111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Hungarian Dance No. 5 in G minor
recording engineer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
sound engineer:
Günter Hermanns (producer/engineer) (from 1982-04 until 1982-06) and Klaus Hiemann (German audio) (from 1982-04 until 1982-06)
executive producer:
Günther Breest (producer for classical music) and Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
editor:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (from 1982-04 until 1982-06)
conductor:
Claudio Abbado (conductor) (from 1982-04 until 1982-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1982-04 until 1982-06)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling) (from 1982-04 until 1982-06)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:23
2The Art of Fugue, BWV 1080: Contrapunctus 9. a 4 alla Duodecima
producer:
Christoph Classen (producer/engineer)
editor:
Christoph Wolff (liner notes)
piano:
Pierre‐Laurent Aimard (pianist) (in 2007-09)
balance engineer:
Tobias Lehmann (in 2007-09)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 2007-09)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 2007-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080
Johann Sebastian Bach2:22
3String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
cello:
Martin Lovett (cellist) (in 1963-06)
string quartet:
Amadeus Quartet (in 1963-06)
viola:
Peter Schidlof (violist) (in 1963-06)
violin [violin I]:
Norbert Brainin (violinist) (in 1963-06)
violin [violin II]:
Siegmund Nissel (violinist) (in 1963-06)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1963-06)
recording of:
String Quartet no. 14 in C-sharp minor, op. 131: II. Allegro molto vivace (in 1963-06)
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 14 in C-sharp minor, op. 131
Ludwig van Beethoven3:12
4Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:16
524 Préludes, Op. 28 No. 24 in D minor
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
6Pavane pour une infante défunte
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
solo horn:
Myron Bloom (hornist) (on 1981-04-30)
orchestra:
Orchestre de Paris (on 1981-04-30)
conductor:
Daniel Barenboim (pianist and conductor) (on 1981-04-30)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (on 1981-04-30)
recording of:
Pavane pour une infante défunte (orchestrated version) (on 1981-04-30)
orchestrator:
Maurice Ravel (classical composer) (in 1910)
composer:
Maurice Ravel (classical composer) (in 1899)
publisher:
Ed. Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:47
7Le nozze di Figaro, K. 492: Act II. "Voi che sapete"
recording engineer and producer:
Christopher Alder (editor/engineer/producer)
associate producer:
Ewald Markl
executive producer:
Christopher Alder (editor/engineer/producer) and Pål Christian Moe
cello [violincello]:
Franz Bartolomey (cellist) (in 1994-02) and Robert Scheiwein (Austrian cellist) (in 1994-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1994-02)
mezzo-soprano vocals [Cherubino, paggio del conte] and mezzo-soprano vocals [Cherubino]:
Cecilia Bartoli (mezzo-soprano) (in 1994-02)
orchestra:
Wiener Philharmoniker (in 1994-02)
conductor:
Claudio Abbado (conductor) (in 1994-02)
chorus master:
Dietrich D. Gerpheide (in 1994-02)
balance engineer:
Rainer Maillard
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1994-02)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1994-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:31
824 Préludes, Op. 28 No. 3 in G major
recording engineer:
Arend Prohmann (producer / editor) and Mark Buecker (Engineer of classical recordings) (in 2007-07)
executive producer:
Christian Leins
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 2007-07)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:03
9Suite No. 2 in B minor, BWV 1067: VII. "Badinerie"
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hans Ritter
flute:
Jean Soldan (in 1967-05)
strings:
Lucerne Festival Strings
orchestra:
Festival Strings Lucerne (in 1967-05)
conductor:
Rudolf Baumgartner (conductor) (in 1967-05)
balance engineer:
Günter Hermanns (producer/engineer) and Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Verkehrshaus in Lucerne, Luzern, Switzerland (in 1967-05)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (in 1967-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach1:31
10Requiem, Op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
recording of:
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch)
composer:
Gabriel Fauré (French composer)
arranger:
Ronnie Bauch
arrangement of:
Requiem, op. 48: IV. Pie Jesu
Gabriel Fauré4:06
11Préludes, Book I: VII. "Ce qu'a vu le vent d'Ouest"
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:45
12Carmen: Act I. "L'amour est un oiseau rebelle" (Havanaise)
recording engineer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-08)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (in 1977-08)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:27
13Overture Candide
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Hanno Rinke
orchestra:
Los Angeles Philharmonic (on 1982-07-24)
conductor:
Leonard Bernstein (on 1982-07-24)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24)
recording of:
Candide: Overture (on 1982-07-24)
composer:
Leonard Bernstein
part of:
Candide
Leonard Bernstein4:21
14Requiem in D minor, K. 626: III. Sequentia - Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-04)
orchestra:
Wiener Philharmoniker (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart54:16
15Sechs Lieder, Op. 17: II. Ständchen
recording engineer and producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
executive producer:
Ute Fesquet
piano:
Justus Zeyen (pianist) (in 2009-03)
soprano vocals:
Measha Brueggergosman (soprano) (in 2009-03)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-03)
recording of:
Ständchen, op. 17 no. 2 (in 2009-03)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:36
16Le sacre du printemps, Part II: "Le sacrifice" VI. "Danse sacrale" - "L'élue"
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Alison Ames
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Игорь Фёдорович Стравинский4:49
17El amor brujo: Canción del amor dolido
recording engineer and producer:
Karl Faust (producer)
mezzo-soprano vocals:
Grace Bumbry (mezzo‐soprano) (in 1965-06)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: III. Canción del amor dolido (in 1965-06)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla1:36
18L'Africaine, Act IV: "O Paradiso"
recorded in:
New York, New York, United States (on 1907-02-20)
tenor vocals:
Enrico Caruso (tenor) (on 1907-02-20)
phonographic copyright (℗) by:
BMG Classics (read annotations before use) (in 1907)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer3:43
19Concerto for Violin, Strings and Harpsichord in G minor, R. 325: II. Largo
recording engineer:
Hans Bernhard Bätzing (engineer, producer)
executive producer:
Marita Prohmann
violin:
Giuliano Carmignola (violinist)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento
composer:
Antonio Vivaldi
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi2:02
20Tosca, Act III. "E lucevan le stelle"
recording engineer:
Michel Glotz
executive producer:
Günther Breest (producer for classical music)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-09)
orchestra:
Berliner Philharmoniker (in 1979-09)
conductor:
Herbert von Karajan (conductor) (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1979-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini53:24
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