50 Finest Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:25
2’s Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Quincy Jones3:14
3Take Five
Dave Brubeck5:25
4Summertime
vocals:
Ella Fitzgerald
performer:
Louis Armstrong
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:56
5So What
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis9:23
6Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
7Stranger on the Shore
Acker Bilk3:08
8Mr. Bojangles
producer:
Don Costa (US pop music arranger & producer) and Mike Curb
recorded at:
Bell Sound Studios in New York, New York, United States (in 1971)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Cotillion Music Inc. (BMI), Gotillion Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sammy Davis Jr.5:45
9Fever
bass:
Joe Mondragon (in 1958-05)
drums (drum set):
Shelly Manne (in 1958-05)
finger snaps:
Peggy Lee (jazz vocalist) (in 1958-05) and Howard Roberts (jazz guitarist, educator, session musician and producer) (in 1958-05)
vocals:
Peggy Lee (jazz vocalist) (in 1958-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (in 1958-05)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:19
10My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Chet Baker2:22
11Jeepers Creepers
recorded in:
New York, New York, United States (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
drums (drum set):
Larry Bunker (in 1957-07)
piano:
Bobby Timmons (in 1957-07)
saxophone:
Jimmy Ford (saxophone) (in 1957-07) and Anthony Ortega (jazz saxophonist) (in 1957-07)
tenor saxophone:
Willie Maiden (in 1957-07)
trombone:
Bob Burgess (american trombonist) (in 1957-07) and Jimmy Cleveland (in 1957-07)
trumpet:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) and Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Maynard Ferguson2:34
12Strange Fruit
bass:
John Fields (Jazz bassist)
drums (drum set):
Marquis Foster
piano:
Buster Harding
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:18
13Ornithology
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-03-28)
double bass:
Vic McMillan (on 1946-03-28)
drums (drum set):
Roy Porter (on 1946-03-28)
guitar:
Arvin Garrison (on 1946-03-28)
piano:
Dodo Marmarosa (on 1946-03-28)
tenor saxophone:
Lucky Thompson (on 1946-03-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-03-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-28)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker3:04
14My Baby Just Cares for MeNina Simone3:32
15Put Off
bass:
Paul Chambers (US jazz bassist) (on 1961-12-15)
drums (drum set):
Connie Kay (on 1961-12-15)
piano:
Hank Jones (piano) (on 1961-12-15)
vibraphone:
Milt Jackson (on 1961-12-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-12-15)
Milt Jackson5:36
16What a Difference a Day MakesDinah Washington2:32
17So Long Eric
recording of:
So Long Eric
composer:
Charles Mingus
Charles Mingus4:34
18Autumn in New York
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-18)
bass:
Leroy Vinnegar (on 1955-09-18)
drums (drum set):
Lawrence Marable (on 1955-09-18)
piano:
Kenny Drew (on 1955-09-18)
tenor saxophone:
Dexter Gordon (on 1955-09-18)
instrumental cover recording of:
Autumn in New York (1934) (on 1955-09-18)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Dexter Gordon6:33
19The Entertainer
Chris Barber’s Jazz Band3:51
20Baby, It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) and Dinah Shore
orchestra:
Ted Dale and His Orchestra
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1949)
recording of:
Baby, It’s Cold Outside (Neptune’s Daughter)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
Dinah Shore2:21
21Greenbacks
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
bass:
Jimmy Bell (jazz bassist) (on 1954-11-18)
drums (drum set):
Glenn Brooks (on 1954-11-18)
guitar:
Wesley Jackson (US R&B guitarist) (on 1954-11-18)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
solo baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1954-11-18)
tenor saxophone [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (on 1954-11-18)
trumpet:
Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
Greenbacks (on 1954-11-18)
writer:
Renald Richard
Ray Charles2:55
22As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
Tony Bennett3:15
23Stairway to the Stars
recording engineer:
Bill Schwartau (on 1962-06-02)
double bass [bass]:
Chuck Israels (on 1962-06-02)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1962-06-02)
piano:
Bill Evans (pianist) (on 1962-06-02)
recorded at:
Sound Makers in New York, New York, United States (on 1962-06-02)
instrumental recording of:
Stairway to the Stars (on 1962-06-02)
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans4:50
24Fly Me to the Moon (In Other Words)Nancy Wilson with The Billy May Orchestra2:54
25Honeysuckle Rose
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Count Basie3:02
26I Wanna Be Loved by You
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
lyricist:
Bert Kalmar
composer:
Harry Ruby and Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Marilyn Monroe2:59
27Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:50
28A Quiet Gass
double bass:
Rolly Bundock and Joe Mondragon
drums (drum set):
