakov); The Cleveland Orchestra, Lorin Maazel (conductor)
Serenade for Strings / Souvenir de Florence by Tchaikovsky (Russian romantic composer), Academy of St Martin in the Fields, Neville Marriner (conductor)
Signatures: Great Opera Scenes by Renée Fleming (soprano), Sir Georg Solti (conductor), London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček (Czech composer); Wiener Philharmoniker, Charles Mackerras (Australian conductor)
Stabat Mater / Salve Regina by Pergolesi (composer); Andreas Scholl (countertenor), Barbara Bonney (soprano), Christophe Rousset (French harpsichordist & conductor), Les Talens Lyriques (French classical musical ensemble)
Symphonie no. 8 (1971 recording) by Mahler (composer); Chicago Symphony Orchestra, Georg Solti (conductor)
Symphony no. 4 by Bruckner (composer); Vienna Philharmonic Orchestra, Karl Böhm (Austrian conductor)
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák (composer); Vienna Philharmonic Orchestra, István Kertész (conductor)
The Planets by Holst (composer); Wiener Philharmoniker, Herbert von Karajan (conductor)
The Three-cornered Hat & La Vida Breve - Interlude & Dance by Manuel de Falla (Spanish composer); l'Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
Turandot (1972 studio cast) by Puccini (Italian composer); Sutherland (soprano), Pavarotti (tenor), Caballé (soprano), Ghiaurov (operatic bass), Krause (bass-baritone), Pears (tenor), John Alldis Choir, London Philharmonic Orchestra (LPO), Zubin Mehta (conductor)
Turangalîla‐Symphonie by Olivier Messiaen (composer and organist); Royal Concertgebouw Orchestra, Riccardo Chailly (conductor), Jean‐Yves Thibaudet (pianist), Takashi Harada (ondes Martenot player)
Violin Concertos / Scottish Fantasia by Mendelssohn (composer), Bruch (composer and conductor); Kyung Wha-Chung (violinist), Kempe (conductor), Dutoit (conductor)
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton (composer and conductor), Parry (English composer); Bryn Terfel (bass-baritone opera singer), Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton (conductor)
War Requiem by Benjamin Britten (English composer, conductor, and pianist); Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone)