Memories Are Made of This

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

CD 1: Love Is a Many-Splendored Thing / Moments to Remember
#TitleArtistRatingLength
1Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Memories Are Made of This
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin with The Easy Riders52:17
2Love Is a Many-Splendored ThingThe Four Aces feat. Al Alberts3:00
3Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole with Nelson Riddle and His Orchestra43:12
4You Light Up My LifeDebby Boone3:40
5The Way We WereJohnny Mathis3:46
6I'll Get By (As Long as I Have You)
The Ink Spots2:56
7Secret Love
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
Doris Day33:40
8The Last Farewell
vocals:
Roger Whittaker
recording of:
The Last Farewell (1971 song)
lyricist:
Ron Webster (silversmith)
composer:
Roger Whittaker
Roger Whittaker with Roland Shaw & His Orchestra4:00
9Always on My Mind
producer:
Chips Moman
bass:
Mike Leech (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982, in 2003)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
live cover recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing Co., Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (Hong Kong) Ltd., Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
recording of:
Always on My Mind
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing Co., Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (Hong Kong) Ltd., Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
Willie Nelson4.753:33
10Blue VelvetBobby Vinton2:50
11Moments to Remember
mezzo-soprano vocals [singing voice on 1st lead and harmony]:
Lois Winters
spoken vocals [poetic spoken voice]:
Pat Kirby (American jazz singer)
vocals:
The Four Lads
orchestra:
Ray Ellis and His Orchestra & Chorus
conductor:
Ray Ellis (US producer, arranger and conductor)
recording of:
Moments to Remember (1955 song)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. and フジパシフィックミュージック
The Four Lads with Ray Ellis and His Orchestra & Chorus3:19
12You Belong to MeJo Stafford with Paul Weston & His Orchestra3:07
13Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:16
14Save the Last Dance for Me
recorded in:
New York, New York, United States (on 1960-05-19)
guitar:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1960-05-19)
baritone vocals:
Dock Green and Doc Green (on 1960-05-19)
bass vocals:
Elsbeary Hobbs (on 1960-05-19)
lead vocals:
Benny Nelson (on 1960-05-19)
tenor vocals:
Charlie Thomas (The Drifters) (on 1960-05-19) and Johnny Williams (soul/blues vocalist) (on 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 12) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 182)
recording of:
Save the Last Dance for Me (on 1960-05-19)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Songs, Inc., Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Hill & Range (publisher) (in 1974) and Trio Music (publisher) (in 1974)
The Drifters52:28
15The First Time Ever I Saw Your Face
producer:
John Court
cover recording of:
The First Time Ever I Saw Your Face
lyricist and composer:
Ewan MacColl
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
Gordon Lightfoot3:13
16It Had to Be You
Kenny Rogers2:42
17And I Love You So
engineer:
Tom Pick
producer:
Chet Atkins
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1973-01-19)
conductor:
Cam Mullins (on 1973-01-19)
arranger:
Cam Mullins
cover recording of:
And I Love You So (on 1973-01-19)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Perry Como3:21
18When You Where Sweet Sixteen
The Mills Brothers3:08
19At Last
producer:
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) and Phil Chess
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 115)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.353:01
CD 2: The Anniversary Song / Through the Years
CD 3: I'll Be Seeing You / Devoted to You
CD 4: When I Fall in Love / I Can't Stop Loving You