Shelly Manne and Alvin Stoller
French horn:
John Cave (french horn), Vincent DeRosa, John Graas and Richard Perissi
guitar:
Bob Bain (guitarist), Al Hendrickson and Barney Kessel
piano:
John Williams (American jazz pianist)
reeds:
Gene Cipriano, Plas Johnson, Ronnie Lang and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash and Jimmy Priddy
trumpet:
Frank Beach (trombone, trumpet), Pete Candoli and Conrad Gozzo
vibraphone:
Larry Bunker and Victor Feldman (jazz musician)
woodwind:
Paul Horn, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ronny Lang
recording of:
A Quiet Gass
composer:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini3:05
29Let Me Off Uptown
Gene Krupa3:04
30Sing Sing Sing
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Benny Goodman5:04
31Lullaby of Birdland
phonographic copyright (℗) by:
Warner Music France (in 2010)
Mel Tormé34:50
32A Night in Tunisia
Ronnie Scott3:41
33Patterns
bass:
Jamil Nasser (from 1970-02-02 until 1970-02-03)
drums (drum set):
Frank Gant (from 1970-02-02 until 1970-02-03)
piano:
Ahmad Jamal (from 1970-02-02 until 1970-02-03)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1970-02-02 until 1970-02-03)
recording of:
Patterns (in 1970-02)
composer:
Ahmad Jamal
Ahmad Jamal6:15
34I’ve Got You Under My Skin
Stan Getz3:19
35Embraceable You
recorded in:
New York, New York, United States (on 1954-12-18)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-12-18) and Richard Davis (American jazz bassist) (on 1957-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-12-18, on 1957-08-08)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1957-08-08)
vocals:
Sarah Vaughan (on 1954-12-18, on 1957-08-08)
conductor:
Ernie Wilkins (on 1954-12-18)
arranger:
Ernie Wilkins
recorded at:
Mister Kelly’s in Chicago, Illinois, United States (on 1957-08-08)
cover recording of:
Embraceable You (on 1954-12-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
live cover recording of:
Embraceable You (on 1957-08-08)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:51
36Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
Lena Horne2:34
37In the Mood
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller43:35
38Smoke Gets in Your Eyes
Lawrence Welk2:19
39Lullaby in Rhythm
double bass:
Eddie Safranski (on 1946-07-31)
drums (drum set):
Shelly Manne (on 1946-07-31)
piano:
Arnold Ross (on 1946-07-31)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1946-07-31)
trombone:
Kai Winding (on 1946-07-31)
trumpet:
John Anderson (US jazz trumpeter) (on 1946-07-31)
recording of:
Lullaby in Rhythm (on 1946-07-31)
lyricist:
Walter Hirsch (in 1938)
composer:
Clarence Profit (in 1938), Benny Goodman (clarinetist and bandleader) (in 1938) and Edgar Sampson (in 1938)
June Christy2:36
40Tuxedo Junction
Al Hirt2:42
41Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (trombone player) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw3:17
42Buona Sera
vocals:
Louis Prima (in 1956-04)
orchestra:
The Witnesses (in 1956-04)
recording of:
Buona sera (in 1956-04)
lyricist:
Carl Sigman
composer:
Peter de Rose
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Louis Prima2:58
43Route 66Nat King Cole3:02
44Dream a Little Dream of MeFrankie Laine2:49
45Let’s Do It (Let’s Fall in Love)
orchestra:
Henri René & His Orchestra (on 1953-10-05)
recording of:
Let’s Do It (Noël Coward version)
additional lyricist:
Noël Coward
lyricist and composer:
Cole Porter (composer)
version of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Eartha Kitt3:09
46Toot‐Toot Tootsie
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Percy Heath (from 1957-06-11 until 1957-06-12)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1957-06-11 until 1957-06-12)
piano:
Sonny Clark (from 1957-06-11 until 1957-06-12)
tenor saxophone:
Sonny Rollins (from 1957-06-11 until 1957-06-12)
engineered at:
Reeves Sound Studios in New York, New York, United States (from 1957-06-11 until 1957-06-12)
instrumental cover recording of:
Toot, Toot, Tootsie (Goo’ Bye) (from 1957-06-11 until 1957-06-12)
writer:
Ernie Erdman, Gus Kahn and Dan Russo
publisher:
Salabert
Sonny Rollins4:22
47That Old Feeling
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (jazz bassist) (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
That Old Feeling (on 1957-10-12)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
Gerry Mulligan5:59
48On the Sunnyside of the StreetDizzy Gillespie5:40
49Love for Sale
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Love for Sale (on 1958-03-09)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley57:08
50Yardbird Suite
recording engineer:
Tom Dowd (on 1958-08-03)
producer:
Nesuhi Ertegun (on 1958-08-03)
double bass [bass]:
Percy Heath (on 1958-08-03)
drums (drum set):
Connie Kay (on 1958-08-03)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1958-08-03)
vibraphone:
Milt Jackson (on 1958-08-03)
live recording of:
Yardbird Suite (instrumental version) (on 1958-08-03)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1946)
Modern Jazz Quartet5:14

Credits

Release

purchase for download:https://play.google.com/store/music/album?id=Bd4d6iscec6jlsxl3w6upwlmikm [info] (until 2020-10-12)
ASIN:UK: B0099WYOZC [info]